Something a bit different today. Along the back side of the loop at the Rachel Carson National Wildlife Refuge Visitor Center, there was a land slippage on the high bank over Branch Brook last spring that took an overlook and part of the trail with it. One of the tall spruces that was on the edge of the bank is now down near the river, leaning against the back and out over the trail. It did not survive the fall, and is now slowly turning brown. They will get to it with a chainsaw one of these days soon, but for now it is like a rich bronze casting over the trail, especially in afternoon light. I moved in close and tried several different compositions out at the long end of the zoom, in an attempt to capture the effect. Sony Rx10iv at about 440mm equivalent. Program mode with my custom birds and wildlife modifications (which I also use for macro). Processed in Polarr and Apple Photos.
A bit of Silver Birch bark detail from Laudholm Farms in the crisp light of a clear early March afternoon. I like the way the texture of bark contrasts with the lovely bokeh of late winter, early spring forest. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos.
Three trees obviously. Pine, Maple, and Birch. Two at Rachel Carson National Wildlife Refuge and one just down the road at Laudholm Farms. I don’t know if you can call it a “good” use of an ultra wide frame of view, but I like to try it on occasion. 🙂 Sony a5100 in-camera HDR at 18mm equivalent. Processed in Polarr and assembled in FrameMagic. The trick of course is to be really close to the tree…but then trees are not that shy.
This is my second shot of “the tree that holds up the sky…” for this year. It is, of course, just a particularly attractive, and big, tree at Emmon’s Preserve along the Bascom River in Kennebunkport, Maine. But it definitely has a “the tree that holds up to sky” feeling to it, or so I think. 🙂 Sony RX10iv in-camera HDR at 36mm equivalent. Auto HDR mode. Nominal exposure 1/160th @ f3.2 @ ISO 100. Processed in Polarr.
“If your eye is generous, your whole being is full of light.” Jesus
Sometimes it is hard to the that tree, and sometimes it is just too hard not to be.
To the generous eye it is all one. God is a the God of infinite variety. We treasure each tree in its difference, and treasure the difference in each tree.
There are few places stranger than
the pine plantation at Alwive Pond.
The trees all of a kind and all of an
age…my age…or a few years younger,
planted in the early 50s to fill in
for the fires of 47. And today, in
a January thaw, the trees stand stark
in the filtered light, unnaturally even,
holding high a fragile roof against
the winter sky. The hush is so profound
it is a presence, behind you, a cowled
multitude, breathing reverence in
perfect rhythm to your breath.
Sony Rx10iii in-camera HDR. 24mm equivalent field of view. Processed in Polarr on my iPad Pro for a somewhat high-key effect to bring out the geometry.
We had another of those snowed all day and then turned to rain days in Southern Maine yesterday, but for a while there we had a nice white frosting over everything. This is just a Blue Spruce in the yard of a house down the street. I like the delicacy of the blue/green against the white, and the contrast in texture between the needles and the snow.
Sony RX10iii at 600mm equivalent field of view. Program mode. 1/250th @ ISO 250 @ f4. Processed in Polarr on my Android Tablet.
This little oak tree, along the edge of Day Brook Pond on the Kennebunk Plains Wildlife Management Area in West Kennebunk Maine is one of my favorite local trees. I took the opportunity, as someone had been ahead of me from the road to the parking area in the new snow and made a way for the car, to walk into the pond to see it in the snow. We had rain for the last few hours after the snow fell, so the snow on the branches of the tree is pretty much frozen in place. This was early morning, and I assume that after two days of sun now, the branches will be bare again, but catching it at the right moment made for an interesting contrast with the Grey bark of the tree.
Sony RX10iii at 30mm equivalent field of view. 1/1000th @ f4.5 @ ISO 100. Program Mode. Processed in Polarr on my Android tablet.
After a wet snow, ending in fairly heavy rain, I did not expect the snow to last into yesterday, but I woke to temperatures in the teens and bright sun on a snow covered landscape. Photoprowl! It was up in the mid 20s by the time I got out, but the sun was still shinning and the snow, with a hard crust from the rain, glistened everywhere. I knew the rain had washed all the snow away on the coast, so I headed inland just on the chance that someone with a heavier 4 wheel drive vehicle had been into the pull-offs on the Kennebunk Plains. And someone had indeed driven into the Day Brook Pond parking all the way, and left such a good trail that I felt safe trusting the Ford hybrid to it. It might be my last chance to walk into Day Brook this winter, if we get much more snow.
This little pine is on the edge of the pond. I looked up as I passed it, and could not resist the sun coming through on the burdened branches.
Sony RX10iii at 62mm equivalent field of view. In-camera HDR. Processed in Polarr on my Android tablet.
“If your eye is generous, your whole being is full of light!” Jesus
On my photoprowl out to the snowy fields and forest a few afternoons ago, I was on the boardwalk at the Wells National Estuarine Research Center at Laudholm Farms in Wells, looking for whatever spoke to me of winter. It was early afternoon and the light was already almost horizontal, but where, in the days before the snow, it seemed to pick out the warmth and texture of the world…now it cast blue shadows and drew the detail sharp. The contrast between the texture of the bark on this birch, standing a foot from the boardwalk, and the fine grained texture of the snow behind it caught my eye. There was something in the shadows, the way they lay across the snow and behind the birch, that added interest, and the little shattered stump, so pointy, fell in place as an accent. It was the matter of seconds to lift the camera, already set for great depth of field, frame, placing the diagonal just so, and shoot. In-camera HDR and processing in Lightroom brought up the shadows on the trunk and in the snow to make them look natural, subtly molding the surfaces the textures where they fell.
And still it is a picture of nothing in particular. It is a composition about composition…an image about imagery. I could look at it forever. I am tempted to make a really large print of it and hang it where my eye could discover it again, sometimes, in passing, and pause to see what is new in it. It would make a great picture for the wall of a doctor’s office. 🙂
It is, so to speak, a playground for the generous eye…inviting vision…inviting the light inside to come out and play. I think it brings the spirit to the surface, so it fills the eye, brimming like water in a spring. I think it wakes the wonder that is the life of our souls and tempts us to touch what is eternal in us and in the world. Ah, but it is just a picture, you say…a picture of nothing in particular. Yes, I say, and that is what is so wonderful about it! But it takes a generous eye to see. Happy Sunday!