The crows are back in New England, after a few years of heavy decline due to West Nile Virus. They are around the yard most days. This fellow, however is in Seattle, on my first evening there, when I made a short visit to a park near the hotel. Crows were working the lawns and the tide-line with equal vigor…looking, in crow fashion, for whatever they could get.
They are really a handsome bird…not flashy or colorful…and certainly not cute the way some warblers and sparrows are…but solidly handsome. This is at the full 1200mm optical reach of my new Canon SX50HS, and is actually the very first bird shot I took with it. Low light in the shade of the trees (and the darkness of the subject) pushed the ISO to 800. I am actually quite pleased with the results. The jury is still very much out on the camera as a whole. The SX40HS is a hard act to follow. But so far so good!
As above. f6.5 @ 1/100th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
There were a lot of these Blue-eyed Darners in the Urban Bay Natural Area in Seattle. They were in the air along the edge of Lake Washington, and even more present weaving among the cattails in the lagoon on the other side of “the fill” (as the locals apparently call the reclaimed dump area). I came really close to getting a shot of one in the air…but eventually this specimen settled for a series of photos. It was well worn with tattered wings, but still beautiful with its turquoise eyes and pattern of abdomen spots. This dragonfly really does look like something crafted in a Southwestern Jewelry shop.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. 1) 2400mm equivalent field of view (1200mm optical zoom plus 2x digital tel-converter function). f6.5 @ 1/200th @ ISO 100. 2) 1200mm equivalent. f6.5 @ 1/320 @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.
Getting out of the car at Sunrise Lodge, with the view across the valley to Rainier in all its glory is one of those awe inspiring moments that define what is to be really alive. And then you see the trails up through the meadows to the ridge on the other side, and you know, if you are a photographer of any kind, that you have to get up there. It is not a bad climb, even for my 65 year old lungs and knees. I just go slow. and it was everything I imagined it to be.
This is a two shot panorama, handheld and stitched in PhotoMerge in PhotoShop Elements. To do it justice you need to click on it to see it full width in the lightbox.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. Two 24mm equivalent field of view shots. f4.5 @ 1/1000th @ ISO 100. Stitched as above. Processed in Lightroom for intensity, clarity, and sharpness.
Another shot from the Center for Urban Horticulture and Union Bay Natural Area in Seattle. This was out on the trail in the Natural Area. I was walking along, talking to other birders I had met there, when I looked down to see this bee hovering over the Chicory. It never did land. This is the new Canon SX50HS at its best. 1800mm equivalent field of view…1200mm optical zoom plus 1.5x digital tel-converter function. Hand held.
Of course asside from the technical stuff, I just like the vibrant blue, and the bee caught in motion.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. f6.5 @ 1/500th @ ISO80. Processed in Lightroom for intensity, clarity, and sharpness.
My workshop yesterday was at the Center for Urban Horticulture in Seattle, which is adjacent to the Union Bay Natural Area. The whole area used to be a city dump…but the city and the University of Washington Botanical Gardens reclaimed the land and turned it into wonderful little chunk of nature along the shores of Lake Washington. It is a great spot for bird watching, walking your dog, jogging, etc. Between the Horticulture Center and the lake is Yesler Swamp, which is also being developed. There are temporary trails leading down on the east and west to the lagoon off Lake Washington and plans to build a boardwalk over the wetter swamp and the lagoon to complete the loop.
This spider, which I have not had time to id, was one of several who had constructed very large webs along the east trail. The angle of the morning sun was just right so that the web diffracted the light and created a “rainbow” effect (minus the rain…I suppose it is more accurate to say the web diffracted the light into is spectrum 🙂 Whatever…the effect was quite striking.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. f6.5 @ 1/160th @ ISO800. Processed in Lightroom for intensity, clarity, and sharpness.
And for the Sunday Thought. Almost everyone knows that what we call white light is really made up all the colors in the spectrum…reds and blues and greens and violets. We see it most often in a rainbow; occasionally cast on a wall by prism hanging in a window; more rarely, early in the morning or late in the afternoon when the sun is low, across the face of street sign painted with luminous reflective paint full of glass beads; and very rarely indeed in something natural like this spider web hanging in the sun. Still, often enough so when we stop to think about it, we know white light is, miraculously, all the colors combined.
But we don’t often stop to think about it. We take white light for granted. We forget that red things are red because they reflect the red light within the white…and green things are green because they reflect the green. As a photographer, ie, one who plays with light all the time, I am a bit more aware, but not so much that I can’t be taken by surprise by a spider web in the sun.
