Posts in Category: reflections

4/12/2010

Frenald Pond

I stopped to photograph maple flowers growing on tree short enough to reach, but who could resist this clean sheet of reflective water. I would normally never but the horizon across the middle of the shot, but it works here somehow, with the bit of framing provided by the branch at the top and the strong reflections. Or so I think. I got down low to the water with the flip out LCD for the shot.

Canon SX20IS at 28mm equivalent. F4.0 @ 1/800th @ ISO 80. Landscape program.

Recovery for the sky in Lightroom. Added Clarity and a bit of Vibrance. Blackpoint to the right. Sharpen Landscape preset.

From Around Home 2010.

3/20/2010

The Full Bend in the Little

The Canon SX20IS has “Easy Panorama” Mode, which aids in the creation of panoramas by displaying a thumbnail view of your first image beside the second so you can match them up, etc, etc. It is actually pretty clever. They also provide the PhotoStitch application which does a pretty good job of auto assembling the images into one. The only way to get really good panoramas is to use a panorama head on your tripod, which keeps the sensor plane aligned with the segments of an arc so the images really do overlap perfectly. Or you need a panorama camera, which swings the actual lens. I have never owned either. I am not all that into panoramas since I have never figured out how to display or view them effectively. Still, I could not resist trying out Easy Panorama mode on the new camera.

This is four images covering about 100-120 degrees of view. You really do need to view it on WideEyedInWonder at the largest size your monitor will do (click the image to open the WEIW link). The first shot, on the left, is almost due north and the last shot on the right is south of east, tending toward south-east. I used the corner of the wooden rail around a observation deck over the Little River at Rachel Carson NWR as my tripod, and set the lens to 28mm equivalent. You can see the rail at the lower right. Also, if you view it a larger sizes you will see that stitching of the last two images is not perfect. The wooden rail did not make a perfect panorama head.

What is interesting to me is that, long thin format aside, if you looked at the image without knowing it was a panorama, and were not familiar with the location, you might not guess it was a panorama at all. Rivers do bend like that.

For comparison, here is the unprocessed first and last 28mm shot.

STA_0580 STD_0583

Since Easy Pano mode is a mode in itself, set on the control dial as you would Auto or Program modes, you are reduced to the auto exposure the camera provides, but it did pretty well in this tricky light. The last exposure, as you see above was facing pretty much into the sun. I was particularly pleased at how naturally the variation of light in the sky is rendered.

Once stitched, I imported the image into Lightroom for post-processing. Recovery for the sky, Fill Light for the foreground, Blackpoint to the right, added Clarity and a touch of Vibrance. Sharpen landscape preset.

Individual exposures were at 28mm equivalent, F2.8 @ 1/800th @ ISO 80.

I will never be a big panorama shooter. However, given the tools the Canon provides, I may try one from time to time, just not nearly often enough to buy a panorama head!

From Around Home 2010.

3/19/2010

Loons in Light

It is the season when the Loons gather to feed at the mouth of the Mousam River, especially where Back Creek comes in, just behind the dunes at Parson’s Beach. It is also just the turn of season when the light is beginning to look like spring. This is a flood tide (we have had a lot of them due to storms lately). Beyond the dunes the ocean was roaring, but here in Back Creek, all you see is a particularly strong tidal surge troubling the high water… making for interesting reflections. That, and the Loons. For full effect you need to view the image at larger sizes by clicking the image to open at WideEyedInWonder. It should open in the largest size you can view on your monitor, but if not, use the size controls across the top of the screen.

Canon SX20IS at about 125mm equivalent. F4.5 @ 1/400th @ ISO 80. Landscape program.

In Lightroom, some Recovery for the sky. Just a touch of Fill Light for the foreground. Added Clarity and just a bit of Vibrance. Sharpen landscape preset. Cropped from the bottom for composition.

From Around Home 2010.

2/17/2010

A Little Pink on Your Blues

The first shot to make Pic of the Day from my new camera. I only had a few moments of daylight after work and I am in Virginia. Frustrating. But still…

What works for me here are the subtle colors and the pattern of detail from the reeds and grasses.

Canon SX20IS at about 70mm equivalent. F4.0 @ 1/60th @ ISO 160. Programmed auto.

Recovery in Lightroom. Fill Light and Blackpoint to the right. Added Clarity and Vibrance. Sharpen landscape preset.

From First Canon VA.

