I spent several pleasant (if hot) hours at Saco Heath the other day. Saco Heath is one the southern-most Peet Bogs in the North-east, a remnant bog just north and West of Saco Maine, now protected by the Nature Conservancy. The Rodora is all gone by, only the last of the Sheep Laural is in bloom, and even the Pitcher Plant flowers were well past their prime. But the Rose Pagonia is in bloom. Rose Pagonia is the most common bog orchid at Saco Heath (it may be the only one…it is certainly the only one I have see there), but it is certainly worthy of a close look.
This panel combines telephoto macros taken at 1200mm equivalent with the Olympus 75-300mm zoom, and conventional macros taken with the ZEISS Touit 50mm f2.8 macro. Most of the orchids, of course, are well out from the boardwalk, where only a telephoto view is possible. A few are close enough so that, if you sit right down on the boardwalk and hang over the edge, you can work them with a shorter macro. 🙂
Olympus OM-D E-M10 with 75-300mm zoom and Sony NEX 3N with ZEISS Touit 50mm macro. Processed in Snapseed on my tablet. Assembled in Pixlr Express.
I will be sharing more of the images from my visit to Saco Heath, but for the full effect of the day, you could visit the gallery at Gallery: Hit the Slideshow button for an easy stroll through the Heath.
The light was lovely late yesterday afternoon in the yard, and the Foxglove is still in full bloom. This is the ZEISS Touit 50mm f2.8 macro again, pulled back for more of a telephoto macro effect, which the Touit is fully capable of, with an equivalent focal length of 75mm.
Sony NEX 3N with the ZEISS Touit 50mm macro. I used Aperture preferred to stop down for extra depth of field, which I think is effective here. F14 @ 1/80th @ ISO 640. Processed in Snapseed on my tablet.
On my dragonfly prowl the other day, out to Old Falls on the Mousam, I got out the Touit 50mm f2.8 macro for a few wildflowers. I think we have Fringed Geranium, Self-heal, Owl Clover, and Sheep-laural, all growing along one 100 yard stretch of stream-side.
Sony NEX 3N with ZEISS Touit 50mm macro. Processed in Snapseed on my tablet.
I stopped by the Kennebunk Plains yesterday on the off chance that the Wood Lilies were in bloom. They weren’t. These tiny little complex purplish flowers on tall stems were in bloom. (I think it might be Blue Toadflax.) I have tried to photograph them every year for several years now. They are incredibly hard to get in focus. I have been using super-zoom Point & Shoot cameras, where manual focus is difficult to use (at best), and these flowers are just too small for the auto focus to lock on to, even with the best P&S macro modes. I have many pictures of fuzzy purple blobs in front of sharply focused grass. 🙂
This year I am shooting these kinds of subjects with Sony NEX cameras (Alpha E mount, Compact Mirrorless System Cameras). ZEISS Camera Lens division lent me a full set of the Touit E mount lenses for The ZEISS VICTORY SF Experience Event in Europe, and I have been particularly enjoying the 12mm f2.8 (18mm equivalent) and the 50mm f2.8 Macro (75mm equivalent macro). Both are wonderful and share the ability to produce the sharp, clear, vivid images that ZEISS lenses are famous for. They have very different perspectives though.
I have used the 12mm Touit mostly, as you might expect, for landscapes, but I have also enjoyed using it inside, for casual shots of people doing stuff. However, shots like the top panel above might just be my favorite use of the extra-wide lens. With the 12mm you can move in very close, within inches, of foreground objects, and still maintain relatively sharp background focus. I find this unique perspective to be particularly effective with wildflowers. If I get down low, using the flip-up LCD on the Sony, I can frame the wildflowers in their environment. With an interesting sky for backdrop, this can produce some very interesting shots.
I have two NEX bodies, so I can carry both the 12mm and the 50mm mounted and ready to go. Switching to the 50mm macro for these same wildflowers produces very different images. Focus is still a challenge, by the way, even for the CMLSCs. I had to get down low enough to frame the flowers against the sky before the NEX could find focus…but then, once found, I was able to reframe against the grass. Again, it is a matter of perspective. Flowers against the sky produces a very different effect than those same flowers framed against the out-of-focus grasses.
These three panels, then, demonstrate the differences in perspective that are possible with the two different lenses. Each of the images is, I think, successful in its own right, while each is very different from the others.
And for the Sunday Thought. Well, yes, often in the spirit, it is also all about perspective. I find peace (which I take to be the experience of being centered in the spirit, focused, moving effortlessly with the flow of loving intention in every moment toward a future full of promise) to be particularly sensitive to changes in perspective. The fact is, from the right perspective, I am just about always at peace, since it is actually quite difficult (perhaps even impossible) for anyone who lives by faith to get far out of the flow of loving intention. When I experience anxiety or confusion, un-peace, it is generally because I am looking at my situation from the wrong point of view, the wrong perspective. It is not the situation that needs to change. It is a little like the the 50mm macro and auto-focus. To bring everything into sharp focus, I just need to find another point of view…and then, once I have achieved that first clarity, everything else becomes clear, and whatever restrictions and frustrations I was experiencing simply no longer apply. Or sometimes it is like the 12mm wide-angle lens. Sometimes I am so focused on the particular in the situation that I fail to find focus. Taking the wider view, putting the particular back into its larger landscape, is all that I need to do to find peace. The particular does not change. Only my perspective.