I have said before that love is the light of eternity…of, if you will, the realm of the spirit. Many who encounter God come away with impression of the pure white light…again, remembering that that light is love. And yet, since what we experience in the physical realm of time and space is a physical manifestation of the eternal, the love/light of the spirit has to be made up of all the colors of the rainbow, or we would not see all the colors of eternity. There must be a red love/light and a green love/light within the white love/light of God’s presence. Each of us, each of our lives, must reflect back our particular color. Certainly that would explain a lot about the variety of love we see in human beings.
Rarely, there might be a life, or even a second of a life, that is so lived as to show all the colors of God’s love. It might be some instant as fragile as a spider web in the morning sun beside a trail in a swamp in Seattle…but it would be a moment to treasure, a life to treasure and to celebrate. Or that’s what I think.
I am Seattle for a few days, doing a Point and Shoot for Wildlife workshop for Seattle Audubon. I got to Seattle, after already a long day of travel, in the afternoon, and checked into a hotel near the SeaTac airport. If you have been, you know SeaTac is not exactly centrally located for Seattle proper, so I looked for somewhere more local to get out for a few hours. Ed Munro Seahurst Park is a sizeable chunk of green on the edge of Puget Sound, and only about 20 minutes from the hotel. I am sure there is much more to it than I saw in my limited visit, and I am also sure that on a clear day the view across the Sound to the islands with the Olympics behind must be spectacular. The view was hazed in yesterday, but I still enjoyed the afternoon sun, the rocky beach, the blue water, and the driftwood.
Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. 24mm equivalent field of view. f4 @ 1/800th @ ISO 80. Processed in Lightroom for intensity, clarity, and sharpness.
I have a new camera. I replaced my Canon SX40HS with a newly released SX50HS…longer zoom (50x, 24mm to 1200mm equivalent, faster focus, etc). It came on Wednesday and it has rained non-stop ever since. Still I had to brave the drips to take at least a few shots around the yard. This is a shot at 1200mm from about 8 feet away. ISO 800. Not bad at all.
I like the total wet look, the depth of the color, and the extreme bokah.
f6.5 @ 1/100th. Program with iContrast and – 1 /3EV exposure compensation. Processed in Lightroom for intensity, clarity, and sharpness.
I posted a shot of red Glasswort from this fall a few weeks ago. I don’t know how I missed Glasswort until this autumn. Maybe it is a unique year…a bumper Glasswort crop…or maybe the weather pattern favored a particularly bright red as the green chlorophyll died, but the Glasswort is blazingly (!) obvious, all through the marshes along the Mousam river, this year.
I like the colors here, especially played against the textures, and the shapes formed by the wind and occasional tide flood in the grasses.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 400mm equivalent field of view. f5 @ 1/125th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
As I mentioned yesterday, we have been having a rainy fall so far. On my Sunday, unbrella-packing, photoprowl, I swung by the Kennebunk Plains to see if there was any drama in the sky or any color in the maples. You can probably see a very little bit of color in the far tree-line, but at least the sky did not disappoint. The view over the plains and into the clouds, side on, so to speak, revealed a lot more character than the solid grey blanket overhead.
I exposed for the sky, mostly, by metering high and recomposing…and then brought the foreground up in Lightroom. This is a technique that works well with the Canon sensors, which hold a lot of detail in underexposed areas. Besides my usual Lightroom processing (see the page link above), I used a Graduated Filter Effect from the bottom to add brightness and clarity to the grasses, and visually balance the exposure against the sky.
I really like the layered in light clouds and the foreground provides just enough texture for balance. The tallish stalks are what is left of the Northern Blazing Star.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 24mm equivalent field of view. f4 @ 1/640th @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness, and as above.
It has rained every day for the past 4 days. We got a glimpse of the sun yesterday before it socked back in, but it has been pretty dreary. We are approaching what should be the height of fall color, but the weather is just not cooperating. On Sunday afternoon, I grabbed my camera and an umbrella and drove out to Old Falls on Mousam River, pretty much in desperation. It looks like the milder rainy weather is actually delaying the full turn of the leaves. I would say Old Falls has another two weeks of color to show, at least. Unfortunately I leave on Friday for a 9 day trip to the west coast and Virginia. :( (Of course I will make the most of the trip…but I do hate to miss peak colors in New England.)
On Sunday, in very subdued late afternoon light, I found this fisherman all in yellow raingear along the Mousam above the falls. It started to rain as soon as I pressed the shutter…and I was wet before I got back to the car. Still it is, I think, an interesting shot. This is one that will benefit from a lager view. Click the image to open it on SmugMug in the light box.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. About 130mm equivalent field of view. f4.5 @ 1/80th @ ISO 320. Processed in Lightroom for intensity, clarity, and sharpness.