Maine! Above Old Falls Pond
It would not be fall in southern Maine (or at least to me), if I did not get out to photograph the stretch of stream above the bride at Old Falls Pond. This is the Sony a5100 with the E 10-18 f4 zoom at 15mm equivalent. Superior Auto with Landscape Mode selection. Processed in Photomator.
Yellowstone! putting on the ritz
Elk: Mammoth Hot Springs, Yellowstone National Park, September 2024 — Buck elk…though they are commonly called bull elk that is not correct, as elk are deer not antelope or cows…they shed their horns and regrow them every year…so, this buck elk is putting on his mating scent and a dominance show for the females in hopes of a successful rutting season. Bucks dig into the ground, often after urinating on it, and toss the weeds and grasses up over their back, spreading their mating scent (with comes from a gland by their eyes), all over. They also rub antlers on trees and brush, and generally make a show of themselves, dominating their territory and their harem, and letting any other bucks in the area know who is charge. When you see a buck with vegetation in its antlers, you know he is ready to party. Yes, well I am sure tuxedos on us look silly to an elk too. Sony a6700 with the Tamron 50-400 Di iii VC zoom at 600mm equivalent. Program mode with my bird and wildlife modifications. Processed in Photomator.
Yellowstone! Lower Terrace, Mammoth Hot Springs
I was genuinely surprised how much I used the Tamron 50-400 for landscape on my trip to Yellowstone. The scale of the scenery lends itself to a more focused view, and the 75-100mm equivalent on the Tamron is ideal. Yes I would have, a few time, liked a bit wider view (if the rumored Tamron 20-400 is any good I may be tempted), but for the most part the 50-400 did an excellent job framing the vast landscape and the smaller landscape details. These shots of the lower terrace of Mammoth Hot Springs were all taken with the Tamron at various focal lengths for framing, and come as close to capturing the wonder of the place as, at least I, have ever managed, and certainly better than any single wide angle shot. Sony a6700 with the Tamron 50-400 Di iii VC VXD zoom at various focal length equivalents for framing. Program mode. Processed in Photomator.
Yellowstone! #24 in sunlight
Elk: Mammoth Hot Springs, Yellowstone National Park, September 2014 — We eventually did get to see #24 in all his glory in the full, if still early, sun. This is a buck elk to recon with. As the sun touched the ridge on the far side of the valley and lit up the terrace of the hot springs behind us, #24 quickly crossed the road, along with most of his harem, to feed in the tall grasses at the foot of the terrace. He paused just on the other side to bugle the rest of the herd across the road…showing us all of his good sides. Note how healthy he looks…the smoothness of his coat, the tone of his muscles. This is an elk buck in his prime. Sony a6700 with the Tamron 50-400 Di iii VC VDX zoom at 600mm equivalent. Program mode with my bird and wildlife modifications. Processed in Photomator.
Yellowstone! Elk morning
Elk: Mammoth Hot Springs, Yellowstone National Park, September 2024 — Still in the shadow of the eastern ridge above Mammoth, the elk were already moving up from the town center across the lower ridges toward the higher country above the springs. #24, the dominant bull, was herding his harem and family higher up the slopes before attempting to cross the road just below the upper terrace of the springs. His is one of the larger herds of elk in the park. We watched them move slowly through the sage for more than 30 minutes, the bulls sense of urgency off-set by the cows’ and calves’ need for a morning feed. Sony a6700 with the Tamron 50-400 Di iii VC zoom at 250-600mm equivalents for framing. Program mode with my bird and wildlife modifications. Processed in Photomator.
Maine! Orange!
We will take another break from Yellowstone to bring you a small sampling of the colors of fall in Maine. I have not gotten out much since getting back, what with my heart acting up, but I took a short walk around the neighborhood yesterday to see what I could find. Mainly orange. Maples and Oak. Sony a6700 with the Tamron 50-400 Di iii VC zoom at various short focal lengths for framing. Program mode with my macro modifications. Processed in Photomator. Assembled in FrameMagic.
Yellowstone! Elk on the ridge
Elk: Mammoth Hot Springs, Yellowstone National Park, September 2024 — We got to Mammoth Hot Springs early on our second full day in the park, specifically to photograph the Elk as the sun crested the mountains. Still early enough here so the sun was not even on the ridges above the springs, and this buck and doe are silhouetted against the semi dark sky. Sony a6700 with the Tamron 50-400 Di iii VC zoom at 600mm equivalent. Program mode with my bird and wildlife modifications. Processed in Photomator.
Yellowstone! Mud Volcano
Seeing the grand sweep of the mountains of Yellowstone, or the vast waters of Yellowstone Lake, it is hard to remember that you are standing on a thin crust over one of the largest magma chambers of one of the largest super volcanos in the world. Two active magma domes under the park inflate and deflate on a long cycle, actually tipping the landscape in real time…changes that can be, and are being, measured. Then you come up on one the hydrothermal areas beside the road: bubbling hot springs and travertine domes and terraces, geysers blowing superheated water high into the air, or as here, steam rising from super heated, boiling mud…and the volcanic nature of Yellowstone becomes that much more real. The thickness of the crust of rock over the magma domes still is measured in miles…as little as 3 or as much as 12…but there are few areas in the world where the crust is so thin. Old Faithful may be impressive, and justly well known because it is, but it the sheer number of hydrothermal features in Yellowstone that is the most impressive. Sony a5100 with the Sony E 10-18 f4 zoom at various focal equivalents for framing. Superior Auto with Landscape scene mode selection. Processed in Photomator.
Yellowstone! Pika!
Pika: Sheepeaters Cliffs, Yellowstone National Park, September 2024 — Coming back late in day from our first day in Yellowstone, we decided to check Sheepeater Cliffs one more time for Pika. We had seen none on our morning visit, but we knew they were there. There is a very rough kind of trail off the left of picnic tables at the foot of the talus slope that climbs up to a little amphitheater like bite out of the cliffs. Though I really should not have, considering my heart, I climbed up there with Ken and Teresa Bonner, since we were still not seeing Pika down by the parking. It is a magical place with the basalt columns rising up on three sides, brushed with the last rays of the sun. And there were Pika. At least 4 that we saw. The scramble back down was even more difficult than the scramble up, but I made it…only to find that Robert Wilson had been photographing Pika at his feet while sitting on a picnic table. 🙂 Pika: Sony a6700 with Tamron 50-400 Di iii VC zooms at 600mm equivalent. Program mode with my bird and wildlife modifications. Cliffs with the Sony a5100 and Sony E 10-18 f4 at 27mm equivalent. Superior Auto. Processed in Photomator.
Yellowstone! Lower Falls and the Canyon
Though Yellowstone National Park is mainly known for Old Faithful and its other thermal features, and for wildlife, mainly the American Bison and Wolves (and maybe Grizzly Bears), the Grand Canyon of the Yellowstone and Yellowstone Falls are also major attractions. This is Lower Falls, from the Lower Falls overlook and Inspiration Point and the canyon in that area. The Yellowstone River has been cutting the canyon for 100s of thousands of years through the thermally weakened rhyolite left over from the formation and infilling of the caldera. The falls themselves, Upper Falls at 109 feet and lower at 308 feet, are there because the rock at their lips is just a bit harder than the rhyolite of the canyon. Except for the close-up of the falls, which was taken with the Sony a6700 and Tamron 50-400 at 126mm equivalent, the other shots are from 15 to 27mm as needed for framing with the Sony a5100 using Superior Auto with Landscape Scene Mode selected. Processed in Photomator.