Friday was the only day in Cape May during CMBO’s Autumn Weekend Festival with decent light, and it did not really get bright until 10am when I already had to be at the Convention Center for set up. Still I took the trail early that runs out over the boardwalk behind the Hawk Watch at Lighthouse State Park, past the pond, and on around through the newly manicured pine forest, across the marsh again on boardwalks, past the second pond, and back around below the dunes and behind the pond by the Hawk Watch Platform. It is always further than I think it is, and takes more time, especially if you stop for any photography.
None the less, I could not resist stopping for this acrobatic Grey Squirrel in the pine forest section of the trail. It was making a big deal of scampering up and down a tree trunk about 15 feet from the trail, taking very obvious exception to my being there, but unwilling, for some reason, to give up its tree. Everything is still an experiment with this new camera (Canon SX50HS), and the light was not bright enough to really hope for sharp shots of this rapidly moving critter (or even accurate focus)…but still…I shot off several different bursts and was able to sort 3 keepers from the lot. Not bad at all.
I especially like the bright yellow green leaf behind the squirrel that completes the composition.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1800mm equivalent field of view. f6.5 @ 1/60th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
In the same murky dawn light as I found the Gannets in on Saturday, ahead of Hurricane Sandy, in Cape May New Jersey, there were terns fishing. The Gannets in-close were a surprise, but, of course, I expect the terns in Cape May.
These are Forester’s Terns, as were most of the terns fishing along the beach that morning. Despite the dim light I was practicing with the Sports Mode on the Canon SX50HS. I really need to find some birds in flight in decent light to see how it really works. (I will be in New Mexico at Bosque del Apache NWR next month. Maybe there 🙂
Canon SX50HS. Sports Mode. 1200mm equivalent field of view. f6.5 @ 1/640th @ ISO 800.
Processed in Lightroom for intensity, clarity, and sharpness.
The top image benefits from a larger view. Click on the image to open it in the lightbox on WideEyedInWonder.
Bittersweet berries are part of the traditional New England fall/Thanksgiving table center piece. I don’t know enough about Bittersweet to know if this plant, found along the trails at Laudholm Farm (Wells National Estuarine Research Center) is American or Oriental Bittersweet. American is, as the name implies, the good Bittersweet…a native plant that is in danger of being pushed to extinction and hybridized out of existence by the invasive Chinese Bittersweet. As is so often the case, Chinese Bittersweet was intentionally introduced to the US and planted along thousands of miles of roadways and embankments to prevent soil erosion. That was before they knew how fast it would spread and how easily it hybridizes with American. Good idea? It turns out not.
By the way, the berries might look tempting, and are a fall treat for birds and rodents, but they are poisonous to man.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 24mm macro, with 1.5x digital tel-converter for image scale and working distance. The berries are just over live size on my monitor. f4 @ 1/800th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness.
Most days in the fall, with binoculars or a spotting scope, you can see Northern Gannets off the beach in Cape May, New Jersey. They are generally fishing the waters well beyond naked-eye view. You might catch a glimmer of white from the winds as they turn, a shimmer on the horizon, but it is mostly faith that brings the binoculars or the scope up to scan the distance for these magnificent birds. And faith is generally rewarded. They are out there most days.
The Northern Gannet is a big bird. It is a yard long, with five to six foot wings, and weighs six and a half pounds. That is very heavy for a bird. They nest in the North Atlantic, almost 70% on rocky islands off the UK. I have seen at least one pair nesting as far south as Machias Island, off Rockland Maine, but that was very unusual. Generally they only enter US waters in late fall, through the winter, and into early spring. They spread down the US coast and around the Caribbean and just into Mexican waters. And as I say, they generally fish well out to sea, diving from a hundred feet in the air, completely submerging with a splash that could easily be mistaken for a whale spouting, coming back to the surface and taking flight with any prey.
