Posts in Category: reflections

7/8/2011: Summer Evening 1, Kennebunk ME

Kennebunk happens to be where I live…but for some Kennebunk is summer…beaches, boats, the ocean, the taste of salt in your hair, bare feet on wood floors, and the breeze through summer home, or grand hotel, window screens. It is not a world I am part of, but it is one I see all around me. We locals don’t go to the beach during the day, but come evening we are apt to wander down to see if there is any parking along the beach yet, to enjoy, if we can, the late light and see the most hardy of the tourists and summer folk still out, making the absolute most of a day in Kennebunk.

I like the way these girls stand on their shadow/reflections and the quality of the light and the modeling.

Nikon P500 at 215mm equivalent field of view, f5.6 @ 1/500th @ ISO 160. Programmed auto with Active D-Lighting.

Processed in Lightroom for Clarity and Sharpness. Cropped top and bottom for composition.

7/3/2011: Sunset over Back Creek, Happy Sunday!

I happened to look out the window at about 7:30 last evening, and the light across the yard sucked me out and sent me down to the ocean. I did a loop around the Kennebunk beaches, and found myself at the confluence of the Mousam and Back Creek just at sunset. The holiday weekend folk were packing and leaving the beach, so I was actually able to park and watch the sunset.

It was not dark enough for the Nikon’s Night Landscape mode to work, but this shot uses the Backlight/HDR mode…it is three shots assembled in camera for extended dynamic range. I have been disappointed with the effect during daylight, but here it was just the thing to capture a relatively natural balance between the bright colored sky and the landscape. Too often sunset images catch the spectacular sky against a dark, or even completely black, foreground…which is never the way we actually see it in nature. In reality there is always considerable light on the foreground until well after the sun is completely set. Trying to bring up the foreground in post processing sometimes helps, but at the cost of considerable noise in the image, and effort with the software.

This is a closer shot from the same location, a few moments later, using a longer zoom setting for framing.

I love it that the camera was able to maintain detail even in the trees against the sun. Both of these will benefit from a larger view by clicking the image to open the Smugmug lightboox.

I will admit to being (maybe too) interested in the technique and technology that make such shots possible with the cameras we have today…but, of course, the hardware and software only have value for the results they produce. That more natural balance of light over the landscape, with the full intensity of the sunset sky above, is worth capturing because it makes the image more than sunset shot…it makes it, as I see it, an opportunity for the viewer to more completely participate in the event itself…to be there, where the photographer stood…and experience the sunset as the photographer experienced it. And this is, again, I think, a good thing…a value…and what photography can, at its best, accomplish.

These images are not photography at its best, of course, but they are satisfying attempts to capture the feeling of the place and time. I think. Sunset over Back Creek, July 2nd, 2011.

We are, perhaps, already in Sunday territory in that discussion, but one of the things I love most about photography is that opportunity to share each other’s vision and experience…to share worlds…and what I see most clearly, as I experience the growing community of photography on flickr and facebook and everywhere on the web today, is that the sense of what is beautiful, admirable, interesting, sad, touching, valuable, and even humorous…what is worth taking a picture of…extends across all cultures and races…is something we, as children of the creator…share, no matter where we were born or how we were raised. Oh, I do occasionally find a photographer who is into a slice of the world I don’t particularly want to look at, but it is rare, and even so, I can generally see the value he or she saw, even if it is not my value. And, many times, I am simply stunned by what others see and capture, because it could so easily have been what I saw, if I had been there. I so I would like to think anyway.

Nikon Coolpix P500 in Backlight/HDR mode. Nominal exposure info: 1) 53mm equivalent field of view, f4.4 @ 1/250 @ ISO 160, 2) 175mm @ f5.4 @ 1/160th @ ISO 160.

Processed in Lightroom for Clarity, Sharpness, and intensity. 1) was cropped slightly for composition.

    6/16/2011: The Bowl, Acadia National Park

    We got a late start on our first hike in Acadia National Park this last visit, and by the time I got to The Bowl, a little pond on the trail from Gorham Mountain to Champlain, the light was rapidly going. I am not as fast on the trail, up over Gorham, down into the divide between, and up behind the Beehive to The Bowl, as I once was. Clouds had rolled in and rain was predicted by night-fall. Still, The Bowl never fails to satisfy. The subtle light, while it posed real exposure problems…a matter of somehow maintaining detail in both sky and landscape…gave a wonderful texture to the water.

