The last week or so, White-faced Meadowhawks have been protecting territory along the edge of Factory to Pasture Pond. There are quite a few there, each male with its 5 feet of brush and shoreline. They get into little tiffs where territories touch…the males facing off in aggressive spiral flights, almost too fast for the eye to follow.
The Meadowhawks are smaller members of the larger Skimmer family and there are quite a few possible in Southern Maine. The White-faced is one of three bright red Meadowhawks, which differ primarily in the color of the face. The Cherry-faced has a slight red tinge to the face, while the Ruby tends toward a tan color. Other than that they are pretty hard to tell apart. I suspect I have a shot of a Cherry in amongst my White-faced shots, as I remember seeing a darker face, but I have not found it yet 🙂 It is certainly not among the images I have processed so far.
Second image is the female of the species, and what all the fuss is about among the males.
Then we have one from above, and one side on. The last shot was taken along the edge of the pond that is forested, so the Meadowhawks seem to establish territory even in taller trees.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. Shots at 1240 and 1680mm equivalent field of view using the full optical zoom, and either 1.5x or 2x digital tel-converter function. f5.8 @ 1/200th @ ISO 800, 320, 320, and 100.
Processed in Lightroom for intensity, clarity, and sharpness.
I posted a pic of Wild Bergamot a few days ago. I found the flower in a more or less abandoned gravel pit where a rising water-table is creating emergent wetlands, and the broken ground is providing opportunity for all kinds of enterprising plants to try the neighborhood. This is another such plant. There were hundreds of these delicate orchids growing where water was standing an inch or so deep along the edge of the impromptu cattail marsh up on the lip of the pit. Otherwise known as Snakemouth Orchid, the Rose Pogonia grows in boggy, wet areas across much of Canada and the Northern US. As it happens I had never seen it before and I am pretty sure it does not grow anywhere near the gravel pit…so how did it get there???
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. f4 @ 1/1250th @ ISO 100. 32mm equivalent field of view (24mm macro for close focus and 1.5x digital tel-converter function for image scale.)
Processed in Lightroom for intensity, clarity, and sharpness.
While I wait for my replacement electric scooter, I am without transportation for my photoprowels when the girls have both cars, so yesterday I decided to explore the semi-abandoned gravel pit more or less next door. A rising water table is fast turning the pit into a wetland. There are two sizable ponds in the bottom and even on the upper levels, cattail marshes are forming in every wet spot. It is an interesting process to watch… Nature reclaiming and transforming a disturbed area right before my eyes.
The plant above is Wild Bergamot, or bee plant, which I have always assumed was an non-native invasive. A quick look at the wiki for the plant shows that it is indeed native. I love the way the clear morning light has pulled out all the details and subtle color is the the blossoms. This is a long telephoto macro, 1240mm equivalent field of view at 5 feet, and that contributes to the effective bokah. f5.8 @ 1/640th @ ISO 100. Canon SX40HS in Program with -1/3EV exposure compensation.
Processed in Lightroom for intensity, clarity, and sharpness.
Every spring I find a few of these flowers growing near one of the old bridges on the Kennebunk Bridle Path where it crosses land owned by Rachel Carson National Wildlife Refuge along the Mousam River. I can’t identify it. It looks so familiar, so like I ought to know its name. Again today, I have spent way too long looking…in my wildflower guides and on-line, but it eludes me yet…once more. I suspect it is closely related to Canada Mayflower and False Lily of the Valley, though it is not either of those. Canada May Flower grows further down the path in the more shaded areas, and the leaves are the wrong shape for False Lily of the Valley. There are a lot of flowery bushes right along there, including Barbarry, which I know is not native, so I have come to suspect it might be a garden flower left over from when the Path, which was, in fact, a trolley line connecting Kennebunk proper with Kennebunk Port at the turn of the century, was landscaped. But which one?
