Posts in Category: autumn
10/24/2010: reflections of fall
Happy Sunday!
My daughter was accompanist for a young lady in a voice competition at Bates College yesterday, and I was chauffer. I had my laptop with me to do some video processing, but first, of course, I took a walk around the campus to see what I could see. There is a decorative pond right next to the Olin Arts Center, and between the morning light, the lingering fall colors, and just enough wind to fracture the surface of the water, the reflections were irresistible. Here they are set off by the foreground cattails.
Canon SX20IS zoomed in to about 160mm equivalent for framing, f4.5 @ 1/200 @ ISO 200. Landscape program.
Some Fill Light for the foreground in Lightroom, Blackpoint right, added Clarity and some Vibrance, Sharpen narrow edges preset.
And here is a shot, similar processing, zoomed out to a little over 300mm to isolate just the reflections.
Which leads me to my Sunday reflection: I like both the bold splash of color across the wind fractured water, abstract because there is no particular resting place for the eye, a subject in itself, but hard to hold on to…and the way the mundane cattails in the foreground capture your eye and instantly put that glory firmly in the background. It is the way of life, isn’t it? Always confronted by the fractured reflection of the glory of eternity, our eyes are caught by the detail right in front of us…which should still, if we are seeing right, be displayed against that backdrop of glory.
10/23/2010: Old Falls pond, tail end of fall
The foliage show is just about over here in southern Maine. One more big wind and we are done. This is Old Falls Pond in West Kennebunk again. I used the zoom to frame a small section of still bright shoreline and its reflections. This is a 3 exposure HDR on a day of high winds, so there is some blurring in the evergreen boughs framing the top but I think it is still effective.
Canon SX20IS at about 60mm equivalent, three exposure HDR, auto bracketed around a center shifted down 2/3s EV.
Blended and tone-mapped in Photomatix. Processed for Recovery, Fill Light, Blackpoint, Clarity, Vibrance and Sharpen in Lightroom.
10/18/2010: Mousam fire
There is a little park around what used to be a skating pond on the banks of the Mousam River in Kennebunk Maine. It is mostly now a picnic and dog walking area, but it also provides access to the rapids for fly fishermen…and photographers. This little foliage tapestry is from the bank of the Mousam looking upstream.
Canon SD4000IS zoomed into its max 106mm equivalent for framing, f5.3 @ 1/250th @ ISO 125. Foliage program (yep. Canon puts a foliage program on all its P&Ss, and it works!, tweaking the sensor response and internal processing to retain all the richness of the fall color).
I shot with the SD4000IS because this was taken on a grocery run and it is what I grabbed on the way out the door.
Processed in Lightroom with some Fill Light, Blackpoint right, added Clarity and smidge of Vibrance, and Sharpen narrow edges preset.
10/17/2010: Autumn marsh pools
Happy Sunday!
You have seen variations of this scene before. This little stretch of old rail bed, known as the Bridle Path for some reason, that runs through a isolated patch of Rachel Carson National Wildlife Refuge (Rachel Carson is one of the most fragmented NWRs) between Route 9 and the ocean along the lower Mousam River in Kennebunk Maine (to be precise), never fails to turn up something of interest. I digiscoped a lot of birds and chipmunks there this summer, found my first Wood Lily and Wood Nymph, and this fall this particular view over the marsh pools toward the trees and houses along route 9 has often been interesting. See 9/23/2010: hdr marsh pool panorama or 9/13/2010: marsh mirror sky. Here the fall weeds in the foreground add yet another layer to a layered landscape, and a 3 exposure HDR treatment captures an unusual range of light and shadow to render the scene very close that what the eye actually sees (at least the eye of a painter). HDR skies are dramatic, but its ability to maintain detail in the shadows of the foreground and to pull full color out of the the fall foliage is what makes it worth the effort in this image.
Being Sunday, I return to how fruitful this particular little patch of out of the way ground has been for me this year…how often I have have been blessed (given an unexpected and underserved gift) there, and how often I have been blissed (opened to the joy of contact with the creator through creation). In many ways this has been my church this year, from late winter to deep fall, just as much as the building with the steeple down the road, and my moments of worship there have been just as vital to me, though solitary. I am thankful. In so many ways.
Technically, this is a 3 exposure HDR at 28mm equivalent on the Canon SX20IS, using auto-bracket with the center of the range shifted down 2/3s EV. Exposures blended in Photomatix and final processing (including a bit of distortion control which was needed because of the odd angle of the lens to the landscape) in Lightroom.
10/15/2010: autumn silver river
With the forecast for heavy rain and winds gusting to 40 mph overnight, it seemed wise to get out for an hour at lunch time yesterday to catch a bit of foliage. By some reckonings we are just at peak. Some were holding out for an even better show in a a week…but the storm may change that! The sky, running in ahead of the front, was an unexpected bonus, and no one could have predicted the way the light interacted with the tide pushing up into the mouth of the Mousam River. Taken from the bridge on Route 9 in Kennebunk Maine. (The line in the water, by the way, is the shadow of a telephone pole 🙂
This is a three shot HDR from the Canon SX20IS at full wide angle (28mm equivalent), auto bracketed around a center shifted down –2/3 EV with Exposure Compensation. Exposures blended and tonemapped in Photomatix Light.
Medium Recovery in Lightroom to tame the reflections on the water somewhat. A touch of Fill Light for the foliage, Blackpoint right for intensity, added Clarity and just a smidge of Vibrance. Sharpen narrow edges preset. Some distortion control for a more natural perspective.