    For the image above I used all the help the camera provides: Active D-Lighting to extend the dynamic range when taking the image, and then in-camera post-processing using D-Lighting after the fact to bring up greens of the foliage even more. I finished it in Lightroom with some Fill Light and Blackpoint adjustment.

    Nikon Coolpix P500 at 23mm equivalent field of view, f4.5 @ 1/1000th @ ISO 160.

    And I had to try a panorama. This is four 23mm frames stitched in PhotoMerge in PhotoShop Elements 9, and processed for Clarity, Sharpness, and lighting in Lightroom. It is about 270° so the right most shot was behind my right shoulder when I took the left most shot. It looks better at larger sizes. Click the image to open it to the width of your monitor.

    5/15/2011: After the Storm, Happy Sunday!

    Happy Sunday!

    I woke to a rainy Sunday morning this am, so this shot from last Saturday seems appropriate. We had a day of rain which finally broke up, late in the afternoon. I took a run down to the beach to see what the light was getting up to. The sky was not as dramatic as I had hoped, but in this shot, the foreground detail, I think, makes up for it.

    This was an experiment in the Nikon Coolpix’s HDR mode…the camera took three shots and stacked them for an extended range. Results right out of the camera are almost always disappointingly flat…unless the scene is exactly as the authors of the software envisioned it…but some work in Lightroom can produce a very pleasant extended range effect…very natural compared to a lot of HDR you see. And, since the images are captured very fast (8 frames per second), shots of moving water like this one are possible.

    Nikon Coolpix P500 at 31mm equivalent field of view, f3.7 @ 1/640th @ ISO 160. Backlight (HDR) mode.

    And for rainy Sunday thoughts…well, my mind is certainly in rainy Sunday mode already…thoughts are slow and pleasantly lagging and I am ready for a nap after an hour up. I am not sure exactly why rainy Sundays are so much more conducive to sleepy repose than rainy Thursdays (to pick a day at random), but they are. The day of rest is deeply engrained in us, perhaps? Maybe even at the cellular level? In our genes?

    This scene, with its peaceful motion (in the water), its subtle light, and its restful balance fits the day. There is a quiet that is deeper than the flesh, when the soul lays in wait, on the threshold of revelation, and feels no need of motion beyond the gentle swirl of life around it. Rainy Sunday quiet.

    5/14/2011: Natural Abstract, Ottawa NWR, OH

    For scenery on Saturday.

    I was birding and shooting Point and Shoot Warblers (vireos, thrushes, etc) at Ottawa National Wildlife Refuge early one morning this week when this scene caught my eye. I switched from my User Flight mode to regular Program mode, flipped out the LCD to get low, and zoomed to effectively frame the effect I saw…but the image looks even more striking than reality. I find it a real challenge to look at. My eye won’t quite resolve it back into a natural scene. It remains abstract. I want to have a 16×20 print made. The bigger you view it the more sense it makes. It is the kind of thing you see in a corporate office, framed and hung. I think, anyway.

    Nikon Coolpix P500 at 135mm equivalent field of view, f5 @ 1/200th @ ISO 160. Program mode.

    Processed in Lightroom for Clarity, sharpness and impact.

    5/3/2011: Matanzas Inlet (cloud portrait)

    Matanzas Inlet is a beautiful place…popular with both fishermen and Least Terns…and easily accessible because it is part of Ft. Matanzas National Monument. But of course it is the clouds that dominate this image. Thundershowers waiting to happen. The low angle, thanks again to the flip out LCD on the camera, and the long stretch to the horizon add to the tension of the sky. The extra wide angle zoom also helps to capture the effect.

    Nikon Coolpix P500 at 23mm equivalent field of view, f8 @ 1/800th @ ISO 160. Program mode.

    Processed in Lightroom for intensity and clarity.

    And here is an alternative way of capturing the day. It needs to be viewed large. Three 23mm views, stitched in PhotoMerge in PhotoShop Elements 9, and processed for intensity and clarity in Lightroom.

    4/22/2011: Bridle Path, new eyes

    I am trying out a new camera…bought primarily to increase my reach and chances with birds in flight…but it has to work, of course, for my bread-and-butter landscapes. This is from the first outing with the camera, late in the day yesterday (after UPS finally delivered it :). Having a new camera is like having new eyes…you have to see everything again…even if you have seen it, and even photographed it…many times before.

    This is at 24mm equivalent field of view. The 24mm end of the zoom is by far the widest lens I have yet owned and I am interested in what it can do…what it does do…when pointed at the world.