No matter what it is called, I love the delicate white flowers and the strong bold curves of the veined leaves, especially as they are shown off here in the spring sun. The sunlit brush in the background is, I think, just far enough out of focus to provide framing and balance for the strong leaves in the foreground, and the slightly radial lines of the dry plant stems actually draw the eye downward to the flower at the center. This is a ground level shot. I have a slightly tighter framing that focuses more on the flowers, but I really like what the light is doing in the lines of the leaves.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 24mm macro, plus 1.5x digital tel-extender for the field of view of a 36mm lens, f4 @ 1/1000th @ ISO 125.
Processed in Lightroom for intensity, clarity, and sharpness.
And for the Sunday thought. I am not sure why it bothers me so much to have to post this beauty without a name. The flower is beautiful. The image is strong. It needs, I think, no apology. It is a thing of beauty in itself, whole. A name would not make it any better, or even any more complete. And yet, there is a vague sense that I am failing in my duty when I publish it without a name attached. And that is it exactly. I am not feeling ashamed at my ignorance, or my lack of diligence. We can’t know everything, and I have spent a reasonable (some would say unreasonable) amount of time trying to find out. And yet I do feel that it is part of my job as one who celebrates the creator’s creation to supply the name we humans have given this plant. As though that mattered. Strange.
I was thinking about language this week (probably in the shower where all my deep thinking takes place…I think the quality of thought in the world may have diminished in direct proportion to the conversion from bath-taking to shower-taking 🙂 Words are really just our way of indexing experience and memory. When I say “Canada Mayflower” I instantly tap into a whole complex of connected memory and experience stored somewhere in the biologic cloud that is my brain, and going back in time to my earliest experiences. And now, today, it is so easy to type that name into the browser of my computer, and be instantly connected to the vast web of human memory and experience that resides in the digital cloud that spans the world, and reaches infinitely further back into time than I can go myself. But the words themselves, “Canada Mayflower” are just the index key that pulls all that information together. It is the way our minds work. It is the way we humans work.
Which is way I always smile when I remember that, according to the story that comes along with my faith, our first job was to name the animals (and presumably the plants, and even the rocks, too). It is our most inherent duty. And this is good, because the other aspect of the job is caring. We were to care for creation as well as name it. They are deeply linked in the way we are made. Both logic and faith tell me this is so.
This is a beautiful flower, I think, beautifully framed to share with you. But I still have the vague feeling that if I don’t care enough to know beauty’s name, then I do not care enough.
Happy Sunday.
Washington Oaks Gardens has an extensive formal water garden, and, inside a wrought iron fence with trellis gates, a great collection of carefully tended roses. Since I am often there early for the birds, I often catch the dew on the rose in all its glory.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. This is a digital tel-extender macro…with the lens at 24mm and macro where I can focus to 0 cm, and 1.5x digital tel-extender engaged for an equivalent focal length of 36mm and larger image scale. This is a use of the digital tel-extender feature I an sure Canon did not foresee, but results, I think, are convincing. f4.5 @ 1/1250th @ ISO 125.
Processed in Lightroom for intensity, clarity, and sharpness.
I saw a lot of this plant in Northern California, growing under the redwoods, and along the trails of Arcata Marsh. According the my google sources this morning it is pretty much considered a weed…though it is a edible onion…and though, as a visitor, I found it too attractive to call a weed. But then I don’t have to deal with it invading my yard and flower beds. And it is, I find, not native to California. It comes from the Mediterranean basin. Still, in the subdued light of a misty morning under the redwoods, it has a certain beauty.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 36mm equivalent field of view and macro (24mm for closest focus plus 1.5x digital tel-extender for scale). f4 @ 1/1250th @ ISO 400.
Processed in Lightroom for intensity, clarity, and sharpness.