Saturday morning, the coming storm (Hurricane Sandy is scheduled to make landfall right over Cape May on Tuesday morning) had driven the Gannets in, and there were hundreds of them…more likely thousands of them…visible just off-shore just after dawn. I watched them from the top of the dune behind the The Meadows (The Nature Conservancy’s Cape May Migratory Bird Sanctuary) and then walked out to a hundred yards from the tide line for even closer views. I had never seen so many Gannets so close. There were two local birders out there on the beach and they had never seen so many Gannets so close either.
The first image is a group of Gannets fishing what as apparently a fairly concentrated school of fish just off the beach and between me and the sunrise (well buried in clouds). (The line of birds low in the frame are Scoters.) The light was a challenge. It was after dawn but the heavy clouds kept it pretty dim. I switched to Sports mode for some flight shots, but again these images are pushing the boundaries of what is possible. They look pretty good at this size, but you would not be impressed if you viewed them 1 to 1 on a large monitor. They look more like clever drawings than photographs at that size…and, in essence, they are just that. The camera’s software used the data collected by the sensor to draw an image of the bird using tiny little dots of color…and in this light, there was barely enough data. Still, considering the conditions, and the difficulty of flight shots in the first place, I am pretty happy with the results.
And for the Sunday Thought: this new camera has features that are constantly tempting me to attempt the impossible. Really the light Saturday morning was just too dim for flight shots, to dim and flat for photography of any kind. A conventional DSLR and long lens (half the 1200mm focal length of the zoom on the Canon SX50HS) would have had extreme difficulty finding focus on these moving birds in the dawn murk. Yet, in Sports Mode, the SX50HS locked on, and, despite my lack of practice with flying birds, I was able to frame and follow the birds as I shot bursts of 10 frames. Sports Mode automatically pushes the ISO to 800 and above to give faster shutter speeds, and switches in 5 frames per second burst mode with focus between frames.
Considering what the camera had to deal with, I have no right to quibble with the results. These images would not have been possible at all without the advanced features of this little Point & Shoot Super-zoom. So when I blow them up very large and look very close, and see the less than perfect rendering, I try to remember not to compare them to what I had hoped to see…but to compare them to no image at all! By that standard, they are pretty good indeed.
Shifting to a spiritual view, I am thinking that we need to be tempted to attempt the spiritually impossible more often…you know, things like unconditional love, absolute generosity, self-less giving and self-less living, and even intimacy with the pure light of creation. The best we might manage is enough to make a rough sketch of the reality of those experiences, but then, we should remember to judge those sketches, rough and imperfect as they must be when we blow them up large and look close, by the standard of how they compare to no sketch at all. A very rough rendering in action of unconditional love would transform most of us…and any attempt at self-less giving and self-less living has to be more satisfying than the alternative. And just the tiniest glimpse of the pure light of creation, filtered through the imperfect medium of our lives and haltingly shared with others, is so much better than the darkness of unbelief!
We have to be thankful for any image of Gannets against the dawn.
Gotta love Carolina Wrens! Or at least I do. This one was singing just around the corner from the Cooper’s Hawk from yesterday’s post, beside the boardwalk behind the Hawk Watch at Lighthouse State Park. It popped up on this branch that sticks out over the boardwalk and posed. I got off maybe a dozen shots before it went back into the bush. Still really bad light, but, hey, gotta love Carolina Wrens!
Canon SX50HS. Program with auto iContrast and Shadow Fill. 2500mm equivalent field of view. f6.5 @ 1/160th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness.
And one more, pulled back to 1200mm equivalent.
The weather could have better when I got to Cape May yesterday. By the time I got out onto the boardwalk behind the Hawk Watch at Lighthouse State Park, at 4PM, it was pretty dark. There were a fair number of birds, mostly Yellow-rumped Warblers, but they were skitterish…never staying in one place for more than a few seconds. Challenging photographic conditions and I am still learning the new camera.
And then, of course, being Cape May, this Cooper’s Hawk flew up into the tree right above my head, and sat there while I took way too many shots. It even let me sidle along the boardwalk for a clearer shot through the branches. Very nice! It was dark. The bird was against the grey sky. Not the best conditions, but it does not matter how bad the light or the angle, when a Coop lands that close and sits, you take pictures!
