This is another shot of the Great Kiskadee displaying at Estero Llano Grande World Birding Center. It is a rarely observed behavior and I feel privileged to have seen it, and even more so to have caught it, however imperfectly, as a digital image.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1800mm equivalent field of view. f6.5 @ 1/1000th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness.
I have photographed Black Saddlebags in both Texas and Maine, and I have one really bad photo of a Carolina Saddlebags from my Kennebunk dragon pond this summer, but my ambition for this trip to south Texas and New Mexico was to find and photograph a Red Saddlebags. They don’t get as far north as Maine and a friend who posted a pic from NM said the last record for the upper Rio Grande Valley is sometime in September, so my only real hope was Texas.
My first day in Harlingen I got out to Estero Llano Grande World Birding Center…which is rapidly becoming one of my favorite places for birding, bugging, and photography…and, sure enough, there were a smattering of Red Saddlebags among the abundant Blacks. I had, however, about given up on getting one to sit still for a photo when I found a little reed tip out by Grebe Marsh where one was returning with fair frequency. I watched it for fifteen minutes, missing it every time…it was in touch-and-go mode…but I made note of the location to check on my way back to the visitor center.
And there it was, on my way back, on the same reed tip…and this time it sat while I got a few shots, and then returned twice to the same perch for more shots at different angles. I was so blessed!
The perch was high, above eye-level, so the angle is not great…but still…a Red Saddlebags!
It, like the Blacks it was flying with, was a well worn bug…likely a migrant from further north mating one last time on its final journey south. (Some of the Blacks were tattered enough for me to believe I might have photographed the same bug a few months ago in Maine.)
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1800mm equivalent field of view. f6.5 @ 1/1000th @ ISO 400. Processed in Lightroom for intensity, clarity, and sharpness.
Increasingly Birding Festivals are as much about butterflies and dragonflies for me as they are about birds. I suppose it is just a phase I am going through. This week I am at the Rio Grande Valley Birding and Nature Festival in Harlingen Texas, and there is almost nowhere in the US that is better for butterflies than the Rio Grande Valley. As for dragonflies, there are actually more species in New England than anywhere else, but there are some dragons here I will, of course, never see in Maine. And I do pay attention to the birds as well!
I walked up on a knowledgeable gentleman photographing this Hairstreak at Estero Llano Grande State Park and World Birding Center yesterday. He was quite excited as it is a rare species: the Red-crescent Scrub-Hairsteak. I almost certainly would not have even seen it (it is tiny), and I certainly would not have seen it as anything special, if the gentleman had not been practically on his stomach trying to get a good angle on the bug. As it was I had to go ask.
With the reach of the Canon SX50HS’ long zoom I was able to get decent shots over his shoulder. Estero Llano Grande has extensive plantings for butterflies…and lots of ponds for dragonflies.
Canon SX50HS. Program with auto iContrast and Shadow Fill. –2/3 EV exposure compensation. 1800mm equivalent field of view. f6.5 @ 1/1000th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness.
This is another shot of the fall industry of the squirrels in our back yard. And yet another shot in less than ideal light. I don’t know what it is about our squirrels. They do not come out to play on sunny days?
Canon SX50HS. Program with auto iContrast and Shadow Fill. 2400mm equivalent field of view. f6.5 @ 1/160th @ ISO 320. Processed in Lightroom for intensity, clarity, and sharpness.
This is another shot I went, for better or for worse, out looking for. I needed a “Trees on Tuesday” entry for Google+ and this kind of shot seemed about the best I could do in this season between leaves and snow. Besides, I had not done on like this in a while.
So this is Old Falls Pond on the Mousam River in late afternoon on a November day. I took quite a few shots from this spot, with different effects in the gently moving water, before a gust of wind completely fractured the surface and I lost the reflections.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 250mm equivalent field of veiw. f8 @ 1/40th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness. Some color adjustment to taste.
There were several Greater Yellowlegs in migration along the Kennebunk Bridle Path where it crosses the marsh pools between Rt. 9 and the sea.
They were busy enough feeding that they did not pay much attention to me. I was able to reach out with the long zoom on the Canon SX50HS and catch them.
Canon SX50HS. Program with auto iContrast and Shadow Fill. Both shots are at 2400mm equivalent field of view (full 1200mm optical zoom plus 2x digital tel-converter function). 1) f6.5 @ 1/160th @ ISO 160. 2) f6.5 @ 1/250th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness. I should have bumped the exposure compensation down to 1/3 or –2/3EV…but I am still learning the camera.
This is a two shot panorama from the viewing platform on Branch Brook at Rachel Carson National Wildlife Refuge in Wells Maine. Around the second bend you see in the middle distance there Branch Brook and the Merriland River join to form the Little River for its short winding run to the sea. The tide is full in, so Branch Brook does not look very brook-like.
This is actually two in-camera HDR images stitched together in PhotoShop Elements’ PhotoMerge tool, and then final processed in Lightroom. I used a handy post on the platform and simply rotated the camera between images. I am increasingly pleased with the ease and the quality of the Canon SX50HS’s in-camera HDR. It is not obvious at all, yet produces a very nice extended range image. The clouds, in particular are very natural, and yet the shadows are open and the greens of the evergreens are indeed green, not black. It gives me just enough extra to work with in Lightroom to produce some of the most natural images I have ever done.
