I happened to look out the window at about 7:30 last evening, and the light across the yard sucked me out and sent me down to the ocean. I did a loop around the Kennebunk beaches, and found myself at the confluence of the Mousam and Back Creek just at sunset. The holiday weekend folk were packing and leaving the beach, so I was actually able to park and watch the sunset.
It was not dark enough for the Nikon’s Night Landscape mode to work, but this shot uses the Backlight/HDR mode…it is three shots assembled in camera for extended dynamic range. I have been disappointed with the effect during daylight, but here it was just the thing to capture a relatively natural balance between the bright colored sky and the landscape. Too often sunset images catch the spectacular sky against a dark, or even completely black, foreground…which is never the way we actually see it in nature. In reality there is always considerable light on the foreground until well after the sun is completely set. Trying to bring up the foreground in post processing sometimes helps, but at the cost of considerable noise in the image, and effort with the software.
This is a closer shot from the same location, a few moments later, using a longer zoom setting for framing.
I love it that the camera was able to maintain detail even in the trees against the sun. Both of these will benefit from a larger view by clicking the image to open the Smugmug lightboox.
I will admit to being (maybe too) interested in the technique and technology that make such shots possible with the cameras we have today…but, of course, the hardware and software only have value for the results they produce. That more natural balance of light over the landscape, with the full intensity of the sunset sky above, is worth capturing because it makes the image more than sunset shot…it makes it, as I see it, an opportunity for the viewer to more completely participate in the event itself…to be there, where the photographer stood…and experience the sunset as the photographer experienced it. And this is, again, I think, a good thing…a value…and what photography can, at its best, accomplish.
These images are not photography at its best, of course, but they are satisfying attempts to capture the feeling of the place and time. I think. Sunset over Back Creek, July 2nd, 2011.
We are, perhaps, already in Sunday territory in that discussion, but one of the things I love most about photography is that opportunity to share each other’s vision and experience…to share worlds…and what I see most clearly, as I experience the growing community of photography on flickr and facebook and everywhere on the web today, is that the sense of what is beautiful, admirable, interesting, sad, touching, valuable, and even humorous…what is worth taking a picture of…extends across all cultures and races…is something we, as children of the creator…share, no matter where we were born or how we were raised. Oh, I do occasionally find a photographer who is into a slice of the world I don’t particularly want to look at, but it is rare, and even so, I can generally see the value he or she saw, even if it is not my value. And, many times, I am simply stunned by what others see and capture, because it could so easily have been what I saw, if I had been there. I so I would like to think anyway.
Nikon Coolpix P500 in Backlight/HDR mode. Nominal exposure info: 1) 53mm equivalent field of view, f4.4 @ 1/250 @ ISO 160, 2) 175mm @ f5.4 @ 1/160th @ ISO 160.
Processed in Lightroom for Clarity, Sharpness, and intensity. 1) was cropped slightly for composition.
We got a late start on our first hike in Acadia National Park this last visit, and by the time I got to The Bowl, a little pond on the trail from Gorham Mountain to Champlain, the light was rapidly going. I am not as fast on the trail, up over Gorham, down into the divide between, and up behind the Beehive to The Bowl, as I once was. Clouds had rolled in and rain was predicted by night-fall. Still, The Bowl never fails to satisfy. The subtle light, while it posed real exposure problems…a matter of somehow maintaining detail in both sky and landscape…gave a wonderful texture to the water.
For the image above I used all the help the camera provides: Active D-Lighting to extend the dynamic range when taking the image, and then in-camera post-processing using D-Lighting after the fact to bring up greens of the foliage even more. I finished it in Lightroom with some Fill Light and Blackpoint adjustment.
Nikon Coolpix P500 at 23mm equivalent field of view, f4.5 @ 1/1000th @ ISO 160.
