
Though I am still in Virginia, we will drop back to my last trip down to the dragon ponds on the Kennebunk Bridle Path for this Four-Spotted Skimmer head-on shot. Shooting in full zoom plus digital tel-converter gives the shot interesting bokah.
Canon SX40HS in Program with – 1/3EV exposure compensation. 1680mm equivalent field of view. f5.8 @1/400th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.
I am still in Virginia at the Virginia Crossings Wyndham Resort doing the corporate retreat. This is another find from my little photoprowel down by the golf course ponds. This is a pre- or post-mating tandem pair of Orange Bluets. There are many Bluets damselflies in North America, and most of them are a bold electric blue…or at least the males are. The Orange is clearly a member of the family despite its color. The male could be mistaken for many of the females of other species, and but none are quite as aggressively orange! Electric orange? It must be the height of breeding for Oranges, since tandem pairs outnumbered single damselflies.
Canon SX40HS in Program with – 1 /3EV exposure compensation. 1680mm equivalent field of view. f5.8 @ 1/60th @ ISO 800. Because the evening light was low I set the ISO manually to get workable shutter-speeds…and even then the Canon image-stabilization was stretched to its limits at such high magnification. This image begins to break down at larger viewing sizes, but it is a fun image on your average monitor or laptop. 🙂
Processed on my Xoom Android Tablet in PicSay Pro for intensity, clarity, and sharpness.

There were Bluets pretty much everywhere I went among the Potholes and Prairies of central North Dakota. I am not advanced enough (and may never be) to distinguish Boreal from Northern from Prairie from Familiar, etc. etc. as nine species occur around the wetlands of the high prairie, and they all look pretty much like the image above. This shot is from the edge of Mud Lake, on Chase Lake National Wildlife Refuge.
The second image is a mating wheel from another small lake at Chase Lake NWR.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. Both shots at 1680mm equivalent field of view from about 5 feet (that is 840mm optical zoom plus 2x digital tel-converter). f5.8 @ 1/500th and 1/400th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.

I can tell I am getting serious about dragonflies. I bought a book: the Kindle edition of Dennis Paulson’s Dragonflies and Damselflies of the East, from Princeton Press. I run it on my Xoom Android Tablet, in full color, and it is a great resource. Such a lot to learn.
This is a Golden-winged Skimmer from Washington Oaks Gardens State Park south of Marineland FL. It is a stunning dragonfly any time of day, but when the early Florida morning sun wakes the orange on the body and, especially, on the wings, it is, I think, knock-your-eye-out beautiful.



Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 3) and 4) are at 1680mm equivalent field of view (840mm optical plus 2x digital tel-extender) and 2) is at 1240mm (1.5x digital tel-extender). 1) f5.8 @ 1/400th @ ISO 200. 2) f5.8 @ 1/200th @ ISO 100. 3) f5.8 @ 1/125th @ ISO 800. f5.8 @ 1/500th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.

