Tufted Titmouse: Kennebunk, Maine, USA — If the November sun is a different kind of light, the November shade is a different kind of shade. All summer photography under the pines were one set of feeders are was difficulty because of the abundance of vegetation and the depth of the shade. Now, as the leaves are mostly fallen, and the light is coming in more obliquely, and from across the yard as opposed to behind the house, the open shade under the pines is becoming slightly more photographically assessable. This Tufted Titmouse only sat for a second, as is their habit, but long enough for a couple of frames. The light brings out the subtle hues of the bird’s plumage. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos. ISO 1000 @ f4 @ 1/500th.
We were up in the 70s on Saturday…a real Indian Summer. I did a bit of research on the term “Indian Summer”…to see how much cultural baggage it might carry…but its origins are hazy at best, and it seems never to have had a negative connotation. It…a warm dry spell in October or November…is called different things in different cultures. It is “old woman’s summer” in German speaking countries, “poor man’s summer” in slavic countries, “gypsy summer” in the Balkans, “little summer” in South America (where it happens in May), and “little autumn of the geese” in Gaelic. Many people name it for one of the Saints whose Saint Day falls in late fall…though the particular Saint varies by region. At any rate, I don’t feel too guilty calling it Indian Summer. To celebrate I got my ebike out and took a ride. I was arrested by this scene as I crossed the bridge over the Merriland River in Wells on my way to Laudholm Farms. Sony Rx10iv at about 135mm equivalent. Program mode with auto HDR. Nominal exposure: ISO 640 @ f4 @ 1/320th. Processed in Polarr and Apple Photos.
This is along the Mousam River in Kennebunk Maine, at Roger’s Pond Park. Slipping on into the very end of fall. Sony Rx10iv at 24mm equivalent. Program mode with HDR. Processed in Polarr and Apple Photos. Nominal exposure: ISO 100 @ f2.8 @ 1/250th.
Southern Maine’s second fall…when the oaks and birches turn…is not, perhaps, as spectacular as the first…when the Maples turn bright yellow and red…but it has a beauty of its own…especially under the late October (and sometimes November) skies. October this year, definitely, as the season came early. This is a little stream that comes down to the Mousam River and crosses under Water Street in Kennebunk, Maine. Sony Rx10iv at 28mm equivalent. Program mode with Auto HDR. Processed in Polarr and Apple Photos. Nominal exposure: ISO 100 @ f4 @ 1/320th.
What makes fall fall is not only the color of the maple and oak leaves, it is the feel and texture of them underfoot…the carpet. Not so good when it covers your lawn, but it certainly gives the fall forest its character. Sony a6500 with 18mm equivalent ultra wide combo lens set. Program mode with auto HDR. Processed in Polarr and Apple Photos. Laudholm Farms, Wells, Maine.
It takes a while for fall to work its way through a forest, and it always starts at the outside edge, where colder air reaches ground level. That produces some beautiful tapestries of color. This shot is on Rachel Carson Wildlife Refuge land along Route 9 near the Mousam River bridge in Kennebunk Maine. Sony Rx10iv sweep panorama in portrait mode at 24mm equivalent. +1 EV (necessary on this camera in panorama mode.) Processed in Polarr and Apple Photos. Nominal exposure ISO 100 @ f6.3 @ 1/250th.
Laudholm Farms, Wells, Maine, USA. I try to remember to do at a least a few vertical framings on every outing, just for the difference in perspective. This is a shot with the Sony a6500 and the 18mm equivalent ultra-wide combo lens (16mm f2.8 plus Ultra Wide converter). Program mode with HDR. Processed in Polarr and Apple Photos.
The lower Mousam River in Kennebunk, Maine, about a mile inland near the Rt. 9 bridge. Sony Rx10iv at 24mm equivalent. Program mode with HDR. (Nominal exposure: ISO 100 @ f4.5 @ 1/1000) Processed in Polarr and Apple Photos.
Fall is passing rapidly in Maine…I think the last of the maple leaves came off the trees in our yard during the storm on Friday, but we are still at the point where there the forests and wooded neighborhoods are alive with color. So much beauty. I don’t know where to look. 🙂 That might be the theme of this photo as well. I am sometimes accused of taking photos of nothing…or photos with no “center of interest”…but the truth is, I like photos where the photo itself is the center of interest…not photos of some “thing” but photos that attempt present the scene as it is seen…with all the clutter, color, texture, detail that fascinate the eye…or at least my eyes. This is a scene from the woods at Laudholm Farms, in Wells, Maine, along the trail at the south edge of the property. Sony a6500 with the 18mm equivalent ultra-wide lens combo. Program mode with HDR. Processed in Polarr and Apple Photos.
Three vertical fall frames to make an Autumn triptych. The Baston River at Emmon’s Preserve in Kennebunkport, the forest along Brown Street and a pond along Rt. 9 in Kennebunk. All subjects I have photographed and posted in more conventional landscape mode, but this provides a different view. Far left and right, Sony a6500 with the ultra-wide combo, 18mm equivalent. Center Sony Rx10iv at 24mm equivalent. Program mode with HDR. Processed in Polarr and Apple Photos and assembled in FrameMagic.