Something in every layer of interest…from the beach rose pips and weathered post in the foreground to the snow fence and wind combed marsh grasses in the mid-ground, to the little black clouds just above the horizon…something to take the eye. I am sometimes accused of taking photos with nothing in them…but I say that is exactly what I am photographing…the too much to fit in a frame shots. Sony a5100 with 16-50 kit lens at 24mm equivalent. Intelligent Auto, Landscape Scene Mode. Processed in Photomator.
As the remnants of Hurricane Debby approached the northeast coast, the skies heralded her coming. 🙂 Lots of drama. Sony a5100 with 16-50 kit zoom at 24mm equivalent. Intelligent Auto. Processed in Photomator.
Parson’s Beach and the Mousam River, Kennebunk, Maine, USA. August 2024 — The rains had passed and we were treated to some late afternoon sun, so of course I rode my trike down to the beach to see what I could find. This is looking back up the Mousam from the point of Parson’s Beach. Notice the Common Terns wheeling and diving over the water. Sony a5100 with the 16-50 kit lens at 24mm equivalent. Intelligent Auto, landscape scene mode. Processed in Photomator.
While out photographing Least Terns and Piping Plovers. 🙂 What a sky! Sony a5100 with 16-50 kit zoom at 24mm equivalent. Auto+ with Landscape Creative Look. Processed in Photomator.
While photographing Least Terns in flight, I had to stop a moment and switch cameras to catch the landscape and sky. Turns out I caught a tern in flight as well. Kennebunk, Maine, USA, July 2024. Sony A5100 with 16-50 kit zoom at 24mm equivalent. Auto+ mode. Processed in Photomator.