Posts in Category: tree

4/20/2012: Redwoods!

Avenue of the Giants, Humbolt Redwoods State Park, CA

My day driving through the Redwoods along the Avenue of the Giants was less than ideal. A misty rain fell most of the time, and the skies were white where they showed through the canopy…but still…REDWOODS.

There is nothing like the experience of standing in these groves of huge, ancient, trees. And the Avenue of the Giants takes you through grove after grove, for miles.

Of course it is next to impossible to capture anything like the experience with a camera. The lead shot, with the car for scale, just hints…and the next with road winding between massive trunks…adds a bit more…but really no image or set of images will convey the feeling of being there.

Avenue of the Giants, Humbolt Redwoods State Park, CA

Avenue of the Giants, Humbolt Redwoods State Park, CA  Avenue of the Giants, Humbolt Redwoods State Park, CA

The last shot in this set is of the Founders Tree. 346 feet tall, 12.7 feet through at the base. Those branches you see are 190 feet off the ground. While this was once thought to be the tallest three in the forest, taller trees have since been measured a few miles away.

Avenue of the Giants, Humbolt Redwoods State Park, CA

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  Processed in Lightroom for intensity, clarity, and sharpness. Some color temperature adjustment needed because of the dark day.

4/13/2012: Pines Against the Clouds, Kennebunk ME

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This is another image of as close to nothing as you can get.  I like the clouds and the sky, and I like the pattern of the trees. I like the symatry and the simplicity of the composition. And that is my only excuse. 🙂

Canon SX40HS. Program with iContrast and – 1/3EV exposure compensation. 213mm equivalent field of view. f4.5 @ 1/1250th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.

4/1/2012: Tree Tops and Self Portraits. Happy Sunday!

And a happy April Fools Day to you too!

Yesterday I set out in the morning for a photo-prowl, trying to fill my out my diminishing stock of images for this column, and, you know, just poking around to see what I might be missing. It was a dull day, with heavy overcast, and, since it is also that dull season between winter and the real onset of spring in southern Maine, I did not have high hopes. I was pleasantly surprised to find a few early birds (Song Sparrow and Eastern Phoebe) already on territory and setting up for nesting, as well as a rich variety of fungi along the trails. I will feature a few fungi for tomorrow’s Macro Monday post.

I was called back early by a daughter needing the car and retired to my computer to do the post-processing, and when I looked up, the sun had broken through and what had been overcast was now a smattering of clouds adding interest to the sky. So back out I went for a loop around the trail at the Rachel Carson National Wildlife Refuge headquarters.

IMG_20120401_062905-enhancedIt was not spring there either but the forest without leaves was full of geometry, texture, and light…the clear crystalline light of a late March afternoon. There was beauty there. The super rough bark of a tree caught my eye as that light picked out every intricate detail I and began to think about how to capture the effect. I had been messing, earlier, in the Yard, with the swivel LCD on the Canon SX40HS…pointing it forward on the camera and getting down under Forsythia flowers to shoot up. I decided to try it there in forest, on that tree. Wooo. Strange geometries. And that lead to a whole series of tree top images, taken with the camera at waist level, looking straight up. Notice the red maple flowers in the second tree top shot.

I had to keep leaning back out of the image to keep my hat from getting in…and that made we wonder if I was missing a self-portrait/profile pic opportunity. Mostly my face was completely in shadow, but I noticed that if I stood in an open area of the path, enough light reflected from the ground to make an interesting effect. So in the spirit of April Fools Day, here I am, framed against the tree tops.

My wife Carol says it is frightening and my daughter Kelia says it is somewhat disturbing. I just think it is funny. When I posted it as my profile pic on Google+ someone commented that it made them think of Tolkien 🙂 My response was that I am already bigger than a hobbit, and even than most dwarfs, and not near wise enough to be a wizard. April Fools.

And for the Sunday thought. Self portraits. Well, I am thinking that we are defined more by the things we look at than we are by how we look. This series of images that I post here every day, taken as a whole, is my best self portrait. It is a record of the things, over time, that I find beautiful, interesting, worthy of celebration and sharing. That is much more me than the shape of my nose or the luxury of my beard.

