The Sumac plumes are bright red this week. I found this one along Water Street here in Kennebunk just beyond the Roger’s Pond turnoff. Sony Rx10iv at 600mm equivalent. Macro at the long end of the zoom in program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos.
Something a bit different today. Along the back side of the loop at the Rachel Carson National Wildlife Refuge Visitor Center, there was a land slippage on the high bank over Branch Brook last spring that took an overlook and part of the trail with it. One of the tall spruces that was on the edge of the bank is now down near the river, leaning against the back and out over the trail. It did not survive the fall, and is now slowly turning brown. They will get to it with a chainsaw one of these days soon, but for now it is like a rich bronze casting over the trail, especially in afternoon light. I moved in close and tried several different compositions out at the long end of the zoom, in an attempt to capture the effect. Sony Rx10iv at about 440mm equivalent. Program mode with my custom birds and wildlife modifications (which I also use for macro). Processed in Polarr and Apple Photos.
Deep in the forest, the vernal pools are slow to melt. This one has been working on it for weeks, and there is still a ways to go. There is not much water underneath the ice so most of the melt has to happen at the surface. It does make for some interesting abstract images though. 🙂 Sony Rx10iv at 90mm equivalent. HDR mode. Processed in Polarr and Apple Photos. Wells Reserve at Laudholm Farms, Wells, Maine.
Native phragmites reeds at the edge of the marsh at the Wells Reserve at Laudholm Farms in Wells, Maine. I zoomed out to 600mm and shot the stand of reeds waving in the wind, and then sorted out the most effective shots. Going for the total abstract reality look. 🙂 Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos.
A bit of Silver Birch bark detail from Laudholm Farms in the crisp light of a clear early March afternoon. I like the way the texture of bark contrasts with the lovely bokeh of late winter, early spring forest. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos.
We will take a break from the birds (and wildlife) of Florida this morning for this shot of ice bells on the Mousam River here in Kennebunk. I went out with my new ultra wide landscape camera to see what I could see along the Mousam, and had to walk back to the car for my RX10iv with its longer lens to get a close-up these ice bells several feet out into the stream. So it goes 🙂 Sony RX10iv at 378mm equivalent. In-camera HDR. Nominal exposure 1/250th @ f4 @ ISO 160. Processed in Polarr.
My first morning in Titusville Florida, I got up early enough to be on Blackpoint Wildlife Drive at Merritt Island National Wildlife Refuge before sun-up. I was surprised, in fact, to find the gate open. I have gotten there other years to find it still closed. I did stop at the end of the bridge coming on to Merritt Island for a pre-sunrise shot or two. At any rate the sun had not climbed over the trees to the east when I took this shot. Two Tricolored Herons against the light. It is a bit artsy, but I like it for the way it captures the moment.
Sony RX10iii at 254mm equivalent field of view. 1/250th @ ISO 250 @ f4. Processed in Polarr on my iPad Pro.
“If your eye is generous, your whole being is full of light.” Jesus
Sometimes it is hard to the that tree, and sometimes it is just too hard not to be.
To the generous eye it is all one. God is a the God of infinite variety. We treasure each tree in its difference, and treasure the difference in each tree.
There are few places stranger than
the pine plantation at Alwive Pond.
The trees all of a kind and all of an
age…my age…or a few years younger,
planted in the early 50s to fill in
for the fires of 47. And today, in
a January thaw, the trees stand stark
in the filtered light, unnaturally even,
holding high a fragile roof against
the winter sky. The hush is so profound
it is a presence, behind you, a cowled
multitude, breathing reverence in
perfect rhythm to your breath.
Sony Rx10iii in-camera HDR. 24mm equivalent field of view. Processed in Polarr on my iPad Pro for a somewhat high-key effect to bring out the geometry.
It was windy yesterday, and though the temperature was only in the low 30s, it was bitter cold to be out. I only lasted less than an hour on my photoprowl along the Kennebunk Bridle Path, before my hands were hurting enough so it was not fun anymore. Still I found these interesting (to me) patterns in the ice in the little water channels next to path where it passes through the woods behind the marsh. They, and patterns like them, inspired this poem.
Whatever is written in the ice
at the edge of forest pools in
January, is evidently in code,
or some long forgotten Cyrillic
alphabet, all styalized curves,
more drawn than written, as
though by monks illuminating
medieval manuscripts by candle
light. It will take a better mind
than mine to decipher it. But
then, I am pretty certain the
message is not for me anyway…
Sony RX10III @ 77mm equivalent field of view. In-camera HDR. Nominal exposure: 1/250th @ ISO 100 @ f3.5. Processed and cropped for composition in Polarr on my iPad Pro.