There is a spiritual resonance to water in the desert…whether it is an oasis or a simple seep…but running water…a living stream in the desert speaks to the human spirit in tones of absolute grace. No one can deserve such beauty…such a gift. 600 vertical feet and one and half miles above the base of the mountains the Palm oasis and stream in Palm Canyon at Anza Borrego State Park are everything water in the desert should be. The sides of the canyon are steep and rugged. The floor of the canyon is littered with huge boulders, and several kinds of palm grow have their feet in the water.
This is below the Palms, looking up the last stretch of the stream from about where the Alternative Trail breaks off.
Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3EV exposure compensation. 24mm equivalent field of view. f5 @ 1/1000th @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.
For the recently new year, I am trying a new theme which allows a larger view of the main image. What do you thinK?
This is the strange ice that forms along the edges of Branch Brook at Rachel Carson NWR, a mile of river channel from the sea, where the water is, according to the tide, a mix of salt and fresh. I love the long fibers, the arrowheads and the spears. It is so designed! I know there is a chemistry and a physics of water behind it…a whole crystal science…but it certainly does not look random to me. 🙂
Canon SX50HS in Program with –1/3EV exposure compensation. 1200mm equivalent field of view. f6.5 @ 1/1000th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
I am Seattle for a few days, doing a Point and Shoot for Wildlife workshop for Seattle Audubon. I got to Seattle, after already a long day of travel, in the afternoon, and checked into a hotel near the SeaTac airport. If you have been, you know SeaTac is not exactly centrally located for Seattle proper, so I looked for somewhere more local to get out for a few hours. Ed Munro Seahurst Park is a sizeable chunk of green on the edge of Puget Sound, and only about 20 minutes from the hotel. I am sure there is much more to it than I saw in my limited visit, and I am also sure that on a clear day the view across the Sound to the islands with the Olympics behind must be spectacular. The view was hazed in yesterday, but I still enjoyed the afternoon sun, the rocky beach, the blue water, and the driftwood.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. 24mm equivalent field of view. f4 @ 1/800th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.
I continue my search along the streams of York County Maine, for the American Redspot…an so far elusive broadwinged damselfly that might or might not be found in York County. I want to see one. I have not. Yet.
The search, however, has taken me some interesting places. I feel compelled, when the road crosses any stream or river, to, if at all possible, park the car and climb down to the water. I am often surprised by what I find.
This is Branch Brook, which forms part of the water supply for the Village of Kennebunk, a mile or two upstream from the Water Works. It runs in a fairly deep and steep cut through most of the last part of its course, but where Wells Branch Road crosses it, you can, if you are careful, climb down to the mossy banks and the peat brown water.
This is one of those scenes that is very difficult to capture. The range of light is well beyond the ability of even the best digital sensors. Even traditional HDR techniques, in this kind of scene, too often result in a flat imitation…something very different than what the eye sees.
I started by dialing down the exposure compensation by one and one third stops (which, visually, brought the highlights in the water just in range), and letting the exposure system do its worst for the rest of the scene.
Then, in Lightroom, I brought up the shadows, toned down the highlights, shifted the backpoint to add depth, and finally added clarity and vibrance to give some life to the moss. Finally I used the Auto Color Temperature tool to remove a bit of the shadow blue. The result is about as close as I hope to come to the impression the scene would make if you were standing there.
I did try an sudo HDR treatment using Dynamic Photo HDR…and the result was interesting…with brighter greens and more open shadows…but it produced a different impression than I remembered.
Canon SX40HS. Program with iContrast and –4/3EV exposure compensation. 24mm equivalent field of view. f3.2 @ 1/30th @ ISO 200. Processed in Lightroom as above.
There are some scenes I can photograph over and over. In fact, if a scene is worth photographing once, chances are, it is worth photographing again…many times. The basic conformation of the landscape might not change (at least during the reasonable life-time of a tree), but if there is water involved, water is never the same twice, and the sky, of course, is always changing. I was reminded by a TV show I watched this week on Amazon Prime (Inspector Lewis, if you must know), that the painter Constable, during one period of his life, went out daily, to the same spot, and painted the sky…clouds in particular…because he was fascinated by ever changing play of light and form.
Back Creek, about 2 miles from our front door, is such a place for me. The road to our closest beach crosses Back Creek about 400 yards from were it empties into the Mousam River. It is a tidal creek in every sense, and the water is constantly rushing under the bridge in one direction or the other, as the road creates a dam that catches water on the up tide, and releases it on the down. Yesterday, during my Easter Saturday photo-prowl, we had an exceptionally high tide, and I was there just at the crest. I had made a run down for the sky, which promised great things from our doorstep, but when I got there, the marsh on either side of the road was completely under water. That is rare enough to be of note. And the sky lived up to its promise. A front was coming in from the south-west, and the leading edge of the cloud cover, ragged big soft clouds with gaps of blue, was filling the sky in that direction, piling backward more densely over the horizon. It was awesome!
With the water right up against the road, only a foot below the road in fact, I flipped out the LCD on the Canon and got down to ground level to shoot out across the water from a low angle. This shot, on the side of the road away from the sea and sheltered from the wind, the reflections are just as important as the sky.