    There will be lots of learning over the next few weeks!

    Fujifilm HS20 EXR at 24mm equivalent field of view, f3.6 @ 1/450th @ ISO 100. Landscape Mode.

    Processed for intensity and clarity in Lightroom (a new camera also means refining my Lightroom routine…the Fuji requires significantly different processing than the Canon did…still learning).

    4/17/2011: Where the Merriland meets the Little

    Happy Sunday! I spent an hour yesterday morning at Rachel Carson National Wildlife Refuge headquarters area, walking the little nature trail through the woods down to the Little River and the Merriland, as the sun was trying to warm a cold early spring day. There is little sign of spring at Rachel Carson beyond the light, the first hard leaf buds, and the earliest signs the intention to blossom on the Hobblebush. 

    This is where the Merriland River, in the foreground, meets the Little River, on the left. It is a 4 shot panorama and really needs to be seen as large as your monitor will allow. It is, in fact, considerably wider than you would be likely to take in at one view. By relaxing your attention and, so to speak, stepping back behind your eyes, you would be able to see this sweep, but generally our attention is more focused and we would only see this as a series of impressions. I like the way the early light is playing across the marsh and bringing up the blues in the water, when there are none in the sky.

    Canon SX20IS, four 28mm equivalent fields of view, stitched using the Panorama tool in Photomerge within PhotoShop Elements 9, and processed for intensity and clarity in Lightroom. Average exposure was in the f4 @ 1/160th @ ISO 80 range. Landscape mode.

    And,for Sunday…I think about that focused attention we bring to bear on the world around us, limiting our natural 180º plus, to between 15º of truly focused attention, and 60º-90º of operational attention. We call the rest peripheral. And yet, we could all benefit, I suspect, from the habit, say, once or twice a day, of stepping back behind our eyes, relaxing, and taking in the full width of our vision. It is certainly so in spiritual things. One of the most profound insights of any spiritual journey is just how focused on our limited view of things we all are, and what a change it makes to step back and look out of larger eyes than our own. Doing so does not diminish in any way the particular that is the focus of our attention…it just puts it in perspective. What is my own salvation, precious as it is, in comparison to the salvation of mankind and the redemption of creation? There is a kind of prayer that seeks that experience…not petition (necessary focused on the particular)…but a reverent approach to unity through love that is sometimes called meditation. Unfocused attention, while I would not argue that it is the highest form of vision, or of prayer, is undoubtedly good for us.

    Which is maybe why every photographer needs to experiment with panoramas once in a while. 🙂

    4/9/2011: Upriver Mousam Panorama

    This is just two 28mm equivalent images stitched, but I guess it still qualifies as a panorama. We are looking up the Mousam from the Route 9 bridge in Kennebunk on a day with amazing clouds and a spring snow on the ground. It is interesting to me that, being familiar with the seasons in Southern Maine, I could never mistake this for a winter shot, despite the snow. The quality of the light, and its angle, marks this as somewhere very near the equinox…as indeed it was. April 4, the first weekend April. The only strange part is that I had to pull off through a line of huge snowballs pushed up by the plough to take the shot. Likely, but only possibly, the last snow of this season.

    I really like the quality of the light and its variations across the surface of the water.

    Canon SX20IS. Two 28mm equivalent field of view exposures, f4 @ 1/640th @ ISO 80, Landscape Mode, stitched in PhotoShop Elements 9’s panorama tool, and processed for intensity and clarity in Lightroom. There was a telephone pole at the left, which I cropped out, so it is not quite the width of the two exposures.

    This is a rare panorama with waves in that the blend where the exposures meet actually works, managing to pass for a eddy in the current.

    4/4/2011: Spring Light on the Bascom

    This is the Bascom River above the main pool at Emmons Preserve in Kennbunkport Maine. Emmons, as I have detailed here before, is a little preserve set aside for public use, with a short loop trail beside the stream, several pools, some minor waterfalls and rapids, etc. Altogether a wonderful little patch that I always enjoy visiting. Here, the real feature is the clear, crisp light of early spring, the reflections in the water, and the symmetry of the narrows. There is really nothing there…but it is a pleasing…an inviting nothing.

    Canon SX20IS zoomed out to 85mm equivalent field of view for framing, f4 @ 1/125 @ ISO 100. Landscape Mode.

    Processed for intensity and clarity in Lightroom (see the processing link at the left).