And I had to try a panorama. This is four 23mm frames stitched in PhotoMerge in PhotoShop Elements 9, and processed for Clarity, Sharpness, and lighting in Lightroom. It is about 270° so the right most shot was behind my right shoulder when I took the left most shot. It looks better at larger sizes. Click the image to open it to the width of your monitor.
We made a quick trip to Machias and Bar Harbor on Friday, chauffeuring a daughter from college to summer job. It was a cold, rainy day, only letting up toward evening, and then the fog persisted over the water. Still, with a few hours in Bar Harbor, while we waited for a second daughter to get out work so we could take them both to dinner, I had to find something to photograph. 🙂
So this shot is primarily about color. I took several versions at different zoom lengths for different framing, but only in this one is graced by a loon.
Nikon Coolpix P500 at 215mm equivalent field of view, f5.6 @ 1/500th @ ISO 160. Program with Active D-Lighting and Vivid Image Optimization.
Processed for Clarity and Sharpness in Lightroom.
For scenery on Saturday.
I was birding and shooting Point and Shoot Warblers (vireos, thrushes, etc) at Ottawa National Wildlife Refuge early one morning this week when this scene caught my eye. I switched from my User Flight mode to regular Program mode, flipped out the LCD to get low, and zoomed to effectively frame the effect I saw…but the image looks even more striking than reality. I find it a real challenge to look at. My eye won’t quite resolve it back into a natural scene. It remains abstract. I want to have a 16×20 print made. The bigger you view it the more sense it makes. It is the kind of thing you see in a corporate office, framed and hung. I think, anyway.
Nikon Coolpix P500 at 135mm equivalent field of view, f5 @ 1/200th @ ISO 160. Program mode.
Processed in Lightroom for Clarity, sharpness and impact.
Happy Sunday.
Patterns in the ice of shallow pools always catches my eye. I think they are formed by repeated melting and re-freezing, or perhaps by water that moves just slightly while freezing. Certainly there is some mixture of air and water caught in these interesting swirls. It always looks to me like someone has been writing there in the ice in some unknown script. I think of Palmer Method Penmanship…the elegant flowing hand of my grandparents…ink driven to words and sentences by the motions of the large muscles, so the thoughts flow across the pape.
Canon SX20IS. 1) and 2) 130mm equivalent field of view, f4.5 @ 1/250th @ ISO 80. 3) 95mm equivalent, f4 @ 1/250th @ ISO 80. Landscape Mode.
Processed for intensity and clarity and cropped for focus in Lightroom.
Being Sunday: I see words in the ice, but then I am a very wordy person. I see words. I can remember as far back as my early teens, catching sight of an interesting word somewhere my environment…on a sign, on a cereal box on the counter in the kitchen, on the soup can I just threw in the trash…in a book a seatmate on the bus was reading…and having it register in my mind so vividly that I felt compelled to go back over my movements and the scene around me to find where it was printed. This still happens to me 60 years later (only now they are airplane seatmates not buses). It happened yesterday, while out shopping.
You might say it happened when I saw the patterns in the ice…only there…the word being written is just off the tip of my tongue…just beyond thought. Words, the fact that we have language, makes us, in a very real sense, who we are. Because we not only see the world around us, but name it, we can change that world, for good or bad, in ways other creatures can not. Language is power. Words have power, but they are power as well. We recognize this on the deepest level.
God, in Jesus, is described as the living word. Like the words written the ice, God is a word always just off the tip of our tongues…just beyond thought. We recognize that something of great importance and beauty is written, being written, and we reach for the meaning, without ever quite getting there. That too defines us.
In a very real sense it is enough to know, to recognize, that truth and beauty are written, in the ice, or in a living person, even if we can’t quite read it. And, if you believe the promise, they are written in our long lost native tongue…and one day we will catch the thought.
For Scenery on Saturday, another panorama from Emmons Preserve in Kennebunkport Maine…this time a somewhat more conventional one. A sweep of the middle pool along the main run of the Baston River through the preserve. With no leaves on the trees the light actually reaches the water in early spring. This is a very different place during summer. Because of the level of detail here, this will benefit from a larger view. Click the image and it should open on a page resized for your monitor.