10/14/2010: jordan pond in fog
I have photographed Jordan Pond and the Bubbles in all weathers. It is the one hike (walk?) we never miss on any trip to Acadia National Park, partially because of its proximity to the Jordan Pond House, and a pop-over lunch (and where we generally have at least one daughter working), but mostly because it never fails to delight. This last trip we had a foggy early fall day to work with, and it was still beautiful.
Canon SX20IS all at 28mm equivalent, f4 @ ISO 80, Landscape program, and 1/200th, 1/400th, and 1/320th respectively.
Similar processing in Lightroom including heavy Recovery to restore transparency to the fog, Blackpoint right slightly, added Clarity and Vibrance, and Sharpen narrow edges preset. The last shot, with the lens of the camera tipped well down, required some distortion correction to bring the water horizon back somewhere near level.
10/11/2010: color on the Mousam
Happy Columbus Day! In New England, Columbus day weekend is celebrated primarily by motel and restaurant owners, as the height of the short, but profitable, leaf peeping season. I am, of course, still in Georgia, though I am headed home today.
This is a week ago, right across the road from Old Falls Pond of yesterday’s post. This is the Mousam River above Old Falls, framed at the medium-tel end of the zoom on the Canon to catch a pocket of color and the reflections in the surface of the moving water. Sometimes less is more…or at least as much.
Here is the full scene.
Both shots are three exposure HDRs using autobracket shifted –2/3 EV on the Canon SX20IS. Exposures were blended and tone-mapped in Photomatix, and processed in Lightroom for using Fill Light, Blackpoint, Clarity and touch of Vibrance, and, of course, Sharpen narrow edges. One advantage of the HDR method, if you like the effect, is the automatic blurring of moving water, even at higher shutter speeds. The three different exposures catch the water, as in the falls here, in three slightly different positions and Photomatix, though it does a really good job of blending exposures, does produce some blur for the overlapping motion. A rapidly moving surf line, for instance, or foreground vegetation moving in a strong wind, is death to HDR. Here it actually, I think, adds to effectiveness of the image.
So I am looking forward to seeing what the foliage is like in Maine the day after Columbus Day…
10/10/2010: old falls pond fall Hdr
Happy Sunday!
Old Falls Pond in West Kennebunk Maine is one of my favorite autumn color spots. It is across the road from Old Falls itself, which is my other most favorite autumn color spot. My most visited, most awarded, highest rated photo on flickr is a shot of this pond from several autumns ago. That was before I started working with HDR, and, though the leaves were not yet at peak, I took a run out last Sunday to see how it looked. (I am writing this from Jekyll Island GA, where I have spent every Columbus Day weekend for the past 8 years (work), so I never do see the traditional peak foliage in Maine.) Still, Old Falls Pond was looking pretty good, and with a sky that just begged for HDR treatment.
The low angle (camera almost touching the water), the floating leaves, the way the light runs on the ripples on the water, the glimpse of the bottom through the foreground, the foliage itself, and the sky overall with its strong diagonal slant…this image has enough going on to overcome the otherwise rather static composition. I did experiment with cropping out part of the sky to “improve” composition, but I like the full shot better.
Three shots with the Canon SX20IS at 28mm equivalent, auto bracketed, with the –2/3s EV exposure compensation. Exposure was blended and tonemapped in Photomatix, and the resulting image was processed in Lightroom using Fill Light, Blackpoint, Clarity and Vibrance, and the Sharpen narrow edges preset. Finally I applied a Graduated Filter Effect to the lower third of the image, reducing brightness slightly, which had the effect of making the water more transparent, for that hint of bottom.
Which goes to show you, I think, that if you are at your peak, in tune with the creative spirit inside, the foliage does not have to be!
10/7/2010: Great meadow / fall fire
In lean times I would definitely make four posts out of this series. The fact is that my trip to Machias and Bar Harbor, though the weather was not what you think of as photogenic, was very productive. I have a lot of images I want to share.
This is Great Meadow in Acadia National Park (more a marsh than a meadow) as the first of the fall colors are just beginning to show. Young maples and birches, in low wet ground, always take fire first.
Canon SX20IS at various zoom settings for framing. The last image is a three exposure HDR using Photomatix. All processed in Lightroom with Fill Light, Blackpoint, Clarity, Vibrance and Sharpen.
10/3/2010: Peat Bog details
Happy Sunday!
As I said yesterday, the peat bog at Quoddy Head State Park is a vibrant habitat. I don’t know how it looks in spring or summer, but in fall, the dense mix of mosses and lichens, in shades of red and green (and even white) form a rich carpet, dotted with an amazing abundance of pitcher plants, most of which in this season are deep red or even purple. The closer you look the more inspiring it becomes. The contrasts of color and texture and form, and the variety packed into every square foot, are, to my eye, wonderfully beautiful.
It makes me want, as few habitats to, to study…to find out what all these plants are and how they are related. The carpet of the bog is so alive…I want to know how it works. There has to be a fascinating story in anything so intricate and so beautiful.
And, of course (being Sunday), while there is certainly a science that makes up the story, for me it will always be the story of a Creator from whom I inherit the eye and the heart that can appreciate such intricate beauty: that can stand in awe and respond in worship.
This is the kind of environment and the kind of work that brings out the best in the Canon SX20IS. This set of shots runs from one end of the macro zoom range to the other; several would have been very difficult, shooting from the narrow boardwalk, without the lip out LCD viewer; and the detail shots, in the dim light of foggy day, are all at an impressive ISO 200. And I can fully appreciate the beauty in Canon’s accomplishment as well.
Of course, I do plan a trip back to Quoddy Head in the spring to see what the peat bog looks like then!