Posts in Category: afternoon light

And another Nuthatch view

White-breasted Nuthatch: Kennebunk, Maine, USA — Endlessly entertaining. Birds around the feeder and the house. Nuthatches in particular. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos. ISO 800 @ f4 @ 1/500th.

More Nuthatch antics…

White-breasted Nuthatch: Kennebunk, Maine, USA — Nuthatches are always fun to watch as they get up to (and down to) the strangest things. This one almost escaped the frame, but I caught him at the edge and was able to crop for composition. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos. ISO 160 @ f4 @ 1/500th.

Titmouse in the November shade…

Tufted Titmouse: Kennebunk, Maine, USA — If the November sun is a different kind of light, the November shade is a different kind of shade. All summer photography under the pines were one set of feeders are was difficulty because of the abundance of vegetation and the depth of the shade. Now, as the leaves are mostly fallen, and the light is coming in more obliquely, and from across the yard as opposed to behind the house, the open shade under the pines is becoming slightly more photographically assessable. This Tufted Titmouse only sat for a second, as is their habit, but long enough for a couple of frames. The light brings out the subtle hues of the bird’s plumage. Sony Rx10iv at 600mm equivalent. Program mode with my custom birds and wildlife modifications. Processed in Polarr and Apple Photos. ISO 1000 @ f4 @ 1/500th.

Running ahead of the storm

Mousam River at Rt. 9 in Kennebunk, Maine, USA. — I was out for an exercise and pick-up-my-prescriptions ride on my ebike, running ahead of the storm front that came through, and I had to stop on the Rt. 9 bridge over the Mousam River to capture the scene. Powerful sky 🙂 Sony Rx10iv at 24mm equivalent. Program mode with Auto HDR. Processed in Polarr and Apple Photos.

Digiscoping Yellowstone Bison

I am just back from 5 days in Yellowstone National Park, where Melissa Pinta and I taught a ZEISS digiscoping workshop for the Yellowstone Forever Institute. These are from our first wildlife encounter in the park (not counting the Elk on the lawns at the entrance in Gardner). We were headed for the Lamar Buffalo Ranch where the workshop was to be held and came on this small group of American Bison in the beautiful light of late afternoon. As we watched, the sun came over the group and we had to unpack the ZEISS Harpia spotting scopes and tripods from our luggage and set up…it was after all, a digiscoping weekend. 🙂 The first shot is with my Sony a5100 and the 18mm equivalent ultra wide before the cloud moved, and the second shot is digiscoped with the ZEISS Harpia 85mm and the Sony a6500 with the 20mm f2.8 (kindly provided by Sony for the workshop). The two images were taken from the same spot. Digiscoping, for those unfamiliar with the term, is the art of taking a photo with a digital camera through the eyepiece of a spotting scope, generally using some kind of mount or adapter to hold the camera (even your phone) centered over the eyepiece. ZEISS provides such an adapter for Mirrorless Camera Systems, like the Sony aXXXX series. The equivalent focal length, and magnification, can be much greater than you can get with a conventional camera lens, and, of course, especially if you use your phone, it is quick easy once you have the scope set up to just grab an extreme telephoto view. The way I do it is still Point and Shoot…since I let the camera do all the work of exposure and final focus. 🙂

Written in the ice…

 

Ice patterns along the Kennebunk Bridle Path, Kennebunk Maine

It was windy yesterday, and though the temperature was only in the low 30s, it was bitter cold to be out. I only lasted less than an hour on my photoprowl along the Kennebunk Bridle Path, before my hands were hurting enough so it was not fun anymore. Still I found these interesting (to me) patterns in the ice in the little water channels next to path where it passes through the woods behind the marsh. They, and patterns like them, inspired this poem.

Whatever is written in the ice
at the edge of forest pools in
January, is evidently in code,
or some long forgotten Cyrillic
alphabet, all styalized curves,
more drawn than written, as
though by monks illuminating
medieval manuscripts by candle
light. It will take a better mind
than mine to decipher it. But
then, I am pretty certain the
message is not for me anyway…

Sony RX10III @ 77mm equivalent field of view. In-camera HDR. Nominal exposure: 1/250th @ ISO 100 @ f3.5. Processed and cropped for composition in Polarr on my iPad Pro.

Winter pond…

Fernald Brook Pond #2, Kennebunk Maine.

If you follow my work at all, you will recognize this pond as one of my favorite locations around home…in any and all seasons. Here, at the beginning of winter, with first ice. It was a difficult exposure, with the sky too bright and the landscape in shadow, but worth the effort. 

Sony RX10iii in-camera HDR. Nominal exposure: 1/500th @ ISO 100 @ f4. Processed for a somewhat high key effect in Snapseed on my Android tablet. 

Snow in the forest…

Snow. 120 Brown Street. Kennebunk Maine.

Carol and I were in New Mexico when the first snow fell in Maine, but we were home yesterday and watched, Frost like, the woods fill up with snow. It snowed most of the day, but never heavily, and by late afternoon we had about 2 inches on the ground. Gentle snow, and very little wind, so even that little bit built up on the evergreens to look like a much heavier fall. This is a little patch of mostly second growth forest (or 10th growth for all I know) just across the road from our house. It is posted, but I worked my way just far enough into the woods for this pic of the newly fallen snow, about 2:30 in the afternoon, before the light failed completely. There is always a quiet beauty to freshly fallen snow. 

Sony RX10iii in-camera HDR. 24mm equivalent field of view. Nominal exposure: 1/100th @ f2.5 @ ISO 100. Processed in Snapseed on my Android tablet. 

One of the best effects of HDR is maintaining green where it would otherwise go dark. Add a bit of shadow recovery in post processing, and the effect is very life-like. 🙂

Winter flag over the bog…

Grass head, The Bog at the National Estuarine Research Reserve at Laudholm Farm, Wells Maine

The subtle colors with glints of reflected light in the emerging peat bog at Laudholm Farm (Wells National Estuarine Research Reserve in Wells Maine) form and interesting backdrop for this dried grass head growing up through what looks like it might have been Meadowsweet. One corner of a wet field at Laudholm is slowly turning into a bog, or remains a bog, while the rest of the field dries out. I am not sure which way it is going. In early winter, yesterday when Carol and I visited, it is just an empty stretch of boardwalk, but this little still-life caught my eye. 

Sony RX10iii in-camera HDR. 234mm equivalent field of view. Nominal exposure:  1/250th @ f4 @ ISO 100. Processed in Snapseed on my Android tablet. 

Dwarf Mongoose

Dwarf Mongoose, Tshukudu Game Reserve, South Africa

We visited Tshukudu Game Lodge on the Tshakudu Game Reserve for a sundowner game drive…an afternoon/early evening excursion into the bush of Tshukudu. Tshukudu has the big five…the five African animals what do not fear a man on foot…Elephant, Rhino, Hippo, Lion, and Leopard…but the animals I liked best were the Dwarf Mongoose, seen here doing what Mongooses do in a pile of Elephant dung. Like all Mongooses, the Dwarf is a very social animal, and their interaction with each other, and with the world, is very interesting to watch. As you see, this is a late light shot, maybe a half hour before sunset, and I like the way the oblique sun lights the Mongooses (Mongeese?…no I don’t think so) and the dung.

Sony RX10iii at 600mm equivalent field of view. 1/250th @ ISO 200 @ f4. Processed and cropped slightly for composition in Lightroom.