Three 28mm equivalent captures with the Canon SX20IS handheld. Stitched in PhotoShop Elements Panorama tool, processed for intensity and clarity in Lightroom. f8 @ 1/100th @ ISO 80. Landscape Mode.
Looking back north along the Pacific shore of Point Loma from the area above the Tide Pools at Cabrillo National Monument in San Diego California under a layered sky. A little scenery for Saturday! I always enjoy this area, and try to get out here at least once on each yearly trip to San Diego.
Canon SX20IS at 28mm equivalent field of view, f5 @ 1/1250th @ ISO 125, Landscape mode.
Processed for intensity and clarity in Lightroom. Slight distortion adjustment for the horizon.
I think this will be my last pic taken in 2010. Tomorrow we will move into the new year! This is Emmon’s Preserve again, in Kennebunkport Maine, with the little Baston Brook (river?) running down over ledges away from us. It was a difficult shot to frame as there was no clear line of site.
This is the wider view, which I also quite like, despite its busy foreground.
If you compare the two you will see that I had to clone out the little branch tip in the first shot.
Canon SX20IS at 85mm equivalent, f4 @ 1/125 @ ISO 80, Snow Mode, and at 28mm equivalent, f4 @ 1/250 @ ISO 80, Snow Mode.
Processed in Lightroom for intensity and clarity (see page link above).
Happy Sunday!
I suppose there is no real surprise here…other than the fact that it is possible. This is what even the most rapidly flowing, swirling, jumping water coming down a little series of falls in Maine looks like when it freezes. It captures the motion in solid form. It turns the music of the rapids into intricate folds and fingers of ice. How? I will admit, I can not quite imagine it.
But then I don’t really need an explanation. It is enough to find it there on my walk…to see it for what it is…and to bring it home to share with you…to bear witness.
It is an instance of truth that must be seen to be believed, and that, once seen, is sufficient to itself.
It is Sunday, and you might be ahead of me with where this image is leading me. Because, of course, what I see and appreciate in this image shares an identity with what I see and most appreciate in the spirit. The essence of faith is that it is possible even when we can’t imagine how…but it is also truth apprehended, seen, touched, felt, experienced…that is sufficient to itself, beyond the need for explanations. Like dancing water frozen and yet in still in motion, truth is something we must experience, and that we can only bear witness to. With no spiritual camera to bring back the evidence to share, I have no choice but to become the dancing water, to let the frozen motion form within me, to let truth perceived shape my life into a living witness.
In that sense, what matters here is the taking of the image, and its sharing, not so much the image itself.
Canon SX20IS at 560mm equivalent, f5.7 @ 1/200th @ ISO 200. Snow Mode.
Processed for clarity and intensity in Lightroom.
Take one more look at the image before you read all about the difficulties of making it.
A little curl of water and lacy ice surrounded by snow, and an all but impossible exposure problem. I decided to let the snow go completely white, in order to bring some light and life to the flowing water and some texture to the ice. I tried it both ways. This is one of those cases where I over-ruled the built in Snow Mode using Exposure Compensation. Unfortunately, the snow goes gray very quickly, if you decrease exposure, and the water goes too dark. All in all I prefer this standard Snow Mode treatment. The tight crop, is, of course, to emphasize the pattern of ice and water.
This is what it looks like pulled back a bit.
You can see from the dappled light patterns that the adjacent snow happened to be in sun patches on both sides.
Canon SX20IS at 290mm equivalent, f5 @ 1/80th @ ISO 200. Snow Mode.
Wide shot at 70mm equivalent, f4 @ 1/160 @ ISO 80, also Snow Mode.
Ah yes…but that is just technique…the image either stands as it is, or it does not.
Works for me. 🙂