Posts in Category: macro

Yellow Warbler Wow! Magee Marsh

Yesterday, the final day of the Biggest Week in American Birding, was one of those amazing days that only happen at Magee Marsh. The warblers were passing through in great numbers, and they were feeding low in the undergrowth and lower branches of the sheltering trees, and very close to the boardwalk. Saturday was actually as good for warblers…but Saturday was overcast, and on Sunday we had intermittent sun… adequate light makes a huge difference when photographing birds.

This Yellow Warbler was just within the 4.5 foot focus range of the Canon SX50HS. In fact, I had to back off on full zoom to get this much of the bird in the frame. I was using the 1.5x digital tel-converter so this is still at over 1600mm equivalent field of view. It is almost a tel-macro of the bird. Certainly the feather detail is amazing. If you want to pixel peep, a larger version can be seen here

Canon SX50HS. Program with iContrast and Auto Shadow Control. -1/3EV exposure compensation. 1672mm equivalent field of view. f6.5 @ 1/200th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.

Trout Lily

Last spring I was amazed at the big patches of Trout Lily leaves (aka Dogtooth Violet or Adder’s Tongue) that I found at Emmon’s Preserve in Kennebunkport and along the trails at the Wonderbrook Preserve in Kennebunk in early April. Though I went back several times I missed the bloom at both locations. Last year was a particularly early spring, a full 4 weeks ahead of this year’s late spring, and I now have to wonder if I had already missed the bloom the very first time I saw adder’s tongue on April 9th. Yesterday, my Sunday Photo-prowl took me back to Emmon’s Preserve (to try some deep HDR’s of the falls) and I was delighted to find large patches of Trout Lily in bloom! It is such a beautiful plant. 

Canon SX50HS. Program with iContrast and Auto Shadow Control. -1/3 and -2/3 EV exposure compensation. Various macros from 1200mm tel, to 34mm wide. Processed in Lightroom for intensity, clarity, and sharpness.

Trillium West Coast Style

I wait impatiently every spring for the Trillium to flower in Maine. We have the Painted Trillium variety. Growing up in Upstate New York we among the first signs of serious spring was the red Trillium. Here, where I am visiting, among the redwoods of California, they have the larger White Trillium. I was delighted to find this specimen right next to the trail at the Big Tree site in Prairie Creek Redwoods State Park just north of Orick CA. Though the Painted is shower, and the Red brighter against the forest green, the big White has its own beauty. I love the water drop there too…though I will admit I did not see it until processing the image.

Canon SX50HS. Program with iContrast and Auto Shadow Fill. Macro Mode. About 60mm equivalent field of view using 1.5x digital tel-converter. f3.5 @ 1/30th @ ISO 640. Processed in Lightroom for intensity, clarity, and sharpness.

Arrested Development: Maple Buds

I am quite amazed at how far this spring season is behind last year. Of course, last year was probably advanced, but coming one after the other, the contrast is dramatic. I first noticed the red on the Maple outside the window where I work all day many weeks ago, but then it was like the tree had second thoughts. The buds remain, but they are no further along than when I first noticed them. It is pretty amazing that trees can do that. The flowers will come…they will just come in the tree’s own good time…when conditions are right.

For comparison, this is the same tree on March 23rd last year.

That was March 23rd, or over two weeks earlier. Amazing.

Top shot: Canon SX50HS. Program with iContrast and Auto Shadow Control. 1200mm equivalent field of view. f6.5 @ 1/1000th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness. Last year’s shot. Canon SX40HS at 1680mm equivalent.

Calla Lily. Happy Easter

I went to the store yesterday, at least in part, to buy an Easter Lily. I take the celebration of Easter seriously, with great joy! The resurrection of Jesus, and his living presence in us and among us is the core of my faith. Our traditional Easter Lilies generally catch an aspect of what I feel, but this year, their big showy trumpets just did not appeal. I think our local grocery giant may have ordered in the super-giant variety on the theory that if big showy lilies are good at Easter, bigger showy lilies would be better. Very American! I was, however, attracted to the smaller Calla Lilies they also had on display, and bought one to take home.

