Posts in Category: water
1/8/2012: Webhanette Falls, in Ice
The Webhanette River flows between Wells and Moody Beach Maine and forms the Webhannet Marshes behind the dunes of Wells Beach. On its way down to the sea it flows over some rocky ledges. Waterfalls of any size in Southern Maine are few enough so that the Town of Wells has created a little park around the falls, not, honestly, much visited. It is a quiet spot just of busy RT 1, on a loop of road that has been bypassed by newer construction, and worth a look most seasons. Here it is in its winter persona, minus, due to our strange winter so far, the usual solid coating of snow that generally buries the rock and the ice itself…so I guess it is a somewhat unusual view.
I like the way the flowing water has frozen…the interesting shapes and textures…and the way the strongest flow has remained free.
Canon SX40HS in Program with iContrast and –1/3EV exposure compensation. 1) 120mm equivalent field of view, f4.5 @ 1/160th @ ISO 100. 2) and 3) 410mm equivalent, f5 @ 1/160th @ ISO 125 and 160.
Processed in Lightroom for Intensity and Sharpness.
And for the Sunday thought: Many places in the world, and even in Maine, no one would even notice Webhanette Falls. It is too small, too tame, too homely. But when you live on a coastal plain, hundreds of miles from real mountains (where in fact any decently high hill is called a mountain) any waterfall is a treat…a reminder of the beauty and the power of falling water. And what is it about waterfalls anyway? Why do we humans, pretty much universally, find them awe-inspiring…why do we drive and hike out of our way to see them? We paint them, we take pictures of them. We are irresistibly and undeniably drawn. Why did the town of Wells, when the new Rt. 1 was constructed, preserve this little park around this vest pocket water fall?
I can ask the questions but I can’t answer them. All I know is that waterfalls make me glad…a bit giddy in fact. They lift my spirit, fill my soul with wonder. They make me happy. There is a sense of play about them…from the smallest to the most majestic that speaks, always…maybe in a whisper at Webhanette and a roar at Niagara…but speaks always to the place in me that feels closest to the creator.
1/5/2012: Wave off East Point, Biddeford Pool ME
This is another shot from my unsuccessful Snowy Owl Prowl down the coast from Biddeford Pool to Kennebunk last week. Unsuccessful in finding an owl that is. From a photographic point of view I found much of interest in the massive waves and lowering sky as a front passed over and out to sea.
Directly off the point at East Point in Biddeford Pool waves coming in from the north east met waves coming in from the south east to create a cross wave effect that I could have watched for hours. The dynamic and the energy of the water was breathtaking. I did my best to catch a bit of that energy in images like the one above.
Canon SX40HS at about 90mm equivalent field of view. f4 @ 1/500th @ ISO 125. Program with iContrast and –1/3EV exposure compensation.
Processed in Lightroom. Besides my usual Intensity (fill light and blackpoint) and Sharpness adjustments I applied a Graduated Filter Effect from the bottom to bring up brightness and contrast…and then a second GFE from the top to pump up Clarity and Contrast to give the clouds slightly more definition. This is on the edge of being hyper-real, in the way many HDR treatments “go reality one better” and create a scene that is more dramatic than what the naked eye would actually see. (Some HDR treatments, in my opinion, boarder on the surreal. I don’t go there.) I think this image strikes a good balance.
Just for comparison, here is the same image with more intense tone-mapping in LightZone and final processing in Lightroom. This one is hyper-real…but it certainly has impact.
12/31/2011: Cape Porpoise Harbor in Green
The final pictures for 2011.
When I was about to leave Cape Porpoise the other day on my Snowy Owl prowl, I turned to see that a shaft of sun had come in under the cloud over to light up the harbor and the town. It was not the usual warm low sun shaft that sometimes leaks under the cloud cover at sunset, but a shaft of mid-day winter light…it turned the water of the harbor bright green, and picked out every detail in the boats and houses of the village. It was stunning. I hurried across the parking lot and out on to the deck at the (closed for the winter) clam shack to catch a few shots before the clouds closed in and shut off the light. This shot is zoomed in to frame the village and the church.
Canon SX40HS at 112mm equivalent field of view. f4.5 @ 1/500th @ ISO 160. Program with iContrast and –1/3EV exposure compensation.
And here is the side shot (24mm equivalent).
Processed in Lightroom for Intensity and Sharpness. Auto color temperature adjustment to match the green in the two shots. Some extra Recovery and some exposure and brightness adjustment in the second shot to tame the highlights.
12/29/2011: East Point and Wood Island Light
Yesterday was a good day to look for Snowy Owls. I had to go north on a shopping expedition so on my way back I worked my way out to East Point Sanctuary at the tip of Biddeford Pool. I have seen Snowys before on the the rocks and stony beaches of the point, as well as on Wood Island, which is visible from the point across the Saco River channel. In fact I saw my very first Snowy there.
As it turns out, yesterday was a very good day to look for Snowy Owls…it just was not a very good day for finding them. 🙁
The goodness of the day is due to the weather. There was a front passing and the clouds and the sea and the light all along the coast south from Casco Bay was spectacular. This is the view across the channel to Wood Island Light. I love the hammered steal of the sea, and that mass of cloud slanting in over Wood Island, with the Lighthouse standing against the ranked clouds out over Cape Elizabeth and the far shore of Saco Bay.
Canon SX40HS at 24mm equivalent field of view. f4 @ 1/800th @ ISO 100. Program with iContrast and –1/3EV exposure compensation.
The seas coming into Saco Bay were huge. In this second shot, I zoomed in for more detail on the Lighthouse, but also to catch one of those breaking swells. Coming in against the wind, when the swells broke on the underwater ledges between the Point and the Light, the spray made for some fantastic shows.
Canon SX40HS at 77mm equivalent field of view. f4 @ 1/640th @ ISO 125. Program with iContrast and -1/3EV exposure compensation. To capture this shot I took a burst of images at 4 fps when the wave began to break and selected the best of them.
The final shot is from a bit further down the channel, looking past the light and out to sea, at an intermediate zoom between the first two. Again, I was after the braking wave in front of the Light.
Canon SX40HS at 30mm equivalent. f4 @ 1/1000th @ ISO 160. Program with iContrast and -1/3EV exposure compensation.
All processed in Lightroom for Intensity and Sharpness. I used Graduated Filter effects to balance exposure on the sea and sky, and adjusted color temperature to warm the sea to its visual gray, rather than the blue-grey the the camera rendered.
12/22/2011: Winter and Water, Emmons Preserve
Winter is coming late to southern Maine this year. The ground is still bare here a few days before Christmas. We have had temperatures in the single digits at dawn this week…but the days warmed into the mid 30s. Not your grandfather’s December at all. (Though we still have time. They are predicting a few inches tonight into Friday. We shall see. Almost 40 degrees on Christmas??).
Anyway, I took a drive out to Emmons Preserve, figuring the cold would have at least created some ice sculpture and lace along the Batson River where it tumbles down over the ledges there. And it had. Except for the first shot, which had enough sun on it to light the moss within the shell of ice, I was shooting at ISO 800 along the late-afternoon shadowed rapids. Quality like this at high ISOs was simply not possible until this latest generation of super=zoom Point & Shoots.
Canon SX40HS in Program with iContrast and –1/3EV exposure compensation. 1) 147mm equivalent field of view, f4.5 @ 1/80th @ ISO 250. 2) 462mm equivalent, f5 @ 1/60th @ ISO 800. 3) 190mm equivalent, f4.5 @ 1/80th @ ISO 800.
Processed in Lightroom for Intensity and Sharpness.
10/19/2011: Incoming Tide, Back Creek
The swirl of the incoming tide forcing its way under the Back Creek bridge breaks the pattern of wind waves to give the foreground of this watery landscape interest. One of the highest tides I have seen here. And of course the sky and a great set of clouds builds the landscape up and out from the trees along the rule of thirds horizon. The fact that there is no direct sun on the foreground eases the exposure problem with the sky. Normally I would not have centered the clump of taller trees, but, with the tide swirls leading back, it works for me in this shot.
Canon SX40HS at 24mm equivalent field of view, f4.5 @ 1/1250th @ ISO 200. Program with iContrast and –1/3 EV exposure compensation.
Processed for Intensity and Sharpness in Lightroom.
9/26/2011: Just a touch of fall on the marsh…
Another shot from Saturday’s fotoprowl®…just to prove I did eventually get out of the yard (see yesterday’s post). The trees, as of Saturday, had just been touched with the earliest color of fall. Things will progress rapidly now, and indeed, by Sunday morning the color had advanced far enough to leave no doubt that the season is upon us. In this shot, an in-camera HDR, I tried to catch the marsh at this delicate balance between the seasons, with maybe the last of the Beach Rose among the Asters and Goldenrod in the foreground, the unique fall greeny-yellow-brown of the marsh grass, and the few red maples in the background. As you see, it was fully overcast, so I also worked to bring out at least a little detail in the clouds. If I were a purist I would edit out the dead branches obtruding from the left…but I am a realist…and I actually prefer to leave them in.
Nikon Coolpix P500 in Backlight/HDR mode. 23mm equivalent field of view. Nominal exposure f3.4 @ 1/800th @ ISO 160 (nominal because an in-camera HDR is the sum of several very rapid exposures with different settings).
Before uploading to my laptop, I also used the in-camera Quick Retouch, which, when applied to an in-camera HDR, restores some of the contrast, brightens the foreground, and sharpens the whole image. The combination, while not as good as a three exposure HDR processed in Photomatix, is pretty satisfying. Final processing in Lightroom for Clarity and Sharpness. Cropped slightly at the right to eliminate a half post leaning out of the frame.
7/27/2011: Down the creek, v 2.0
So my theory is, when you have a great scene…great sky…great view…why stop at just one image? With digital there is no penalty for taking lots of angles. This shot was taken 30 feet to the left of Saturday’s Down the Creek shot, and just across the road from Monday’s Up the creek.
While both Up the Creek and Down the Creek had only sky and water for a foreground, so the images floated free (so to speak) this shot is firmly anchored by the rocks on the left and right so that the ripples in the water catch the eye. The boat dock and the house draw the eye to the middle distance before it wanders back, down the right shore, between the sky and its reflection, to the buildings of Kennebunkport. My eye, as least, then continues around so that the whole image fills my view. This sweep of attention, I think, lends a dynamic and a tension to this image that Saturday’s lacked…not to say it is better for that…just a totally different feel. Not so serene. Not so peaceful. A bit edgier.
Nikon Coopix P500 at 23mm equivalent field of view, f3.4 @ 1/300th @ ISO 160. Program with Active D-Lighting.
Processed for Clarity, Sharpness, and impact in Lightroom.
7/23/2011: Down the creek toward Kennebunkport
Though I have checked all my maps, including Google Earth, I can not find a name for this tidal creek that flows under Beach Avenue in Kennebunk and into the Kennebunk River near its mouth in Kennebunkport. Here, about an hour before sunset on a summer evening, the light, the clouds, the reflections in the water, and the expansive perspective of the 23mm equivalent zoom combine for an image that draws you in (imho) and invites you to stay a while. There is a lot going on here within the classic rule of thirds and leading lines composition.
Nikon Coolpix P500 at 23mm equivalent field of view, f3.4 @ 1/320th @ ISO 160. Program with Active D-Lighting (and it is in a shot like this that the ADL really shows its value).
Processed for Clarity and Sharpness in Lightroom. Some Recovery for the sky and clouds, some Fill Light to bring up the trees along the sides.
7/16/2011: Pool of Clouds in Evening Sun
The pool behind the bridge on Back Creek near where it flows into the Mousam River in Kennebunk, on a summer evening with the late sun across the marsh and the clouds caught.
Nikon Coolpix P500 at 31mm equivalent field of view. Backlight/HDR mode. Nominal exposure f3.7 @ 1/1000th @ ISO 160. Quick Retouch applied in camera.
Processed for Clarity, Sharpness, and Contrast in Lightroom.