My Saturday photo-prowl took me to Emmon’s Preserve, a Kennebunkport Land Trust property along the banks of the Batson River, with a couple of loop trails through forest and along the stream. Though our season is advanced, due to the abnormally mild winter, things were still pretty quiet in the forest along the Batson. Which is why these small green and brown mottled leaves, in colonies, caught the eye. Now, I am not absolutely sure, but this looks like the beginnings of Trout Lily or Adder’s Tongue Violet (the same plant). If so we are going to have a lot of Trout Lily in southern Maine this year, if the deer don’t eat them all before they flower. Though I may have seen individual plants in Maine in the past, this kind of abundance is unique. They bloom early, so I will have to get back to Emmon’s soon to find out if these really are Adder’s Tongue. Any of the spreads of new leaves I saw, if matured to full bloom, would be quite a sight!
Canon SX40HS at 24mm equivalent field of view, and macro. Program with iContrast and -1/3EV exposure compensation. Processed in Lightroom for intensity, clarity and sharpness.
As you see, I was right down on the ground for this shot, and only centimeters from the leaf. I focused on the leaf and then reframed to put it off center in the image.
This is a shot from last Saturday. The Forsythia are in full bloom this morning. What a difference a week makes. Last Saturday the only fully open blooms were low on the bush and hanging down toward the ground. As an experiment I flipped the LCD on the Canon right over so it pointed toward the front of the camera and put the camera under the bush pointing up. Nice shot of the flowers, but there was no way to get out of my own shot. I took it anyway, as a kind of self-portrait of the artist, with Forsythia. 🙂
Canon SX40HS at 24mm macro equivalent field of view (the flowers are almost touching the lens). Program with iContrast and –1/3EV exposure compensation. f6.3 @ 1/1250th @ ISO 250.
Processed in Lightroom for intensity, clarity, and sharpness.
My mother-in-law gave my wife some daffodil plants last fall, when she was thinning her patch, and my wife planted a few up close to the foundation of the house in a sunny spot under windows. We had a 3 days of unseasonable 80 degree weather last month, and those daffodils have been trying to bloom ever since. They made it on Wednesday. I waited until afternoon, when the sun was full on them, and went out for some daffodil macros. It was a really challenge…as the wind was blowing, and daffodils are notorious, famous in song and poem in fact, for bouncing around even in a light breeze. And they do “nod”…the blooms hang down so all the action is facing the ground. I swung the lcd on the Canon SX40HS out to the side and faced it forward on the camera to get under the flowers, and set the camera to macro and 2x digital tel-extender for scale. I used aperture preferred exposure. so I could lock in f8 for maximum depth of field. The rest was just patience (and 4 frames per second burst mode :). The angle of the light could not have been better…a combination of direct light on the petals and back light coming through the petals.
Canon SX40HS at 24mm macro equivalent, plus 2x digital tel-extender function. Aperture preferred. f8 @ 1/160th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.
I mentioned in yesterday’s post that my Saturday morning photo-prowl, despite the unpromising weather and season, turned up a few good shots. For one thing I came across a pile of rotting logs beside the Kennebunk Bridle Path that were covered in interesting fungi. I have been experimenting with using the digital tel-extender function with macro at the wide end of the zoom, which gives me considerably larger than life size views. The light was actually pretty ideal for this kind of macro work…even and diffused, with very little shadow to deal with.
The first image is, after some research this morning, False Turkey Tail Mushroom. You can tell by the smooth, creamy, undersurface.
Growing right next to it…actually over one log…was a nice patch of real Turkey Tail Mushroom.
Though I did not know it until my research this morning (aimed mostly at putting a name to the mushrooms) Turkey Tail Mushroom is the center of a lot of medical research today. You can even buy Turkey Tail Mushroom extract on-line. Apparently there is evidence that compounds in the Turkey Tail kill cancer cells, or at least support the immune system in doing so, and it has been used for cancers from breast to prostrate. Interesting.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 24mm equivalent field of view and macro…plus 2x digital tel-extender function. Both shots were from less than a centimeter away from the closest fungi. 1) f4 @ 1/80th @ ISO 200. 2) f4 @ 1/160th @ ISO 160.
And just for fun, two more shots without the dte function kicked in, which perhaps show the growth habit a bit more clearly.