12/10/2009

Tidal Snow: Early Light

Last pic for the First Snow set. This bend in the tidal mouth of Back Creek where it flows into the Mousam River behind Parson’s Beach in Kennebunk ME becomes a graphic element in the composition, drawing the eye past the curve back to the snow covered trees on the far side of the marsh. The low light just after sunrise just skims the marsh.

Sony DSC H50 at about 70mm equivalent for framing. F4.0 @ 1/250th @ ISO 100. Programmed auto.

Added Clarity and Vibrance in Lightroom. Blackpoint slightly right. Sharpen Landscape preset.

From First Snow 12/09.

11/12/2009

Bound Sea at Sunset

The sun is still up there behind the clouds but the sunset effect is already happening.

Sony DSC H50 at 31mm equivalent. F5.6 @ 1/640th @ ISO 100. Programmed Auto.

Heavily post processed in Lightroom. Graduated filter effects top and bottom…dark on top, light on bottom. Added Clarity and Vibrance. Blackpoint to the right. Sharpen Landscape preset. Overall increased exposure.

From Around Home Kennebunk ME.

11/7/2009

 

Flotsom: Oak afloat

Just enough cloud reflections in the water to make the surface interesting…and then the copper gold of the floating leaves and the extended pattern they make on the water. Cropped up from the bottom for composition.

Sony DSC H50 at about 60mm equivalent. F4.0 @ 1/80th @ ISO 100. Programmed auto.

Very simple Lightroom work. A touch of recovery for the reflections. Blackpoint slightly right. Added Clarity and Vibrance and Sharpen Landscapes preset.

From Rachel Carson NWR Seasons.

 

11/4/2009

 

Oaks Turn to Shine

We really have two fall foliage shows here in Southern Maine. First the maples turn in all their firey glory…and then, weeks later, when the last of the maple leaves are just clinging on, the oaks turn their rich copper brown and the forest and roadsides are filled with color again.

This is one of my two favorite vistas at Rachel Carson NWR, overlooking a bend in the Little River. This is higher than I generally frame it, but the oak leaves are as much the subject of the shot as the river and reflections. To me it all works together.

Sony DSC H50 at about 55mm equivalent for framing. F4.5 @ 1/250th @ ISO 100. Programmed auto.

In Lightroom, slight recovery for the reflections in the water. Fill Light for the foliage in the foreground. Blackpoint just slightly right. Added Clarity and Vibrance and Sharpen Landscapes preset.

From Rachel Carson NWR Seasons.

 

11/2/2009

Morning Marsh, Mackerel Sky, Drawing Water Sun

A very difficult image to expose and process. But who could resist the morning light, the pond, the sky, the reflections? One of the best parts of birding, as far as I am concerned is that it gets me out to places like this at times like this.

I am still not totally happy with the exposure on this image. I needed to catch the drawing water rays, so the foreground was way too dark. You can only do so much manipulation in software. This is a case where multiple exposures processed for HDR might have produced better results.

Still…it is what it is, and I think it catches the mood.

Sony DSC H50 at about 60mm equivalent. F5.6 @ 1/1000th @ ISO 100. Programmed auto. Exposure read favoring the sky by tipping the camera up and locking exposure.

Heavy Recovery and Fill Light in Lightroom. Blackpoint slightly right. Added Clarity and Vibrance. Sharpen Landscape preset.

From Cape May 10/09.

Okay…had some time this am so I opened LightZone (for the first time in months) just to see what I could do with this difficult image with the tools there. This is maybe a bit over the top…processed for maximum drama. But it certainly is an alternative view.

 

As above: but with drama! LightZone treatment.

 

 

10/30/2009

 

Autumn Pond Full of Cloud

I photographed this pond at Lighthouse State Park in Cape May NJ two days before with moody cloud cover. This day there were still clouds, but the autumn sun transformed the scene. The reflected sky…with pond weed showing through…as well as the band of fall color separating the clouds from their reflections…there is a lot to look at in this image.

Sony DSC H50 at 31mm equivalent. F5.6 @ 1/250th @ ISO 100. Programmed auto.

A touch of Recovery in Lightroom for the clouds and reflections. Added Clarity and Vibrance. Blackpoint to the right. Sharpen Landscape preset. I used the selective HSL tool to increase the Luminance of the red-orange of the fall leaves to make them stand out more.

From Cape May 10/09.