I wanted to give you a break from digisocped birds this morning (or maybe I wanted one myself) but going back through the images on my SX20IS I am reminded that no one goes to the Rio Grande Valley of Texas for the scenery.
This little still life, perhaps a bit sad unless you can see the larger picture of nature at work, comes from my largely fruitless trip to a Photo ranch on the north edge of the Valley, where I hoped to photograph larger wildlife. There is beauty in this random scatter of feathers, in the fine details and the pattern. I think they might be Pyrrloxia, and are undoubtedly the remains of a Sharp Shinned Hawk meal.
Canon SX20IS at about 290mm equivalent (zoomed in for the detail) @ f5.0 @ 1/200th @ ISO 200. Landscape program.
Processed in Lightroom with a bit of Recovery, Fill Light, Blackpoint right, added Clarity and Vibrance, and Sharpen narrow edges preset.
Common Pauraque, another extreme south Texas bird, is common, but, aside from the hundred or so you flush driving any dirt road in the dark, hard to see. By day they roost on the ground, in leaf litter, and they are so cryptically camouflaged that it is next to impossible to find one…unless it moves…or you have it staked out. 500 or more birders at the Rio Grande Valley Birding Festival saw this bird, which roosts within 3 feet of one of the main trails at Estero Llano Grande. Still, without knowing it is there, almost everyone walks right by it.
This is digiscoped at my closest focus distance. As you can see, I had only a very small window in the overhanging brush to shoot through. Here is a shot pulled back more and cropped to eliminate the out of focus log that hides the lower half of the bird.
To get this I backed to the far side of the trail with my butt in the brush on the other side.
Canon SD4000IS behind the 15-56x Vario eyepiece on the ZEISS DiaScope 65FL. The wider shot is at ISO 320 and 1/50th sec. The tight shot is at ISO 800 and 1/20th sec. Equivalent focal lengths (fields of view) were around 1500 and 1200mm.
Processed for intensity in Lightroom, with Blackpoint adjustment, Clarity and Vibrance, Sharpen narrow edges preset and a auto color temperature.
One of the more exotic of the North American hummingbirds…the Buff-bellied, is only found in far south Texas, with very occasional excursions out along the Gulf coast. This was taken on a dark, cloudy Texas day…in full sun it will knock your eye out!

Digiscoped with the Canon SD4000IS behind the 15-56x Vario Eyepiece of the ZEISS DiaScope 65FL. Equivalent focal length (field of view) of about 3000mm, 1/100 sec. @ ISO 800 (not much light!).
Processed in Lightroom with a combination of Fill Light, Blackpoint right, Clarity, a touch of Vibrance and Sharpen narrow edges preset.
Yes, well, even the woodpeckers are more colorful in the Valley. This Golden-fronted Woodpecker, drawn to a peanut-butter and corn-meal mix at Salineno TX looks to me like something a child would have colored.
Here, with its head at an interesting angle, you can see the full effect. Golden-fronted, by the way, refers to the yellow on the forehead…as “fronted” does in all bird names (White-fronted Goose for instance has a white forehead.)
Digiscoped with the Canon SD4000IS, the ZEISS 15-56x Vario eyepiece, and the ZEISS DiaScope 65FL spotting scope. Processed in Lightroom.
This is from a set of images of Kiskadees and Green Jays all then the same day and the same place, and, as I was shooting them, the host at the Salineno Valley Land Trust sanctuary and some of the visitors, including me, were discussing what fun God must have had designing Kiskadees, Green Jays, and Golden-fronted Woodpeckers, and debating which one must have been the most fun. I might even have said that when I grow up I want that job. Let me loose with a box of crayons and some bird-like outlines. Please. But, then, maybe it really does take a child’s mind and heart to imagine such creatures. Maybe you have to be willing to color outside the lines and with the wrong crayons. That would certainly resonate with what Jesus said about little children. However it works, I am, apparently, child enough to appreciate the joy that must have gone into such imaginative and, really, such unlikely creatures.
Yesterday’s Kiskadee is certainly one of the 3 birds that most clearly typifies the Rio Grande Valley. The Green Jay is one of the others. It is not that Green Jays, or Kiskadees, are rare…they are among the most common birds of the Valley…you see them everywhere…and for just that reason, along with their splendiferous “knock your eyeballs back” plumage, they stand out in the memories of most Valley visitors, birders and non-birders alike. Sure, as a birder, I treasure the Green Kingfisher more than the Green Jay…but it is the sound and the sight of Green Jays at a feeder that tells me for sure I am back in the Valley. These images are from Salineno TX, about 200 yards from the Rio Grande River.
Digiscoped with the Canon SD4000IS behind the 15-56x Vario Eyepiece on the ZEISS DiaScope 65FL spotting scope. Equivalent focal lengths (fields of view) of about 3000 and 1000mm. 1/100 @ ISO 320 and 1/250th at ISO 250. Programmed Auto.
Processed for Blackpoint, Clarity, Vibrance, and Sharpen in Lightroom. Auto color temperature.

