Posts in Category: autumn
Fall Fog, Fall Color: Happy Sunday!
Yesterday was one of those rainy, misty, foggy late fall days, when everything is wet, and the last colors of the season excel in depth, rather than brilliance. It brings out the colors of oak and elm and understory shrubs much better than a sunny day could, while the fog softens distance and keeps your eye in close.
Once the rain had stopped, I got out for a loop on the trail at the Rachel Carson National Wildlife Refuge headquarters down the road, just into Wells. I got there between banks of heavy fog, when the conditions were just right to capture the mood of the day.
Everything was still dripping wet, and any color burned against the foggy background.
With the fog-bound focus of my vision, details dominated, and foregrounds became the focus.
The maples with their sunlit brilliance had had their day…now the understory and oaks held sway.
I was experimenting with the Vivid setting on the Canon SX50HS, and, for this kind of day, it was perfect. It gave just enough extra emphasis to the colors so that I could produce an accurate visual effect in Lightroom…or maybe just do so with less processing.
All shots Canon SX50HS. Program with iContrast. Vivid Color Space. Processed in Lightroom for intensity, clarity, and sharpness, with my hyper-real preset.
And for the Sunday Thought. Of course when fall comes we miss the high bright days of summer. Even in fall, the days we generally treasure, in New England, are the days of wide vistas, bright sun, blue skies with puffy white clouds, and the brilliant reds and oranges and yellows of the Maples. But a day like yesterday teaches that there is a different beauty in the fogs of later fall. There are fewer and less brilliant colors, but every color deepens and draws the eye, and smaller and more subtle details take on life.
It is good to remember that the same thing can happen in the spirit. We treasure the peek experiences…the days of wonderful light and high spiritual skies when we see the brilliance of truth spread round us as bright as autumn Maples. But there is something to be said for those days when a spiritual fog softens and deepens the light…forces us to look close and look deep, to see the patterns of truth and beauty in the foreground of our lives.
Those are good days too. I expect we just have to find our own “vivid” setting…which I suspect must be there, somewhere in our spiritual menus, for just such days. I found mine yesterday. I only hope I remember where it is the next time the fog rolls in.
Oak’s Autumn Song
Much as I like the boisterous autumn symphony of the maples as they turn, I find myself giving ear to the more subtle melodies of the oaks that follow. Oak leaves mostly never make it to the deep reds and bright yellows of the maples. You see the reddest color in leaves just as they begin to turn, while still mottled green. From there to a solid more-brown-than-orange is a short step…and they are very soon a deep old-brass brown. Even then, in the right light, they show a touch of warmth under the darker skin.
And of course, when the light is behind, as here, you do see (or hear, to extend the metaphor of the title) what the leaf is really capable of. The orange rings like a bell, a single clear note in the autumn air.
I stood well away from the leaf and famed tight with a longish zoom…gotta love that bokeh.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. About 700mm equivalent field of view. f5.8 @ 1/160th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.
Squirrel Economy
Sunday was a drizzly, darkish fall day, but that seemed to be perfect acorn harvesting weather, as far as our backyard squirrels were concerned. Three or four of them spent the afternoon finding acorns and burying them. The finding was not hard. We have the heaviest crop of acorns I can ever remember. Backing out of the drive way all you hear is the crunch and pop of acorns under the tires. We have drifts of them in front yard. But to the squirrels it seemed to be business as usual. Locate an acorn, run out into the middle of they yard well away from the trees, sniff the acorn well, and bury with a few swipes of the front paws. Over and over.
This is, in may ways, a quintessential fall shot. It was taken from the back door, inside, sheltered from the drizzle, at 1800mm equivalent field of view (1200mm optical plus 1.5x digital tel-converter). Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. f6.5 @ 1/160th @ ISO 320. Processed in Lightroom for intensity, clarity, and sharpness.
And, just for fun, here is what aught to be the quintessential shot of a fall squirrel.
More Glasswort
I posted a shot of red Glasswort from this fall a few weeks ago. I don’t know how I missed Glasswort until this autumn. Maybe it is a unique year…a bumper Glasswort crop…or maybe the weather pattern favored a particularly bright red as the green chlorophyll died, but the Glasswort is blazingly (!) obvious, all through the marshes along the Mousam river, this year.