These two shots were taken yards and moments apart, along the Kennebunk Bridle Path where it crosses Rachel Carson National Wildlife land along the Mousam River. The Bridle Path is one of my local go-to-places for birds, bugs, wildflowers, and landscapes. I have written about it before, and it rarely fails me when I am out for a local photo-prowl. I posted a set of dragon and damselfly shots from pools along the Path last week. (Dragons down by the River).
The two shots also demonstrate the range of vision available in a small compact superzoom Point and Shoot camera today. They were both taken with the same camera using the fixed zoom that came with it. I use the word vision with intent. The camera is only a tool, and I try not to get caught up too much in the technology, but as a tool, the ability of the camera to capture everything from extreme close-ups to super-wide panoramas expands my vision so that I am paying attention to everything: near and far. This is good.
The first shot is a very large bumble bee in a Beach Rose blossom. I saw the bees in the blossoms and knew it would make a good shot, so I followed a bee until it landed in a likely flower and shot it at the equivalent of 1680mm from about 5 feet away. Even on a small monitor (or laptop screen) the bee is at least twice life size.
The shot is all about fine detail: the fur on the bee, the grains of pollen on its legs, even the texture of the petals. It catches our attention because we rarely look at anything that closely.
The second shot is a three frame panorama, each frame at 24mm wide angle equivalent. I have learned to trust the exposure system of the camera to produce three well matched frames, and the Panorama function in PhotoMerge in PhotoShop Elements to stitch them together pretty much flawlessly. My camera has a panorama assist mode to help line up the frames, but I have found that I can do it pretty much by eye, just by rotating my upper body and squeezing off overlapping frames. This pano is about 135 degrees, and 8000 pixels wide. To see it at all well, you might want to click on the image so it opens to fill the full width of your monitor.
This shot is all about the sweep and grandeur of the cloud-scape over the landscape, and the way the light interacts with the larger geometry of the wide view. In life, our zone of attention is narrower than this. We would sweep our heads and our vision just as the camera swept, seeing this in at least 3 segments, even though if we centered our vision and relaxed, we would see the whole sweep just as it is presented in the image. We just don’t do that, or at least very often.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. Processed in Lightroom for intensity, clarity, and sharpness (after stitching in PSE for the pano).
And for the Sunday thought: it comes down to why I feel good about having my attention expanded to cover everything from bees in the blossoms to the the play of light across the widest expanse of cloud and landscape.
I think the pressure of modern life compresses our vision and our attention. We don’t look very closely at anything and we don’t stop to take in the vista for the same reason. We don’t have time. We don’t have energy. All our attention is focused on the middle ground…the things that are large enough so we have to deal with them, but not so large that we can’t deal with them. It limits us, both in the physical, and since the physical is the living presence and present-time of the eternal spirit, in the spiritual as well. In a very real sense, our spirits are only as big, in the moment, as our attention to the world around us. Modern life makes us small. When we expand our vision we make more room for the spirit, we get bigger. We are created as spiritual beings living a physical life, to be agents of creation in this world. We can not afford to let life compress us.
So, it is good for me to have a camera that encourages my attention to the bees in the blossoms near at hand one moment, and to the way the clouds pile over the wide expanse the next. It is good.



Yesterday I spent an hour or so down in the marshes beside the Mousam River, where the Kennebunk Bridle Path passes through, photographing dragon and damsel flies. There was one small oval pool, maybe 4 feet by 3 feet, that was attracting a lot of attention, but at any given time looking out over the marsh toward the wood, you could see a dozen dragonflies in flight. The two largest, and therefore most visible, species were the Common Baskettail, Four-spotted Skimmer shown in the first three images, and the Hudsonian Whiteface. Whiteface dragonflies are mating right now, and there were several mating wheels flying over the marsh. With patience, eventually most dragonflies, especially during mating season, will light long enough for a photograph. The trouble is, you very often run out of time before the dragonfly. The 4th and 5th images are a Hudsonian Whiteface mating wheel.


Of course, if you are photographing dragonflies you are watching the marsh closely, and sometimes you are rewarded with a damselfly. Damselflies are much more difficult to spot, as they fly lower, often weaving among the reeds and grasses, they are considerably more delicate, and most of them perch with their wings folded back along their bodies. Even when you spot one land in long marsh grass, it is sometimes impossible to see them with the naked eye from any distance. Getting them in the frame and in focus is a real challenge.
The 6th image is a Scarlet Bluet [much as I would like it to be…it is much more likely a] female Eastern Forktail that visited the pool I was watching for only a few moments. It did light long enough for a pic. Number 7 is a male Eastern Forktail. The Eastern Forktail is much easier than most damselflies to find and photograph, since that turquoise tail tip flashes like lightening in the grass. 🙂


Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. These were all taken with the full optical zoom (840mm equivalent field of view) plus the Canon’s 2x digital tel-extender function for the equivalent of 1680mm. They are hand held shots, which is surely a testimony to how good the Canon image stabilization is. If I were working with any other camera and lens combination, I would have to be a lot more patient than I am. I can reach dragonflies and damselflies with are simply beyond the range of most camera rigs. And you can see that the auto-focus on the SX40HS does an excellent job of isolating the bugs, even deep in grass.
They are also all on Program, letting the camera adjust shutter speed, aperture, and ISO. Shutter speeds were between 1/320th and 1/500th and the ISO was 100 on most shots. They are all wide open at f5.8.
Processed in Lightroom for intensity, clarity, and sharpness.