Part of the plan all along had been to photograph the lily for my Easter post, and I took it, with a black fleece jacket for background, out on the newly swept back deck for a session. The sun was at an interesting angle, there were half a dozen blooms in various stages, and I took a lot of exposures, from all angles, and processed the best.

It was only after processing the images that I thought to look up the Calla Lily and find out what I had brought home. It turns out (but many of you already knew this) that the Calla Lily is also known as the Easter Lily, especially in Britain and Ireland. In Ireland it is also associated with the fight for independence, a memorial to those who died in, and as a result of, the Easter Rising of 1916.

For me, the attraction was the quiet, but totally self-assured, grace of the blooms…and in this variety, the subtle shades of the rich royal purple. These images, I hope, catch just that.

Right now, the Calla Lily speaks to my faith more than the showy trumpets. I’d like to think of my faith that way. Quiet, totally assured, and full of grace. Approachable as the Calla Lily, and, in its own right, just as rich and beautiful. At least that is how I see it on this Easter Morning, as I watch the sunrise behind the trees of the back yard, and let the joy fill me!

Catalina Current

From still snow bound southern Maine, I reach back to my week in San Diego for a touch of spring brightness. Catalina Current, a native flowering shrub from the Visitor’s Center Loop Trail at Mission Trails Park. The busy ant is just a bonus.

Canon SX50HS in macro at 24mm plus 1.5x digital tel-converter. Program with iContrast and Auto Shadow Correct. –1/3EV exposure compensation. f4.5 @ 1/1000th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness.

Snail in Paradise

I may have (actually I know I have) mentioned before how much I enjoy the Bird of Paradise plants and flowers that are always in bloom when I visit San Diego in early March. I always come back with lots of pictures of the colorful, striking blooms. And occasionally I catch something out of the ordinary. Like this snail, firmly attached to the underside of one of the petals (braches?).

Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3EV exposure compensation. 45mm macro. f3.5 @ 1/1000th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.

Chuparosa, Anza Borrego Desert

There were not many flowers in bloom in the Anza Borrego Desert in the last days of February when I had the chance to visit. Chuparosa was a brilliant exception. It was ablaze in the lower reaches of Palm Canon. Chuparosa is hummingbird in Spanish, and the plant is sometimes called Hummingbird Bush…but there are a lot of bushes called hummingbird, including the more widespread Flame Acanthus, and only one Chuparosa. And besides, Chuparosa is such a great sounding name!

I took quiet a few pictures of the flowers, but settled on this one, the most extreme close up, for today’s post because it shows the subtle texture of the petals and stems. As you might expect from a desert plant, both are lightly furred to retain as much moisture as possible.

Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3EV exposure compensation. 24mm macro with 1.5x digital tel-converter. f4 @ 1/800th @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.

Emerging Desert Lavender

Desert plants display many different structural adaptations which help them to retain moisture and resist heat in their harsh environment. How else to explain the furry covering on the Desert Lavender buds? It looks, in this image and this light, very like frost, but I can testify that it was way to warm for frost while I hiked up Palm Canyon in the Anza Borrego Desert the day I found these plants.

I like the macro detail here, the fur and the petals of one delicate flower that has bloomed, and I like the bokeh which catches a feel of the spread of the plant and the rugged mountain against blue sky.

Canon SX50HS. 24mm macro with 1.5x digital tel-converter. Program with iContrast and Auto Shadow Fill. –1/3 EV exposure compensation. f4 @ 1/1000th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.

Fairy Duster

I went to Anza Borrego Desert State Park last month looking for early spring wildflowers. I found a few plants in bloom, but I was really too early by several weeks. This Fairy Duster bloom is in the watered garden around the Visitor Center. For some reason I always want to call it Feather Duster…but it is Fairy.

Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3EV exposure compensation. 24mm macro, plus 1.5x digital tel-converter. f4 @ 1/640th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness.