Bright as Copper
Happy Sunday!
I keep going out looking for spring and only finding stuff held over from fall. This vine started out dark red, but the winter sun and cold has bleached it to this bright copper. I had to touch it, when I first saw it, to convince myself it was not a tangle of wire somehow blown up into the bushes. I took many shots at close range before it occurred to me to back off and use the tele end of the Canon SX20IS’ macro to isolate the vine against an out of focus background. Being able to shoot at ~500mm from under 4 feet is one of the more interesting features of the Canon, and I am just beginning to explore the possibilities it provides.
Canon SX20IS at about 475mm equivalent. F5.7 @ 1/320th @ ISO 80. Programmed auto.
Some Recovery for the background. A touch of Fill Light. Blackpoint to the right. Added Clarity and just a bit of Vibrance. Sharpen landscape preset.
From Around Home 2010.
The Canon SX20IS has “Easy Panorama” Mode, which aids in the creation of panoramas by displaying a thumbnail view of your first image beside the second so you can match them up, etc, etc. It is actually pretty clever. They also provide the PhotoStitch application which does a pretty good job of auto assembling the images into one. The only way to get really good panoramas is to use a panorama head on your tripod, which keeps the sensor plane aligned with the segments of an arc so the images really do overlap perfectly. Or you need a panorama camera, which swings the actual lens. I have never owned either. I am not all that into panoramas since I have never figured out how to display or view them effectively. Still, I could not resist trying out Easy Panorama mode on the new camera.
This is four images covering about 100-120 degrees of view. You really do need to view it on WideEyedInWonder at the largest size your monitor will do (click the image to open the WEIW link). The first shot, on the left, is almost due north and the last shot on the right is south of east, tending toward south-east. I used the corner of the wooden rail around a observation deck over the Little River at Rachel Carson NWR as my tripod, and set the lens to 28mm equivalent. You can see the rail at the lower right. Also, if you view it a larger sizes you will see that stitching of the last two images is not perfect. The wooden rail did not make a perfect panorama head.
What is interesting to me is that, long thin format aside, if you looked at the image without knowing it was a panorama, and were not familiar with the location, you might not guess it was a panorama at all. Rivers do bend like that.
For comparison, here is the unprocessed first and last 28mm shot.
Since Easy Pano mode is a mode in itself, set on the control dial as you would Auto or Program modes, you are reduced to the auto exposure the camera provides, but it did pretty well in this tricky light. The last exposure, as you see above was facing pretty much into the sun. I was particularly pleased at how naturally the variation of light in the sky is rendered.
Once stitched, I imported the image into Lightroom for post-processing. Recovery for the sky, Fill Light for the foreground, Blackpoint to the right, added Clarity and a touch of Vibrance. Sharpen landscape preset.
Individual exposures were at 28mm equivalent, F2.8 @ 1/800th @ ISO 80.
I will never be a big panorama shooter. However, given the tools the Canon provides, I may try one from time to time, just not nearly often enough to buy a panorama head!
From Around Home 2010.
It is the season when the Loons gather to feed at the mouth of the Mousam River, especially where Back Creek comes in, just behind the dunes at Parson’s Beach. It is also just the turn of season when the light is beginning to look like spring. This is a flood tide (we have had a lot of them due to storms lately). Beyond the dunes the ocean was roaring, but here in Back Creek, all you see is a particularly strong tidal surge troubling the high water… making for interesting reflections. That, and the Loons. For full effect you need to view the image at larger sizes by clicking the image to open at WideEyedInWonder. It should open in the largest size you can view on your monitor, but if not, use the size controls across the top of the screen.
Canon SX20IS at about 125mm equivalent. F4.5 @ 1/400th @ ISO 80. Landscape program.
In Lightroom, some Recovery for the sky. Just a touch of Fill Light for the foreground. Added Clarity and just a bit of Vibrance. Sharpen landscape preset. Cropped from the bottom for composition.
From Around Home 2010.
The new section of trail at the Cabrillo Tide Pools takes you up across the face of the steep slope via log steps and some actual stairs to new overlooks further north. This a view I had not seen before.
Canon SX20IS at 28mm equivalent. F4 @ 1/500th @ ISO 80. Landscape program.
Recovery for the sky and Fill Light for the foreground. Blackpoint right. Added Clarity and just a bit of Vibrance. Landscape sharpen preset.
From San Diego 2010.
Happy Saint Patrick’s Day! I’ve enough Celt in me to be happy.
And maybe it is the Celt in me that feels the pull of this image. So many lines and layers, interesting textures, the splash of green for color, and the drama of the clouds and sea. Down low with the flip out LCD for this, placing the rock so that it breaks an otherwise unfortunate horizon line in the middle of the composition. The rock pulls the eye and focuses the whole, giving it, to my eye, a dynamic that keeps me looking past the first glance.
Canon SX20IS at 28mm equivalent. F4 @ 1/500th @ ISO 80. Landscape Program.
In Lightroom, some Recovery for the sky, and Fill Light for the foreground. Blackpoint to the right. Added Clarity and more than my usual Vibrance (for the Canon), to pick up the green. Sharpen landscape preset.
From San Diego 2010.
After a stormy morning, the rocky fringe at the base of the cliffs at the Tide Pools (Cabrillo National Monument) was littered wit interesting seaweed. Add the interesting texture of some of the conglomerate stones, and the range of tones and colors in the stone, and it kept me busy for close on a half hour. The rain helped…as these stones would not have been nearly as interesting dry.
Canon SX10IS at about 115mm equivalent. F4.5 @ 1/80th @ ISO 125. Programmed auto.
In Lightroom, just a bit of Recovery for highlights. Blackpoint right slightly. Added Clarity and Vibrance. Sharpen landscapes preset.
Two others from the same session. I am really liking the way the Canon captures texture. The stones here are, to my eye, just as I remember them.
About 60mm @ F3.5 @ 1/8th and ISO 80, and about 100mm @ F4 @ 1/80th and ISO 80.
From San Diego 2010.
Another image from the rainy day visit to Cabrillo National Monument’s Tide Pool area. The storm moving over the coast certainly provided drama in the sky, and the wet rock and surly ocean echoed the mood. This is definitely a “from under the umbrella” shot.
Canon SX20IS at 28mm equivalent. F4 @ 1/500th @ ISO 80. Landscape Program mode.
Recovery for the sky and Fill Light for the foreground. Blackpoint right slightly. Added Clarity and just a touch of Vibrance. Sharpen landscape preset.
From San Diego 2010.
Happy Sunday
This shot is appropriate to the day. It is a rainy Sunday in Maine and this was taken on a rainy Sunday in San Diego exactly a week ago. An I am not letting the rain dampen my spirits today either!
An ornamental hedge that surrounds the Visitor Center at Cabrillo National Monument. I sat the camera more or less on top of the hedge, using the flip out LCD and Super Macro, and shot across the top to frame this cluster of blossoms against the stormy Pacific sky. I would have used Exposure Lock and Program Shift for better depth, at 1/250 I had plenty of room for a slower shutter speed and smaller aperture, but it was raining and I did not want to risk the camera out from under cover for more than the time it took to grab this shot.
Canon SX20IS at 28mm equivalent and Super Macro. F2.8 @ 1/250th @ ISO 160. Programmed auto.
A bit of Recovery for the sky in Lightroom. Fill Light for the foreground. Blackpoint right. Added Clarity and some Vibrance. Sharpen landscape preset. Cropped from the bottom to eliminate out of focus foliage and for composition.
From San Diego 2010.
Cabrillo National Monument sits at the point of Point Loma, overlooking San Diego Harbor on one side, and the Pacific on the other. There is a lighthouse there, and little pocket park, with some of the best views of the coast you are likely to see. You have to drive through a section of the Naval Base and the National Cemetery to get there, so access is limited to 9 to 5 (when the military gates are open these days) but it is always worth a visit, in any season and any weather.
The day I had available dawned, as promised, with rain, and I debated going at all. I did get out, and had about 3 hours there, shooting from under my umbrella and in brief intervals in the drizzle, before a steady driving rain drove me off the point and back to the hotel.
This is the Tide Pool area, which is reached by a well paved and graded road that serves both the modern lighthouse and a water treatment plant. They have been working here in the last year, making improvements on the short trail system, and I enjoyed exploring further from the parking lot than I have ventured in the past.
The challenge in this weather is, of course, to capture the authentic drama of the rainy coast, cliffs and ocean. The contrast and exposure (EV) range is surprisingly broad on such a day, dull as we might think it, as the lighter sky tends to dominate the dark, rain soaked, landscape. More on that in a Point & Shoot Landscape post (coming soon).
I took a couple of different shots of this view before I got the balanced rocks where they needed to go. This image required some creative work in Lightroom…or maybe I should say, a bit more work than my usual 1 minute adjustments.
Canon SX20IS at 28mm equivalent. F4 @ 1/250th @ ISO 80. Landscape Program. (For more on Landscape Program see the P&S piece mentioned above.)
In Lightroom, Recovery for the sky, Fill Light for the foreground. Blackpoint right. Added Clarity and Vibrance. Reduced Brightness overall. Reduced Contrast. Graduated Filter effect pulled down diagonally from the top right corner across the top half of the image to reduce exposure even more for the bright area of clouds. Sharpen landscape preset.
From San Diego 2010.
Last year when I was in San Diego I asked what this flowering tree was, and was told it was a Pepper Tree. Research since has shed some doubt on that id. It is a large tree, maple size at full growth, and the flowers come out before the leaves. This is a shot of one of the flower clusters, which form at the ends of branches. This cluster is about 4-5 inches in diameter. I could only get this close due to the 560mm equivalent lens on the Canon.
Canon SX20IS at 560mm eqivalent. F5.7 @ 1/60th @ ISO 160. Programmed auto.
Blackpoint just barely right in Lightroom. Added Clarity and a touch of Vibrance. Sharpen landscape preset. Cropped slightly for composition.
Here are a few more images. If anyone can positively identify the tree, I would appreciate the info.