I like the colors here, especially played against the textures, and the shapes formed by the wind and occasional tide flood in the grasses.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 400mm equivalent field of view. f5 @ 1/125th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
Yellow Fisherman in the Fall
It has rained every day for the past 4 days. We got a glimpse of the sun yesterday before it socked back in, but it has been pretty dreary. We are approaching what should be the height of fall color, but the weather is just not cooperating. On Sunday afternoon, I grabbed my camera and an umbrella and drove out to Old Falls on Mousam River, pretty much in desperation. It looks like the milder rainy weather is actually delaying the full turn of the leaves. I would say Old Falls has another two weeks of color to show, at least. Unfortunately I leave on Friday for a 9 day trip to the west coast and Virginia. :( (Of course I will make the most of the trip…but I do hate to miss peak colors in New England.)
On Sunday, in very subdued late afternoon light, I found this fisherman all in yellow raingear along the Mousam above the falls. It started to rain as soon as I pressed the shutter…and I was wet before I got back to the car. Still it is, I think, an interesting shot. This is one that will benefit from a lager view. Click the image to open it on SmugMug in the light box.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. About 130mm equivalent field of view. f4.5 @ 1/80th @ ISO 320. Processed in Lightroom for intensity, clarity, and sharpness.
Back Creek Pond #2, First Fall Color
This shot was taken the same day as the Tall Fall Pond shot, just a few hundred yards down the road at the second of the ponds that feed Back Creek. For this one I got down as low as possible to use the rushes in the foreground as a frame. I actually sat down on the edge of the pond since I wanted to use Program Shift to select a smaller aperture for depth of field, and every time I use PS, since I use it so rarely and it involves a combination of buttons, I have to figure it out all over again. Which two buttons?
I found it eventually (you half press the shutter and then press the control wheel as though turning on exposure compensation…logical in its own way), and shifted the Program to get an aperture of f7.1, which looked, on the LCD, to be enough to bring the foreground rushes into focus. Then I framed and shot.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 24mm equivalent field of view. f7.1 @ 1/640th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness, using my HyperReal preset.
Tall Fall Pond Shot
We are still at least a week, maybe two, from full colors here in Southern Maine, but the curtain is up and the show has certainly begun! A couple of days ago I set out on my scooter at lunch time, thinking I would go hunt the last of the dragonflies, but this sky immediately caught my attention, and I turned around to head for the coast and the Back Creek ponds and the Mousam river crossing, where I could catch the sky over a landscape. I took several conventional wide angle views of Pond #1, but as I am always just a little disturbed by having to cut to top off the tall pine on the right, I tried a two shot vertical panorama. This is two 24mm views stitched one above the other to catch more of the tree and more of the sky. When you do vertical panos the perspective issues with a wide angle lens are dramatic. Even if you hold the camera out and try to keep the image plane parallel to the scene you end up with a lot of vertical perspective distortion. Looking at the two images your immediate thought it that there is no way you are going to be able to stitch them into one. I am always amazed at how well PhotoMerge in PhotoShop Elements does the job. I know it is all math, but most of time it makes very intelligent decisions about which parts of each image to retain and which to let go, and how to blend the two. The layer maps before blending look like jigsaw puzzle pieces…but when it works (and it does not always work) it produces a seamless image. Like this one. 🙂
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. Two 24mm shots. f5 @ 1/1250th @ ISO 160. Stitched in PhotoMerge in PhotoShop Elements. Processed in Lightroom for intensity, clarity, and sharpness. I used my HyperReal preset…which is designed for scenes like this with maximum tonal range and bright colors.
Fall Grass in the Wind and the Sun
On my way back from Old Falls on Sunday, I swung by the Kennebunk Plains to see what was happening there. The Blazing Star, of course, is all gone to seed, and the tall prairie grasses have ripened and turned that color…something between brass and gold. There was a stiff wind blowing, so the grasses were in constant motion, but I really liked the way the low afternoon sun was caught in the grain heads. I tried several zoom settings, shooting bursts into the most dense stands. Of course the wind was in charge of the final composition. I like the effect of this with the glow of soft grain framed by sharper seed heads.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 840mm equivalent field of view. f5.8 @ 1/400th @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.
Dog on the edge of Autumn. Happy Sunday!
Despite the weather app, which called for a partially sunny day all yesterday, it rained in the morning and we did not see any sun at all until after 2 in the afternoon. Even then, the coast was still under the cloud layer, so I headed inland to Old Falls on the Mousam River…hoping for dragonflies and maybe a touch of fall color.
Old Falls is my classic Autumn shot…with the rushing white water in the foreground and generally a smooth expanse of reflective water behind, receding into the flaming maples and the dark green pines. With the right sky, it is spectacular, and I will certainly get back the over the next few weeks to try to catch the colors at their peek (and the right sky :).
Yesterday though was special in its own way. Though the trees are just beginning to turn, there was enough color to make it interesting. I parked and walked across the road to stand at the rail of the bridge over the Mousam for a picture, and there was this dog there, swimming in the water. As I watched, it climbed out and walked to the end of a point of rock and stood, or eventually sat, and watched the river flowing by. It must live in the house above the river on that side. It looked perfectly at home, and it was certainly unattended. No one was throwing sticks in the water for it to fetch. It was just there, right were it needed to be for my images.
I have several different shots, with alternative framing. You will probably see at least one more as the week goes on.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. About 280mm equivalent field of view. f5 @ 1/200th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness. More than usual work on balancing the light for best effect. Cropped slightly at the bottom for composition.
And for the Sunday Thought.
A couple of things actually. Shots like this continuously remind me of how dependent I am, as a photographer, on circumstance for my best images. I don’t say chance. I don’t believe in chance. If such encounters, such circumstances, are intended, then certainly our response must be thankfulness…even as we enjoy them. I nearly laughed out loud when I saw the dog there, framed in the first reflections of autumn foliage, perfect on his rock. I mean, what a gift!
I feel it every time I go out to take pictures, but, of course, the intention behind my photographic encounters must operate in every circumstance of my life. Sometimes that is harder to remember (and harder to appreciate).
Then too, I think that each photographic encounter, intentional as it is, is only as good as I make it. The dog, the foliage, the flowing water, the rock were all a gift. The images I made of them, and my sharing them with you, are my gift back…the tangible expression of my appreciation. The images depend on how well I respond to the circumstance. When I do well, and that is affirmed by the response of others to the images, then that just increases my thankfulness. It is a privilege to part of the intention…for in the end…the intention was not to show me the dog on the rock in the river framed in fall reflections…but to show how I saw it to you. It is all the gift. It is all a single flowing act of creation.
And now I am thinking how it might change my life if I could see every circumstance that way…if my first thought was, “What can I do with this to show my appreciation and make it a gift to others?” What if every interaction with the world around me were as intentionally creative as my photography? Words spoken at the checkout at the grocers. Every conversation on every car ride. Every trip to the post office or the mail box. Every phone call received and every ppt written for work. What if I could see every circumstance of my life as part of the flow of creation: see the gift in every encounter, turn it to gift of my own, and pass it on.
I think that might be what it means to be a saint. I have a ways to go yet, myself, but I see the possibility, in a dog on a rock in the river surrounded by autumn color and light.
12/12/2011: November Light on the Bosque
As I may have mentioned, if there is a place where the light is more beautiful than New Mexico in November, then I have not seen it yet (a distinct possibility…but that does not diminish my affection for New Mexico Novembers). A crisp, clear high desert morning with a few clouds to reflect off the water at Bosque Del Apache National Wildlife Refuge, and the mountains etched on the horizon…the contrasting warmth of the cottonwoods in autumn plumage, and the grasses and reeds browning toward winter…and all flooded with that unique light: there is nothing quite like it.
Canon SX40HS at 24mm equivalent field of view, f4 @ 1/800th @ ISO 100. Program with iContrast and –1/3EV exposure compensation.
Processed in Lightroom for Intensity and Sharpness.