We have to go back to Florida one last time (for now) to pick up one last image (for now).
Coming around the short loop of trails at Vaill Point Park in St Augustine FL our last morning there, a guy with binoculars, seeing us similarly attired, stopped, as birders will, to ask what we had seen, and to alert us to the presence of a Barrel Owl on the property. “Just up from the boat-launch, along the trail there, sitting pretty much out in the open.”
So, of course we went to look for it. We walked up and down that trail for 30 minutes, looking at every likely branch, but no owl. They can be really hard to see if they sit still (and they do sit still, especially in daylight), but “pretty much out in the open” gave us reason to hope. No owl. 🙁
My attitude on birds is: either you have an appointment with the bird…essentially you just have to be in the right place at the appointed time…or you do not have an appointment with the bird. You can not sweat the birds you don’t have an appointment with. You should make the most of the birds you do have an appointment with. Simple philosophy. I can even follow it…most of the time. Still. A Barred Owl. I was loath to admit I did not have an appointment with that bird…especially as Carol, my non-birder wife, as with me…and nothing impresses like a sitting owl.
For an hour more I was on full owl-alert, without letting on, as we continued our walks around the trails looking for other birds and plants and pics. Gradually the owl fever faded though, as it will, and I pretty much forgot to be looking. We were well distracted by a mixed feeding flock of warblers, most of which Carol had never seen before.
Finally we felt we had gotten about all Vaill Park had for us that morning, and, though we still had plenty of time before our early evening flight, we headed back to the car for the drive to Jacksonville and the airport, birding the trail one last time. I was trying to chase down a song in the canopy, might have been a Summer Tanager, when my eye snagged on the owl, sitting on a horizontal branch in the “Y” of two trails, about 50 feet up and in from either trail, pretty much right out in the open, just like the man said. We must have walked practically right under that owl dozens of times that morning.
There is a special whisper that birders use to alert their companions to a bird that might take fright…kind of a whisper-shout…and I used it then. “Barred Owl!” It took a moment to get Carol on it, but then it sat for us as I worked around looking for better digiscoping angles as long as we wanted to stay.
It was essentially asleep. It only opened its eyes momentarily. Occasionally it stretched or yawned. Not much action, and not the best light, but an awesome bird non-the-less. Carol was duly impressed. 🙂 I took a lot of digiscoped pics…so many the battery went dead on me before I had really finished. 🙁 Ah, well. Appointment over.
Canon Powershot SD1400IS behind the eyepiece of a Zeiss Diascope 65FL. Equivalent focal length of about 650mm. Exif: f2.8 @ 1/160 @ ISO 160. Programmed auto. The camera’s f2.8 was the limiting f-stop, since the computed f-stop of the system was f1.8.
Recovery for the background. Fill Light for the owl. Blackpoint just slightly right. Added Clarity and Vibrance. Sharpen landscape preset. Cropped from landscape format to isolate the bird.
Zooming the camera up for an equivalent focal length of about 1400mm I was able to get a quick head shot with the eyes more or less open. F4.0 @ 1/160th @ ISO 160. (Computed system f-stop, f3.9). These are worst-case shots, with the bird silhouetted against a brighter background, and both required some Lightroom work to eliminate the camera lens’ Chromatic Aberrations and some Purple Fringing from the sensor. Still, I was quite happy with the results of this appointment with the Barred Owl of Vaill Point.
Happy Sunday and Happy Mother’s Day to all you moms, especially to my lovely wife, Carol.
The Azure Bluet is a tiny flower of lawns and meadows, found all through the Eastern US, growing in acidic soils. This spring they are all over our shady lawn, and I am seeing pale blue patches in most of the yards on our street. We are talking tiny here. The flowers themselves are less than half an inch wide and, here in New England, they grow no more than 2 inches tall (there is a taller variety in the South). That makes them close to twice life size in this image, as displayed on my monitor.
This is another shot using the Canon SX20IS’s flip out LCD. Essentially I got down for an eye to eye view with the bluets. I am within 1/4 inch of the center flower. Open shade made it possible to angle to place the wood fragment for pleasing composition. To my eye it anchors the composition, giving a bit more coherence to an otherwise random pattern of flowers. Later, in Lightroom, I cropped from the bottom to improve the composition and to eliminate some more out of focus flowers.
Canon SX20IS at 28mm and Super-macro. F2.8 @ 1/1250 @ ISO 125. Programmed auto.
Besides the cropping, I used a touch of Recovery and a bit of Fill Light in Lightroom. Added Clarity and not much Vibrance at all. Sharpen landscape preset.
