I took my scooter down to the beach in the early evening yesterday, mostly to feel the cooling wind of my passage at the end of yet another day of oppressive heat and humidity. We don’t get many of those in Southern Maine, not enough to justify the cost of an air-conditioner certainly, so when we do get them, all we can do is sort of suffer through with window fans, iced drinks…and occasional scooter rides when things just get too drippy.
Turns out the sky over the ocean and the marshes was spectacular. I puttered about from place to likely place, cooling myself in the rides, and took a lot of pictures. π
This is the view last night out to sea from one of our semi-private beaches. I like the low angle. It was taken with my Samsung Smart Camera WB250F, which, unfortunately, does not have an articulated LCD. What it has is an excellent, no-tripod-needed, in-camera HDR, which was called for here. I am learning, for the the low shots, to shoot more or less blind, and straighten in software later π Rich Tone mode. 24mm equivalent field of view. Recorded exif for the three shot sequence was f3.2 @ 1/500th @ ISO 100. Processed in PicSay Pro on the Samsung Galaxy S4 smartphone.
And for the Sunday thought: I was also having, yesterday, a Facebook conversation with a young friend, the son of an old friend, about choosing a place to live. I gave him several suggestions from among the places I have lived and visited, but then he specified that he needs the ocean. “Being able to look out over the water from the beach and not to be able to see the other side, is something that I really need. I need that sense of curiosity and the sense of greatness that the power of the ocean displays.”
Today’s image is, in fact, the view he grew up with. The family moved inland while he was still young, but his grandparents still have a house on this beach, and I am sure he looked out on this sea often enough each summer so the view became part of the essence of his soul.
I, on the other hand, grew up in hills. My father and mother built a house on the shoulder of a high hill in rural New York State. The view that shaped me was pasture and woodland stretching away in folds to the horizon. We never got to the ocean at all. When we wanted, as people will, whether they can articulate the need as such, a wider horizon, the mystery and the wonder of the long view, we would drive up, or hike up one of our green mountains. For me, the view from a bare hill top, or even more, the view from a stony mountain top, especially under a spectacular sky, has the same power as the view out over the sea does for my friend. It might be more “homey” and even more “homely” but it is still full of power and glory.
I did not come to the sea, really, until I was a young man, and then we lived by the ocean just long enough for me to miss the view when we moved far inland to the desert mountains of the Southwest. I am, after all, back by the sea. And yet, I found that same mystery and wonder in the desert. Oh I have never seen a real desert, with sand dunes or stony flats running on to the eye-level horizon, but I found that sense of power and grandeur in the intensely living desert of the American Southwest, always with its mountain islands rising to the sky in every direction. And the view from the tops of those mountains! There was a wonder.
And then, too, while we lived in New Mexico, we spent time in the Rocky Mountains of Southwest Colorado each summer, camping and hiking. I defy anyone to climb even a 10,000 foot, wildflower infested, peak in High Peaks area of Colorado and not feel the awe of that long view!
More recently I discovered the far views of the Potholes and Prairies region of North Dakota. Such skies. Such an expanse of land. And I have, on a few trips there, learned to love the gentle vistas of England…from the hills and lakes of mid-lands to the mountains and lakes of the Lake District, to the rolling expanse of the Dales, to the grandeur that is Scotland, Skye, and the Hebrides.
And last year I was totally blown away by the awesome skies over the somehow miniature, certainly manicured, and always canal cut, landscapes of Holland.
And, come to think of it, I have felt exactly the same wonder and awe standing in a redwood grove where I could not see 1000 feet in any direction or the sky at all…where all the power and majesty was in the size and age of the life around me, where the long view was not spacial but temporal.
And waterfalls…falling water…rapids even…the eternal rush is always enough to take my breath away.
So what does it come down to? I need to live in a place where I can feel the awe of the long view, the energy of what is wild and wide and beyond my control, certainly, but I have come to realize that the awe is not in the place, but in me. If I never again saw the view out over the ocean on a day with a great sky, I would miss it, but it would not stop me from finding the awe of the place I was in. And I realize in writing this that I am about due for high mountain experience. I miss the mountains! But that will not stop me from scootering down to the beach on a hot day to find the awe that lives out over the ocean and the marshes. Today, since the mountains are too far, I will go find a waterfall, and maybe some dragonflies, and a deep dark forest.
Those are well within the reach of my scooter…and they will do for the awe of the day!
Can you stand another Wood Lily? Yesterday, after posting my Wood Lilies in the morning, I began to regret not having seen them in full sun. For one thing, more light would give me greater depth of field, and, with the length of the petals and the tall anthers, that would be a good thing :). For another it would bring out the vibrant color of the blooms. Of course I would have to deal with harsher shadows…but…all in all more light light on the Wood Lilies seemed a thing to be desired. So I got on my scooter at lunch time and took a run out to where I had seen them on Sunday.
Of course, they were all gone. Ah well…next year.
But then, as I found some dragonflies to keep me busy, I was still there when two birders drove up, looking for the specialties of the area. In the course of the conversation, I mentioned photographing the the Wood Lilies and my disappointment that they were gone. “Oh there’s lots of them over on the other side of the road.” They described where to look, and I did, and they were, indeed, lots of them…several stands of 30 or more plants…and those were just the ones I found.
I like this shot for the two lilies, for the depth, and for the tiny Green Metallic Bee down at the base of the petal on the far right. π Of course I did not see the bee until this morning when selecting an image to post. But any Green Metallic Bee is a bonus not to be passed by. Or that’s what I think. (If you want a good look at the bee…click here for the Google+ lightbox. When it opens, place your pointer over the bee, and rotate the mouse wheel forward. The image will zoom in. You can get an even larger view by clicking on the upper right corner of the image to open it in full screen mode and doing the same zoom trick. It requires a delicate touch to do with a two finger drag on a trackpad, but it can be done.)
Samsung Smart Camera WB250F. Macro Mode. 34mm equivalent field of view. Β f3.4 @ 1/1000th @ ISO 100. Processed in PicSay Pro on the Samsung Galaxy S4 smartphone.
I am not sure why, but this little snippet from Roger’s Pond in Kennebunk Maine has a very oriental feeling to it. At the same time it reminds me of William Carlos Williams Red Wheelbarrow poem.
so much depends
upon
the red wheelbarrow
glazed with rain water
beside the white
chickens
There is that sense of much depending on the close observation of a fragment of reality: here the reeds standing in the dappled water among the distorted shadows of the trees around the pond. It is a very simple composition…but there is a lot more to it, somehow.
Samsung Smart Camera WB250F in Rich Tone (HDR) mode. 41mm equivalent field of view. Nominally f3.6 @ 1/1225 @ ISO 100. Processed in PicSay Pro on the Samsung Galaxy S4 smartphone.
If you enjoy the beach, here in Southern Maine, and you are a local, you go early or you go late. During the day, there are no parking spaces…they are all filled with folks from away who are trying determinedly to pack a full Maine experience into 6 days, and living out of a motel. It is great for the economy, of course. It just means we locals only see the beach and the dunes and the ocean at their best light π
This was late: 6:47 PM according to the clock on my camera. The light is low and lovely. The Timothy Hay is ripe and ready for cutting (they had already started at the other end of the field). The avenue of maples along the road is standing, as they have for generations, sentry over the whole. And just enough clouds, out over the ocean, to give the sky a bit of interest. Lovely all together!
Samsung Smart Camera WB250F in Rich Tone (HDR) mode. 24mm equivalent field of view. Nominally f3.2 @ 1/250th @ ISO 100 (nominal because it is actually three exposures combined…I assume the recorded exif is for the “middle” exposure). Processed in PicSay Pro on the Samsung Galaxy S4.
Sweep Panorama is a very strange thing. This is a about a 180 degree view of the dam on the Mousam River in Kennebunk Maine, taken from the middle of the bridge over the river. The dam is, of course, a straight line in reality, and the railing is both straight and continuous. I have attempted this pano with conventional stitched panorama techniques and it is next to impossible. The buildings on the left, in particular, never match up in any two shots. Sweep panorama renders what is perpendicular to the motion of the camera very well, as it records one thin line at a time…and the distortions in the other dimension are interesting. On the camera itself, you can view the panorama as a sweep, which is also interesting. Someone needs to create a panorama viewer for the computer. π
Samsung WB250F in Panorama Mode. Processed in PicSay Pro on the Samsung Galaxy S4.
Back in the day of slow film emulsions, taking a photo of a waterfall, or water falling over ledges as in this image, especially in deeply shaded glens where waterfalls are likely to be found, resulted in the “silky water effect.” During the long exposure required to capture the image, the moving water painted itself on the emulsion as blur, with all detail submerged in a smooth flow like a cascade of silk. As it happened, the result was very like how some painters rendered falling water, attempting to capture a feeling of motion in the blur. As film speeds and quality increased, it became possible to “freeze” the flowing water, even catching ripples in their run and splashes in mid-air. However, the “silky water effect” never lost its appeal. Photographer’s today go to great lengths, internationally undermining the strengths of their equipment with neutral density filters and the like, to recreate the painterly, traditional, silky water effect.
The engineers at Samsung, when designing the software for their Smart Camera family, included a “waterfall” mode among the Smart Camera Modes. If you have the camera mounted on a tripod, it will take a very long (90 seconds or more) exposure of moving water…resulting in what I would call a “super silky water effect.” I find that the longer I am away from the actual scene…as the sound of the rushing water and the play of the play of the light in the ripples and falls recedes into memory…the more I like the effect. I have to break away from memory and look at the image for what it is, not what was there. For sure, this is not the way I see rushing water…but I can understand the attraction of the image, as an image. I can understand that that rush and tumble and joyful confusion of water in constant motion can be reduced to the calm rendering of silk, and that it captures a different, and equally valid, emotional response to the falling water than I might otherwise feel. I get it. I am still uncertain as to whether I totally approve. π
And that leads to the Sunday Thought. Silky water is not real. It is a photographic artifact, or the imaginative impression created by a painter’s mind and brush. And yet it captures a real emotion…or at least one among many emotional responses to reality. It speaks to a calm in the center of confusion that appeals to us all. In a way, it is, from a traditional point of view, the more spiritual response…a seeing through to the assumed essence of what is behind the rush of our daily reality.