Paul said, in his chapter on love, that today we see only dimly as in a darkened mirror…we see and know only in part…but that a day will come when we will see clearly…when we will know in full, even as we are known. And that day is linked, inescapably, with the persistence of love…a love that is not defined by our ability to love, but by the perfection of the Creator’s ability to love. I have said many times that these images are one way I express the love of creation and the Creator that is working its way out in me, day to day. I would like to think they provide a glimpse of the me you now see only dimly, and know only in part. Of, in fact, the me I only see dimly, and know only in part. The me that is capable of the enduring love which we celebrate this Easter season.

And that is a lot, for an April Fool, or otherwise, to say.

3/29/2012: Maple Blossoms is a Snow Squall, Kennebunk ME

As I mentioned in yesterday’s Maple Blossom Special post, snow squalls were in the forecast for Southern Maine yesterday am, and one hit our back yard about 7:30. Of course, I threw on a coat and ran out to get a few shots of my maple blossoms with caps of snow.  It was still snowing, and you can actually see a clumpy “flake” coming in for a landing in this shot.

The light was very different, afternoon to morning, sun to heavy cloud with snow in the air, and exposures were considerably different. Program with iContrast on the Canon SX40HS pushed the ISO well up to handle the subdued light, and the yellows brought out by the afternoon sun of the previous day turned dull. Only the reds held color.

Though a lot of my attention went into keeping the camera dry, I did manage to pay attention to the background of the shots. I tried both open framing, with the whitish sky behind, and closed framing, with the dark trunk of the tree behind. The top shot is in between, with background blossom clumps and branches making a patterned bokeh. One of the advantages of extreme tel-macro is the interesting bokeh effects you get.

All at 1680mm equivalent field of view (840mm optical zoom plus 2x digital tel-extender function). 1) f5.8 @ 1/200th @ ISO 500. 2) same. 3) f5.8 @ 1/100th @ ISO 800. These are all at –1/3EV exposure compensation.

Processed in Lightroom for color temperature, intensity, clarity, and sharpness.

3/28/2012: The Maple Blossom Special, Kennebunk ME

Maple blossoms are another of my yearly subjects…one of those happenings I time my life by. I love them. Many people are probably totally unaware that the maple blossoms at all, let alone with such intricate beauty. They might see the red blush on the trees in spring, but unless they have gotten really close, they may not have realized that the first red blush is flowers. There is a second red blush, generally as intense, when the first leaf buds open, but that comes later.

You have to get really really close to see that the flowers are not just red…they have yellow centers with red petals and frilly green stamens. The impression from a distance is much redder than the actual blossoms.

I checked my archives and the maples in the back yard have bloomed a full month ahead of the same trees last year. That is how mild the winter has been (though snow-squalls are predicted for this morning).

In past years I have had to wait until the lower limbs blossomed or until I could find a small maple in bloom. This year, with the Canon SX40HS’s long zoom, close focus, and digital tel-extender function, I was able to capture better-than-life-size images higher up in the tree. The close-ups here were taken at 1680mm equivalent…840mm optical plus 2x d.t.e. function, hand held, from about 6 feet underneath. Since the breeze was bouncing the limbs around quite a bit, it was a matter of timing and taking bursts of shots at 4 fps. Using d.t.e. function keeps shutter speeds on the high side anyway.

1) f5.8 @ 1/500th @ ISO 160. 2) 72mm equivalent. f4 @ 1/1000th @ ISO 100. 3) f5.8 @ 1/320th @ ISO 125. Program with iContrast and –1/3EV exposure compensation.

Processed in Lightroom for intensity, clarity, and sharpness.

One last shot before the Maple Blossom Special is round the bend, and the red is gone until the leaves first pop!

1/29/2012: Space Coast Sunrise. Happy Sunday!

Florida sunrises can be spectacular, and none more-so than those along what they call the Space Coast. I am staying in Titusville, about 5 miles inland from Merritt Island and the Canaveral shore: Cape Canaveral, now the Kennedy Space Center, is between me and the coast. What you see here though, looking like a shadowy landscape of hills against the rising sun, is actually layers of fog over trees. This was taken from the balcony in front of my room, from a higher angle…I had to lean out over railing and zoom in to avoid the building itself. Interstate 95 is right behind the silhouetted palms.

I like the mystery of the shot, the half light and the fog, the bold silhouettes of the palms and the blazing sky.

Canon SX40HS at about 135mm equivalent field of view, f4.5 @ 1/80th @ ISO 200. Program with iContrast and –1/3EV exposure compensation.

Processed in Lightroom for intensity, clarity, and sharpness. Cropped slightly at the top for composition and interest.