In the spirit, it is not, of course, different lenses that do the trick. In the spirit it is simply the eyes of faith. It is trust in the loving intention of a creator God who is the very definition of good, and whose love insures my (and your) future of promise. We just have to switch to the eyes of faith to find the right perspective…and then all is peace. Happy Sunday!
While hunting for dragons and damsels at Emmons Preserve on Sunday, I came across this stand of Blue Flag Iris growing among buttercups at the edge of a tiny pond. I had both the ZEISS Touit 12mm f2.8 and the 50mm f2.8 macro with me on my Sony NEX 3N and 5T, so I worked my way from a close in wide shot using the amazing depth of field of the 12mm, to various close-ups and macros with the 50mm. Both lenses are brilliant, each in its own way, but they share the particular ZEISS look, which combines clarity and contrast to, as I have said before, almost add another dimension to images. These are not studio quality images, with controlled lighting and black mat backgrounds, but for field work, I find them very satisfying.
Sony NEX 5T with ZEISS Touit 12mm f2.8 and NEX 3N with ZEISS Touit 50mm macro. Superior Intelligent Program on the 5T. Aperture preferred on the 3N. f16 @ 1/250 @ ISO 200 on the macros. Processed in Snapseed on my tablet.
I have been patiently (okay, maybe “impatiently”) waiting out the rain and gloom of the past week…hoping for a sunny morning to catch the Rhododendrons in our yard. Though they are late this year, they are particularly lush…as though making up for lost time. The early sun this morning showed them off to good effect.
Sony NEX 3N with ZEISS Touit 50mm f2.8 macro. I am really liking this lens! It is sharp and contrasty whether used as a normal short telephoto (75mm equivalent) or as a wonderfully close focusing macro. Absolutely brilliant! Processed in Snapseed on my tablet. Panel assembled in Pixlr Express.
And for the Sunday / Father’s Day thought: twofer today! Not only Sunday but Father’s day to boot. Somewhere there is an even more beautiful display of Rhododendrons than in my yard at the moment. I even know where it is. At the tip of Mt. Desert Island in Winter Harbor Maine there is a world class Azalea and Rhododendron garden that I have visited several times in June. Now that is a display! But I am not there. I am here, in my own yard, and the Rhododendrons are beautiful enough to feed any soul…to set the spirit soaring…and gladden any heart. I have a lot, this Sunday / Father’s Day to be thankful for. 7 wonderful daughers, each as complex…as beautiful…and, in the end, as simple as a Rhododendron flower in the sun. Happy Sunday! Happy Father’s Day!
It certainly seemed like spring was never coming to Southern Maine, and of course, when it came, I was away in Ohio at the Biggest Week in American Birding. Here we are approaching Memorial Day Weekend and the Trillium have finally bloomed at Rachel Carson NWR Headquarters. There is no sign yet of Lady Slipper, through the smaller forest-floor flowers of May have made a showing. There is hope.
This Painted Trillium was taken with the wonderful ZEISS Touit 50mm f2.8 macro, a lens I have on loan from ZEISS for a trip ZEISS is sponsoring next month. What a great lens. I have missed true macro focus since I stopped carrying my Canon SX50HS, and the sharpness and clarity of the Touit lens is certainly refreshing! With its 50mm (75mm in 35mm equivalent) focal length, it has decent working distances and yet is easy to handhold for field macros. I like it!
Sony NEX 3N with ZEISS Touit 50mm macro. ISO 1600 @ f13 @ 1/800th. Processed in Snapseed on my tablet.
I have the ZEISS Touit 50mm macro for my Sony NEX 3NL to try out for a few weeks. I have missed true macro ability with the kit 16-50mm zoom. This shot is just messing around in the yard yesterday. How close can I go? I used the “background defocus” tool in Superior Auto to get a smaller aperture and more depth of field, but that pushed the ISO up higher than I would have liked. Still, not bad for a hand-held, natural light shot.
Sony NEX 3NL with ZEISS Touit 50mm macro. f11 @ ISO 1600 @ 1/500th. Processed in Snapseed on my tablet.
The Daffodils in the yard are finally blooming…weeks late…but brave in the thin Maine sunshine. I went out the other morning, on my way to more challenging photo-ops down by the sea (I hoped) but I could not resist working the Daffodils. The back light coming in low made them glow.
Sony NEX 3NL with 16-50mm zoom. Macro (Superior Auto) adjusted for depth of field. f5.6 @ ISO 200 @ 1/160th. Processed in Snapseed on my tablet.
After our long hard Southern Maine winter, I almost missed the first Crocus. The snow was barely off the Crocus patch when I left for two weeks in Texas and California. I came back to find the Crocus beginning to fade. There is still one brave plant in full bloom, so, of course, I had to photograph it!
Sony NEX 3NL with 16-50mm zoom. Macro (Intelligent Auto Plus) @ 75mm equivalent plus 2x Perfect Image Zoom for 150mm equivalent field of view. In intelligent Auto, you can fine tune the settings. I used the “background defocus” tool to shift the exposure for the greatest possible depth of field. f29 @ 1/160th @ ISO 800. Processed in Snapseed on my tablet.