I got to try all the various focal lengths available, from 2400mm (2x digital tel-converter function, as above) back down to the 1200mm optical zoom.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 2400mm, 1200mm, 1800mm, and 2400mm. f6.5 @ 1/160th – 1/400th @ ISO 125-400. Processed in Lightroom for intensity, clarity, and sharpness. All shots required some purple fringe removal.
I have photographed this pond in the marsh behind the dunes at Laudholm Farms (Wells National Estuarine Research Center) in all weathers and in all seasons. It is never better than with one of the amazing fall skies of Southern Maine. I watch the weather for fronts coming through from the west, and, if they coincide with a weekend, generally find some landscape to set them off. And, again, there is nothing better to set off a sky like that than a stretch of water to reflect. The pond at Laudholm is perfect.
This is an in-camera HDR, taken with the Canon SX50HS. The Canon has to be very still for the HDR function to work. Unlike some HDR software, the software in the camera has very limited ability to align three imperfectly aligned images. The exposure processing, on the other hand, is spot on! The three images are blended, to my eye, just about perfectly. I took this with the camera propped up on the interpretative sign at the pond. Nice of them to put it there! (I have since invested in an 11 ounce ZipShot tripod that has legs like aluminum tent poles held together with shock cord. It sets up in seconds, is sturdy enough for wide angle to mid-tel shots (with the self-timer), clips to the strap of my camera bag, and is ready for an HDR anywhere.)
Canon SX50HS. Program with auto iContrast and Shadow Fill. 24mm equivalent field of view. f5 @ 1/500th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.
On our way to the car while at Laudholm Farm on Sunday, this little Chipmunk skittered across the path and into the rock pile by the visitor sign. It sat there just long enough for me to get off a few shots at 1200 and 1800mm equivalents on the Canon SX50HS. The angle here is not quite right, but I took a chance even getting to this position, and when I moved for a better angle, the critter skittered again and was gone.
This is the 1800mm equivalent field of view version…1200mm optical plus 1.5x digital tel-converter function. Even if the nose is buried in the juniper, I like the little “hand” and that eye.
Canon SX50HS. Program with auto iContrast and Shadow Fill and 1/3EV exposure compensation. f6.5 @ 1/400th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
Sunday afternoon my wife and I took a walk at Laudholm Farm (aka the Wells National Estuarine Research Center). It was one of those amazing fall days in Southern Maine when the sky conspired with the landscape to create drama wherever you looked. I have a bunch of interesting shots that you will likely see over the next few days, but this is the absolutely last shot I took there. We were back at the car and the sky and the touch of remaining fall color drew me up on the little berm that divides the parking lot in two. I leaned against a light post and took the 3 exposure HDR.
If it had been any other car in that corner of the parking lot it would have spoiled the shot…but the 67 Supersport (as identified by a car buff on the dpreview Canon forum) is just classy enough to actually add to the composition.
Canon SX50HS. Program with auto iContrast and Shadow Fill. HDR mode (takes 3 images and combines them in-camera). 24mm equivalent field of view. f5 @ 1/500th @ ISO 80.
I will admit to a fondness for Milkweed. I had to overcome a prejudice to get there, as my dairy farming grandfathers left me with the distinct impression that Milkweed is a noxious thing that ruins pastures. It may, in fact, be just that…but it is also quite beautiful, or at least interesting, in most of its phases.
This is a windy day macro, when I should have known better than to try, but tried anyway. I wanted the effect of the wispy filaments and hard pods against the big autumn sky. I set the camera to 24mm macro (focus to 0 cm) plus 1.5x digital tel-converter function (for larger scale and greater working distance than the 24mm would have given me), got in close, flipped out the LCD so I could see what I was doing working that low, and blasted away at about 3fps until I thought I might have gotten something. I was, of course, concerned that the shutter speed and the focus would fail to catch a sharp image of the plant in constant motion. Still…gotta try.
When I got home and got the images up on the laptop I had to chuckle. Sharp. And full of energy, just as I had envisioned them.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. Framing as above. f5 @ 1/1000th @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.