And for the Sunday thought: dawn and fog. Obscurity with a promise of clarity and light to come. Now if that does not describe our spiritual journey many days I don’t know what does. As Paul says, “now we see as in a mirror darkly” but we have the promise of full sight and true vision to come. And for me part of the miracle is that even in our obscurity, we are able to see the beauty that calls us. We treasure the dawns, we rejoice in the days, we celebrate the sunsets, we bask in the night and our dreams, to rise again to the promise of the coming day. If this, this life, this glorious life and this beautiful world is “in a mirror darkly” then I can barely imagine what the full light of day will reveal. And no…I am not ignorant of the pain and frustration, the ugliness and decay, that is also obscured by the morning fog of our current days (I95 and its traffic of commerce and greed is right behind the palms)…but I see, in the light of the promise, no reason to dwell on it…to dwell in it. It is beauty that calls me…beauty, truth, light, and I move toward it as surely as the sun rises, as the fog dispels, as day comes. I can, almost always, celebrate the fog of dawn in the rising sun. And that, thank God, is also a good description of my spiritual journey.

1/13/2012: Snow!! And a road in the wood.

We finally got our first significant snow yesterday in southern Maine. They predicted 1 to 3 inches, and we got 6 to 8 🙂 Heavy wet snow finishing off in little pellets of ice late afternoon. The roads were as bad as I have ever seen them in Maine. Still that did not stop me from getting out mid-storm to get a few pics. This is a wood road that runs through Rachael Carson National Wildlife land between us and the coast.

This is not sensor friendly light…levels are low in a storm like this…and exposing to hold highlights in the snow almost always results in greens that are grey at best, and mostly verging on black. I was really pleased to be able to pull up the greens while processing the image in Dynamic Photo HDR without losing the white of the snow. This is very much a naked eye view.

Canon SX40HS at 126mm equivalent field of view. f4.5 @ 1/80th @ ISO 200. Program with iContrast and –1/3EV exposure compensation.

Processed as a single jpg HDR in Dynamic Photo HDR. Final processing and a slight crop from the top in Lightroom.

And just for fun, here is the same image processed in Dynamic Auto Painter as a painting.

9/20/2011: Summer’s Gone :(

This is a case where the built in HDR on the Nikon Coolpix actually worked! I took the shot without, and of course, in this lighting, the tree went black and the clouds went featureless white. The built in HDR produced a result that was a bit flat, but toning up in Lightroom produced a good rendering of the range of the scene.

The racks of resting boats at the Lakeside Sailing Club and School testify to the lateness of the season, and the tree and building provide a compositional frame.

Nikon Coolpix P500 at 22mm equivalent field of view, f3.4 (nominal) @ 1/1000th (nominal…this is the sum of several exposures), @ ISO 160. Backlight HDR mode.

Processed in Lightroom for Clarity and Sharpness, with special attention to the intensity of the scene.

9/19/2011: Lakeside Tree of Vines

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And the wonder of it is that this tree itself seems healthy and well despite its burden of vines. It provides a name (and shade) for the Bed and Breakfast behind it. I looked for an angle that would show the texture of the twisted vine cover and the vigor of the leaves, contrasting with the yellow siding of the house.  The exposure needed to maintain the blue of the sky.

Nikon Coolpix P500 at about 50mm equivalent field of view, f4.2 @ 1/200 @ ISO 160. Program with Active D-Lighting.

Processed in Lightroom for Clarity and Sharpness.

8/15/2011: High Summer Forest

The dappled light and shade of the forest at high summer afternoon in Southern Maine.  This is the forest that edges the Kennebunk Plains, ferny and open. Not an old forest as it has grown up since 1947, the year Maine burned. In 1947 wildfires consumed hundreds of thousands of acres from one end of Maine to the other, and villages as well. If compared to a mature forest like those at Rachel Carson and Wells Reserve, which did not burn, the difference is immediately obvious.

But that is history. What attracts me here is the sandy track leading the eye deeper and deeper into the forest, and the play of light and shadow.

Nikon Coolpix P500 at 23mm equivalent field of view, f3.5 @ 1/160th @ ISO 160. Program with Active D-Lighting. The Active D-Lighting handled the range of shadow and shade just about perfectly, providing an exposure that I could easily tweak in Lightroom for a very realistic effect.

Processed in Lightroom for Clarity and Sharpness.

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