Canon SX40HS at 24mm equivalent field of view. Program with iContrast and –1/3EV exposure compensation. f4.5 @ 1/1250th @ ISO 100. I am astounded, and delighted, with this little camera’s ability to capture a scene like this without resorting to any HDR techniques. All it needed was pretty standard processing in Lightroom for intensity, clarity, and sharpness.
Now it is, of course, Easter Sunday. I live by faith in the risen one. It is a choice I have made, and I know that, but most of the time it feels like I was compelled to that choice. It was always a gentle compulsion…a matter of how I am made and how the world is…in the end an inability to deny the awe I feel in life, in living here and now, every day. I was made to ask why and how…in the end, I found I could not avoid asking who…and the answer, despite every evasion I could come up with, was right there, planted in long ago Sunday and Vacation Bible School encounters, and nurtured over time by a patient spirit revealing wonder at every turn. There are some stories, some truths, you can return to over and over, every day, because they are never the same twice. They are alive, like the land and water scape under clouds, and I come back again and again to see what wonder they display today…how my mind and heart are illuminated, refreshed, reborn in the light of what the risen one has for me today. Happy Easter. He is risen. He is risen indeed.
As I have mentioned, we are still snow deprived in Southern Maine this winter. We actually have a dusting on the ground this morning, thanks to all day efforts yesterday (a flake here, a flake there), but it will not last. Temps in the 40s today. This shot from was the last dusting a few weeks ago.
I like the early morning light in the trees and the way the snow frosts the little pine…the curve of dark water, etc.
Canon SX40HS at 24mm equivalent field of view. f4 @ 1/80th @ ISO160. Program with iContrast and –1/3EV exposure compensation.
Processed in Lightroom for Intensity and Sharpness.
Winter is coming late to southern Maine this year. The ground is still bare here a few days before Christmas. We have had temperatures in the single digits at dawn this week…but the days warmed into the mid 30s. Not your grandfather’s December at all. (Though we still have time. They are predicting a few inches tonight into Friday. We shall see. Almost 40 degrees on Christmas??).
Anyway, I took a drive out to Emmons Preserve, figuring the cold would have at least created some ice sculpture and lace along the Batson River where it tumbles down over the ledges there. And it had. Except for the first shot, which had enough sun on it to light the moss within the shell of ice, I was shooting at ISO 800 along the late-afternoon shadowed rapids. Quality like this at high ISOs was simply not possible until this latest generation of super=zoom Point & Shoots.
Canon SX40HS in Program with iContrast and –1/3EV exposure compensation. 1) 147mm equivalent field of view, f4.5 @ 1/80th @ ISO 250. 2) 462mm equivalent, f5 @ 1/60th @ ISO 800. 3) 190mm equivalent, f4.5 @ 1/80th @ ISO 800.
Processed in Lightroom for Intensity and Sharpness.
This is one of my favorite views along the Kennebunk Bridle Path. Yesterday was the highest tide I have seen this year and the meadow was brim full…standing water under much of the grass…shore birds taking refuge in the highest pools. Fall foliage is just about past, but there is still a touch of color. But of course it is the sky and the reflection in the stream that makes the image.
Canon SX40HS at 24mm equivalent field of view, f4 @ 1/1250th @ ISO 160. Program with iContrast. –1/3 EV exposure compensation.
Processed in Lightroom for Intensity and Sharpness.
The river at Emmons Preserve barely deserves the name in any season, but by August its spring rush is just a memory…a song sung far away and in a minor key by the trickle of water that flows down rock to rock and moistens an abundant growth of moss. Still it has its alure. One thinks of ferries and elves making the most of deep summer evenings. Indeed the Ebony Jewelwings over dark water, catching the sun flash on their irridescent blue and sometimes green tails could easily be the originals of more than one supernatural dweller in the glades.
Nikon Coolpix P P500 at 23mm equivalent field of view. F3.4 @ 1/60th @ ISO 200. Program with Active D-Lighting. 2) 283mm, f5.5 @ 1/20 @ ISO 200. Close Up mode.
Processed in Lightroom for Clarity and Sharpness.
On the way back from a very wet hike up South Bubble in Acadia National Park, we stopped at the Bubble Pond parking because I wanted a picture of a brook. This is Bubble Brook as it leaves the pond begins its run down to Eagle Lake. I love the wet woodland, the colors of the decaying leaves and the green foliage, and textures of bark and stone, and the curve of the stream, the parallel placement of the diagonal downed tree, the bow of the pine on the right, the roughness of the birch bark on the left, etc. etc. There is a lot going on in this image, but I think it is held firmly together by the sweep of the water, and well anchored by the base of wet stone and last years oak leaves. It is another image I could see printed, framed, and hanging on my wall.
Nikon Coolpix P500 at 23mm equivalent field of view, f3.4 @ 1/30th @ ISO 200. Program with Active D-Lighting and Vivid Image Optimization.
Processed in Lightroom for Clarity and Sharpness.
By the way. My morning posts are offset in time this week as I am on the west coast