However, I can’t help but feel that it is, at least a bit, a cheat. I think there is as much spirit in the rush and tumble and churn of detail that is our immediate response to falling water (and to life). I appreciate the peace of the long view, but I am not willing to give up the excitement of the moment. My instinct is that they are both elements of the spiritual view. Joy in the confusion. Joy in the underlying calm.
Interestingly enough, by happy accident (if you believe in such things), Google+ assembled two images of the same tumble of water into an animated gif…one taken in waterfall mode, and one taken in Rich Tone / HDR. Hopefully your browser will display it properly. Joy in the confusion. Joy in the underlying calm. Happy Sunday!
Emmon’s Preserve is one of my favorite local spots for photography. It is just a stretch of forest along a river where it tumbles down through pools over ledges, but there is always beauty there, in every season. This is one of the pools from yesterday.
The range of light and shadow at Emmon’s almost demands HDR treatment. This is a traditional 3 exposure HDR…well, maybe not totally traditional :). I shot it on my Samsung WB250 Smart Camera, then transferred the 3 images to my Galaxy S4 smartphone where Google+ uploaded them as part of an Auto-Backup. The Auto Awesome engine at Google+ recognized them as 3 sequential exposures differing only in exposure value, and made them, without my intervention, into an HDR. I then opened the image in what used to be the Picnic Photo Editor, and is now part of the Google+ Photos tools, and gave it a little extra boost. So, no, I guess not any kind of traditional HDR…but certainly what HDR is coming to in this age of instant sharing. π
Knapweed is generally tall enough when if flowers so you don’t get this view. For some reason there are some low growing Knapweeds along one of the Quest Ponds. And this one comes with a buggy bonus. Some kind of bee I think.
This is another shot from the Samsung WB250…macro mode…transferred to my Galaxy S4 for processing in PicSay Pro, and upload to Google+ photos. Like the Galaxy S4 camera, the Samsung WB250 records minimal exif data in any of the Smart Modes…so I can’t share exposure information. It must be a Samsung thing π
Owning the Samsung Galaxy S4 has opened a slightly new photographic world for me. It is not that the camera will do anything in particular that my Canon SX50HS will not…but I find myself pulling it out a lot for the quick HDR (when I do not want to set up a tripod for the Canon…no tripod necessary on the phone), or certainly an occasional panorama, and certainly if I think there is any chance I will want to share the image before I get back where I can work with it on my laptop. PicSay Pro on Android is a very capable image editor…I like both the way it works and the results it produces…and it works with full resolution files. Then too, Google+’s Auto Backup is a formidable attraction. I don’t have to do a thing, and my images from the S4 are uploaded to my Google+ account. Once there, Auto Awesome does some interesting things. For instance, if I take a conventional sequence of exposures to use with an HDR program later, Auto Awesome recognizes them as such, and makes the HDR…again, without my intervention. And it does a pretty good job! Then too, I can I can instantly share my PicSay Pro edited image on Facebook, email them to friends and family, etc. etc. The Galaxy S4 is a social camera…and its instant and painless connection to the social side of my life is one of its main attractions.
So that lead me to take a look at “real” cameras…you know, with a real zoom lens, and other creative options…that might provide some of the same experience. The obvious choice would have been the Samsung Galaxy Camera, which is every thing my phone is (except a phone) and a pretty much a real camera at the same time. However it is 1) relatively expensive for a Point and Shoot, and 2) I suspect, due for an refresh (as in Galaxy Camera 2) before the end of the year. So I looked for cameras that would connect to my phone and transfer images painlessly so that I could do the editing and sharing almost instantly on the phone. I knew from past experience with Eyfi cards, that I wanted a solution that let me choose which images got transferred to the phone. The Eyfi cards and their like just dump everything you take onto your connected device. You can fill the memory on a phone or tablet really fast during a full day in the field with your camera. That narrowed it down to a few wifi equipped Panasonics and, of course, the Samsung Smart Camera line. The Samsungs were less expensive and had as good reviews, I am already familiar with how the camera apps in them work, and they got the best ratings on the ease of using them via wifi with a phone or for direct upload to cloud storage, Facebook, etc.
So this is among my first shots from the Samsung WB250, 14mp biCMOS sensor. 18x zoom starting at 24mm equivalent (the wide angle is a requirement for me). All kinds of shooting modes, including in-camera HDR that does not require a tripod, auto bracketing for real HDR (ditto on the tripod), a great Macro mode, waterfall mode, night scene, shot, smart-zoom (automatically reduces the pixel count to maintain quality over the 18x mark), etc. etc Β I have only begun to explore. This image was taken in my yard, transferred wirelessly to my phone, edited in PicSay Pro, auto-backuped to Google+ Photos, and now shared here directly from Google+. It all works really quite well. It will not replace my Canon SX50HS for most of my work…but it is a great Social Camera, and goes well beyond what the camera in my S4 can do.
There is probably a Galaxy Camera in my future, when they get around to a refresh, but the WB250 seems to do exactly what I need for now!