For the full panoramic effect you really need to click on the image and view it full screen in the lightbox.
Canon SX50HS. Program with auto iContrast and Shadow Fill. Two 24mm equivalent field of view exposures. f4 @ 1/500th @ ISO 80.
And for the Sunday Thought. It is, sometimes, about taking the wide view. I love the small intricate details of life in this world, and if you flip back through my posts, you will see that I spend a lot of time celebrating them. I also love the big wide angle vista, which landscape under a dramatic sky. The last 3 cameras I have owned have had zooms that reach 24mm equivalent, and I doubt I will ever buy another camera that is limited to 28mm, or (shudder) 35mm at the wide end (yet, of course, I used to think of both 35mm and 28mm as wide angle.) And beginning about 2 years ago I have taken the occasional Panorama…where more than one image is stitched to create a view that stretches our perception of the reality around us…though oddly it does so by presenting a swath that more closely corresponds to our natural naked-eye view of the world. Part of my move to Panorama has undoubtedly been facilitated by the availability of software, in-camera, and in post processing, that makes it easy to stitch images together. But part of it has been a new appreciation for the wide view, even though those intricate details I love are diminished…submerged in the stretch of imagery across full width of my computer screen. I have come to appreciate the sweep of the landscape that overloads my senses and touches a bit of a different kind of awe in me.
And I am thinking of this in the context of the coming election. For me, elections are a very spiritual matter, and I really want to be sure that my spiritual self is fully engaged in my choices. In fact, I want to make sure that any decision I make that has the kind of consequences a national election has is made in the spirit and not in the flesh. And I find that what is required, by my spirit, is the panoramic view.
Sometimes it seems the election is all about the intricate detail of issues…with the hot issues…those that raise the most emotional heat…being the focus of all the attention. We are tempted, in fact we are encouraged by ad after ad and article after article and news story after news story, to make our decision based on the candidate’s position on those issues…on this issue or that issue…often on a single issue among all the others…one issue alone.
Among my people, my fellow Christians, this approach is particularly prevalent…and there are issues which have deep, undeniable and unavoidable, spiritual ramifications. Of course those issues and the candidate’s position on them are important…but they are not what my spirit craves when facing a decision of this magnitude. I find myself pulling back for the wide…the panoramic…view, where all such intricate detail is submerged in the sweep of the candidate’s life…what I can see or sense of the candidate’s spirit. I feel much more comfortable deciding based on who I perceive a the person behind the politics to be (difficult as that is to determine sometimes) than I do based on what the person thinks and promises about the hot issues.
Because I will be traveling to Texas next Tuesday, I have, in fact, already cast my vote. I am not going to tell you who I voted for (and certainly I am not going to tell you who you should vote for). But I will tell you that I voted on the wider view…I voted on the panorama of the person…I voted on what I could sense of the sweep of the spirit behind the politics.
Sometimes you have to take the wider view.
Well, it is a actually the new “man-made-material” boardwalk out behind the hawk-watch platform at Lighthouse State Park in Cape May, NJ. It was a dull afternoon with heavy clouds and the Yellow-rumped Warblers were coming down onto the boardwalk to pick up either seeds or bugs…I could not see which. Then they would hop back up to the lower branches of the trees next to the boardwalk. Up and down. Down and up.
I like the feet here. You don’t often get to see a small bird’s feet in this kind of detail. The subdued light, and the plain grey background, really brings out the remaining color in this fall plumaged bird.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1800mm equivalent field of view (full zoom plus 1.5x digital tel-converter function). f6.5 @ 1/160th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
Yesterday, I took a lunch-break drive down to the beach where Back Creek comes into the Mousam River behind the dunes. There were 4 winter plumage Horned Grebes diving just off the bridge. They are interesting little birds, especially when the sun catches in that bright red eye. We don’t see them in close during summer, but they are often off the beaches here in winter. The are very active birds, swimming rapidly on the surface, and then diving and staying down for 30-60 seconds…often coming up unpredictably 100 yards to one side or the other of where they went down. Not easy to photograph, but just to attractive not to try!
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1), 2) and 3) @ 1800mm equivalent field of view (1200mm optical plus 1.5x digital tel-converter function). 4) @ 2400mm equivalent field of view (2x dtc). All hand-held.
1) f6.5 @ 1/1000th @ ISO 250. 2) and 3) f6.5 @ 1/250th @ ISO 80. 4) f6.5 @ 1/320th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.
This was going on two weeks ago now. Hurricane Sandy did for most of the remaining leaves on Monday, so it would look a little different today. They mowed the field in the foreground for the first time I can remember, at least in the fall, so it is an unusual view of the buildings at Laudholm Farms in several ways.
This is an in-camera HDR from the Canon SX50HS. The University of New Hampshire has placed a “picture post” at the spot where I am standing as part of an ongoing 360 degree panorama project they are running. The idea is to put your camera on the post, lined up with the guides, take 8 images while rotating around the post, and then upload them to their picturepost site. You can find out all about the picture post project and see some of the results at the picturepost site. I just used the picturepost as a tripod for the HDR. As you might imagine I have several different seasonal variations on this shot.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 24mm equivalent field of view. f5 @ 1/500th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.