From The Yard, Kennebunk ME.
And, for contrast, a more conventional view.
Some would call it luck. I call it grace: an unearned and undeserved gift. I believe in grace. If I where not already a believer, photographing wildlife would have made a believer out of me. 🙂 Sometimes the bird or, as in this case, chipmunk, just sits for its portrait beyond all expectation. I saw this little critter poking out of a hole at the base of the tree and got set up for a shot with my digiscoping rig (which takes a moment). When I looked through the scope she was gone. But no. She (for convenience sake…it is just as likely a “he”) had just hopped up a few inches and was clinging to the bark looking at me, half in sun and half in shade. Over the next 10 minutes I worked the angles and took way too many shots…even some video. She moved once, but only to an even more photogenic location on this little knob of wood with more even lighting. Sometimes!
Canon SD1400IS Digital Elph behind the eyepiece of a Zeiss Diascope 65FL for an equivalent focal length of almost 1700mm. Exif data recorded as f4.5 @ 1/250 @ ISO 400. Programmed auto. Limiting f-stop based on the scope computed to be f4.6. (I have to say, I am still learning this new camera, but this is very satisfying image quality for ISO 400.)
In Lightroom, a touch of Recovery and some Fill Light. Blackpoint to the right. Added Clarity and Vibrance. Auto White Balance (which this camera needs once you begin make adjustments.) Sharpen landscape preset.
Of course, I can’t just do one of the shots I processed from this session. Here is another pose.
And here is one from the first spot she sat…with the interesting light.
This was taken at over 2000mm equivalent @ ISO 125. It required more processing in Lightroom to balance the half-in-sun exposure, but it came out, I think, pretty well. I think that might even be me reflected in the critter’s eye. I’d like to think so. That would really be grace. 🙂
I love this kind of moment, with the drama of a storm sky over a briefly sun-bright landscape. This is a shot from just before we left for St Augustine, and I published three from this day on 4/19. Here we look over the dune toward the tidal marsh along Back Creek, behind Parson’s Beach in Kennebunk, Maine. To me this is a close to a naked eye view as the camera can come. The extreme depth of field actually makes it look more like a painting than a photo.
Technically it might be very difficult to capture this image with a DSLR’s larger sensor, but the small sensor on the SX20IS, combined with the short focal length lens at its shortest setting, even at an f-stop of 2.8, yields amazing depth and clarity. And, the SX20s Landscape program hits the exposure just right for post processing for major drama.
Canon SX20IS at 28mm equivalent. F2.8 @ 1/1250 @ ISO 80. Landscape program.
In Lightroom, Recovery for the sky, Fill Light for the foreground. Blackpoint right. Added Clarity and Vibrance. Sharpen landscape preset.
From Around Home 2010.
This wren was high in a tree at Vaill Point Park, one of St. Johns County, Florida’s little pocket reserves. We had an amazing morning there which included a Great Blue Heron rookery and a Barred Owl, besides this wren.
I don’t know what is going on with the wing feather. It appears to have exploded. Whatever it was, it was not bothering the wren much, as it was singing up a storm.
Digiscoped with the Canon SD1400IS on Programmed auto behind the eyepiece of the Zeiss Diascope 65FL. Equivalent focal length of the combination was just over 2000mm. Exif data shows f5 @ 1/80th @ ISO 200. Limiting f-stop based on the scope was f5.5.
In Lightroom, Recovery for the background highlights. A bit of Fill Light for the shadowed parts of the bird. Blackpoint just slightly right. Added Clarity and a smidge of Vibrance. Auto White Balance to tame the yellow from the Canon’s Auto WB in this light. Sharpen landscape preset.
From St. Augustine FL 2010.
And here, just to prove the singing part, is a bit of video.
Wild Strawberry
I still have several images from St Augustine I want to share, and I will get to them I am sure, but I want to give you a break from birds 🙂 . Suddenly the yard, and every vacant patch of waste ground, is covered with Wild Strawberry blooms. Such promise. Unfortunately I never see berries on these plants. I think something eats them long before they ripen. This plant is in our yard and is presented here 1/3 again life-sized (at least on my 1366×768 screen). The camera was sitting on the ground and I was using the flip out LCD for composition. The flower was actually inside the lens hood. 🙂 The late overcast day provided gentle indirect light. Perfect.
(Due to the vagaries of SmugMug, if you click the image to see a larger version, depending on your screen resolution, it may actually display smaller. You can use the size controls at the top of the window to see larger sizes.)