There is a certain look a Great Kiskadee does better than most other birds. This is it. Of course what lifts this image out of the bird portrait class (imho) is the bokeh…which is mostly light, diffraction lensed by the leaf cover behind the bird.

As you might suspect, if you are following this blog, these were taken on today’s Rio Grande Valley Birding Festival field trip. Mine was to the Williams’ home Bird Sanctuary in Pharr TX. Birding was slow, but the Kiskadees were there in plenty.
Canon SD4000IS behind the 15-56 Vario eyepiece of the ZEISS DiaScope 65FL, for an equivalent focal length (field of view) of about 1200mm, 1) 1/100th sec. @ ISO 250 and 2) 1/50th @ ISO 400. Programmed auto.
A bit of Recovery for the white and yellow plumage in Lightroom. Fill Light, Blackpoint right, added Clarity, a touch of Vibrance, and Sharpen narrow edges preset.
Okay…so I traveled all day yesterday. 4 airports, 3 planes, 2 cars, etc. etc. So, clearly though I am now in Harlingen TX in the heart of the birdy Rio Grande Valley, I have not had a chance to take any pics. I am actually, while you read this, out leading a field trip to one of the “Secret Jewels” of the Valley…and hopefully taking lots of pictures.
This Black-bellied Whistling Duck at Edinburg Wetlands World Birding Center was digiscoped with a Sony DSLR and an old Minolta MD 45mm pancake lens behind the old 20x eyepiece on the ZEISS Diascope 85FL two years ago.
Light processing in Lightroom.
As you read this, I am on my way to the Rio Grande Valley of Texas, Harlingen, and the RGV Birding and Nature Festival. I always try to spend an afternoon at the NABA Butterfly Gardens near Bensten State Park and the World Birding Center. And I always hope for a Malachite. Two years ago, Malachites were fairly common and I got several good shots, though I am still hoping for the perfect one.
Sony DSC H50 at 468mm equivalent, f4.5 @ 1/100 @ ISO 400. Programmed auto.
Processed for Clarity, Vibrance, and Sharpen in Lightroom.
Watch this space for this year’s crop of Rio Grande images. I hope. I hope. 🙂
Another PhotoScoped image from Ester Llano Grande State Park and future World Birding Center…simply a world class place for watching and photographing birds, in the Rio Grande River Valley, near Weslaco, Texas. At about the equivalent of a 1600mm lens on a full frame DSLR, this is about as close to a Kiskadee as you will get unless you are manning a banding station where you have the birds in your hands.
The problem with photographing Kiskadees is the eye. That black mask too often totally obscures the eye. Catching it like this, with some definition, is rare…I’d like to take credit, but between the excellent auto exposure on the PhotoScope and taking a lot of images of any given bird…well…you do get a few with a visible eye.
Zeiss PhotoScope 85FL at 40x (1600mm equivalent field of view). 1/460th @ ISO 100. Metered at about f5.2.
Very little beyond basic increases in Clarity and Vibrance in Lightroom. Sharpen Landscape preset.
From Zeiss PhotoScope 85FL.
Little Blues are, of course, easy enough to catch in the open, but I like this shot with the reeds, primarily because it seems to bring out the color of the bird, and provides some scale. Besides, I have a whole bunch of shots of LBs out of the reeds.
Zeiss PhotoScope 85FL at about 40x (1600mm equivalent). 1/220th @ ISO 50. Metered at about f5.6.
Cropped slightly in Lightroom for composition. Added Clarity and Vibrance. Blackpoint just a little right. Sharpen Landscapes preset.
From Zeiss PhotoScope 85FL.