Canon SX20IS at 28mm and Super Macro. F2.8 @ 1/1000th @ ISO 200. Programmed auto.
In Lightroom, a small amount of Recovery for the whites. Blackpoint slightly right. Added Clarity and Vibrance. Sharpen landsccape preset. Cropped slightly from the left for composition.
Believe it or not, I am actually coming to the end of my series from the trip to St Augustine. One, maybe two more, Pics of the Day.
For today, lets do Roseate Spoonbills. I did a similar set from Merritt Island in January. Spoonbills, in all the splendor of full breeding plumage, were abundant at the Alligator Farm this year. In the past the most I have ever seen at the same time is 2. This year there at least 20. I don’t think any bird has more spectacular breeding plumage. It is so vivid, and so unlikely!
Add with the Canon SX20IS. All in Programmed auto.
1) 560mm @ f5.7 @ 1/1250 @ ISO 160
2) 560mm @ f5.7 @ 1/1250 @ ISO 80
3) 470mm @ f5.7 @ 1/1000 @ ISO 100
4) 470mm @ f5.7 @ 1/1000 @ ISO 125
Similar treatment in Lightroom. A touch of Recovery and Fill Light. Blackpoint right. Added Clarity and just a tiny amount of Vibrance. Sharpen landscape preset.
And finally, a little video.
See me. I come with my plumage all asplender and carrying the down-payment on a nest!
Of course you see a lot of nesting behavior at the St Augustine Alligator Farm rookery. This Great Egert had landed on a branch above the nest and was displaying, as well as carrying substantial offering. That is a bit unusual. Generally the male comes right into the nest with material. Maybe he and his lady had had a tiff? Or maybe she was saying “Now where am I supposed to put that thing. I mean, look at the size of it!” Sorry. It is almost impossible not to anthropomorphize when dealing with nesting birds.
Canon SX20IS at 560mm equivalent. Oddly enough, though these images were taken seconds apart, the EXIF data varies widely from f5.7 @ 1/800 @ ISO 80, to f5.7 @ 1/1250 @ ISO 125 to f8 @ 1/1250th @ ISO 250. ?? Go figure. All were close enough to correct exposure to for very similar processing in Lightroom. The first two were cropped slightly for composition.
Recovery for the highlights, Fill Light for the shadows, Blackpoint to the right slightly, added Clarity, a tiny bit of Vibrance, and Sharpen landscape preset.
From St Augustine FL 2010.
Happy Sunday! This was exactly a week ago, give or take an hour, on St. Augustine Beach, right across form our hotel. I got down low at the edge of the tide (using the flip out lcd and staying dry). The random stranger wading gives scale and dimension the shot would lack without her…I know because I too that shot too 🙂 .
Canon SX20IS at 28mm equivalent. F2.8 @ 1/1250 @ ISO 80. Landscape program.
Recovery for the sky and Fill Light for the foreground in Lightroom. Added Clarity and just a touch of Vibrance. Blackpoint just barely right. Sharpen landscape preset.
From St. Augustine FL 2010.
And turning 90 degrees south, this is the view down the beach, again with a lone Sunday morning tourist.
Tricolored Herons nest low, mostly in mangroves, which places them, amazingly, delightfully, close to the boardwalks at the St. Augustine Alligator Farm rookery. Some are literally within reach of a long arm, and all are certainly within reach of your average P&S zoom. Tourists love them. I (while not admitting to being a tourist) always come back with lots of Tricolor shots, so this will be a bit more than a Pic of the Day…kind of a Tricolored Heron retrospective.
It is well to remember that, while taken in what amounts to a zoo, these are wild birds, attracted to what is apparently in their eyes, an ideal nesting site. They are not fed, managed, caged, clipped, or manipulated in any way. They are free and fully wild. While they might be habituated to close human presence on the boardwalk, they are not tame. That is the real wonder of the Alligator Farm rookery.
All shots were taken with the Canon SX20IS on my most recent day at the Alligator farm. All were taken at equivalent focal lengths of 520-560mm, @ f5.7 on programmed auto with –1.3EV exposure compensation. Shutter speeds and ISOs varied as the camera set them, with ISOs ranging from 100-320. All received similar processing in Lightroom. Basic Presence adjustments, Blackpoint and White Balance on the two in the shade, and the Sharpen landscape preset.
And finally, a bit of video, also shot with the Canon SX20IS.
Gotta love those Tricolored Herons! Gotta love the Alligator Farm.