There seem to be Red Admiral Butterflies everywhere this year. Due to the mild winter across much of North America the Red Admirals migrated north faster and further than normal, and in greater numbers. The individuals we are seeing in Maine are pretty worn, and travel weary.

The first two shots are from my yard this week. The next shot is from Cape May New Jersey, also a very worn butterfly.

Then we have a Red Admiral from Magee Marsh in Ohio, also a migrant (Like the Painted Lady, Red Admirals have to recolonize much of North America each year), but looking much fresher! However, according to the wiki on the species, this may be a butterfly that is fresh out of hibernation, as they are known for deeper colors in the spring.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 1240mm equivalent field of view (840mm optical plus 1.5x digital tel-extender function), f5.8 @ 1/500th @ ISO 100. 2) 1240mm equivalent, f5.8 @ 1/800th @ ISO 160. 3) 1680mm (2x digital tel-extender) equivalent, f5.8 @ 1/500th @ ISO 125. 4) 1680mm equivalent, f5.8 @ 1/640th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.

Let us continue yesterday’s theme (of beautiful butterflies) one day more. I found this stunning Black Swallowtail while birding the Beanery in Cape May. On the way in it eluded me, flitting from clover to clover ever deeper into the field of tall grass where I was not following for fear of the voracious Cape May ticks. But on the way out, it lit just far enough from the mowed path so that I could reach it with my Canon at the long end of the zoom plus 2x digital tel-extender. Nice!
The Black Swallowtail is not an uncommon butterfly, occurring over most of North America, but this is only maybe the second I have seen, and my first photographs.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. Both at 1344mm equivalent field of view (using the 2x digital tel-extender). 1) f5.8 @ 1/500th @ ISO 200. 2) f5.8 @ 1/200th @ ISO 125.
Processed in Lightroom for intensity, clarity, and sharpness.

Yesterday, while the real teams were racking up species for the World Series of Birding competition all over the state of New Jersey, I did an unofficial and informal photographic Big Day in Cape May. The World Series Teams (and we are talking hundreds of teams in this 29th run of the event) count all the bird species they can see or reliably hear between midnight and midnight on a Saturday each May. They collect pledges from friends and family (and the public at large) for each species they count, and the money goes to good conservation causes. The winners of the various divisions get bragging rights and a trophy. And everyone has a lot of fun.
I, on the other hand, spent the day trying to photograph as many bird species as I could. There used to be a photographic division, but it has lapsed. I too had a lot of fun. I only photographed 30 species or so, but I was not, honestly, trying as hard as I might, I did not get out until 8am and came back to process at 5, and I set myself a location limit of a “reasonable drive” from my hotel. Still, I had a lot of fun.
One of the places I visited was the Cape May National Wildlife Refuge. This is a kind of unknown refuge, made up a scattering of isolated parcels in South Jersey. They have built a headquarters on one of the parcels and a few trails on few more. I hiked the Songbird trail near the headquarters off Route 47 north of Rio Grande and south of Goshen.
As I was hiking, I came on what looked like a jet black butterfly. It was staying high in the trees and was constantly in motion so it was hard to see. I really hoped it would light so I could get a look at it, but it disappeared deeper into the tree line between my trail and the fields beyond. I hiked on.
The Songbird tail was billed as .6 mile loop, and it looked pretty straight forward on the map. It crossed the road by the headquarters and entered a stand of forest that belongs to the Nature Conservancy. In there it got kind of sketchy, with blue blazes on the trees and not much else. After hiking what seemed like a very long way without any sign that it was returning to my car, I turned around and headed back. I figured I could check the tree where the butterfly was on my way.
And it was there! I saw it in flight first again, but it settled on a branch just at eyelevel and I was able to study and photograph it to my heart’s content. It was new to me. Not really black, as you see from the photograph, but dark blue/purple with an electric blue trailing edge and red/orange spots on the fringe of the wings. It was a big butterfly…not quite Monarch size, but close. Spectacular!
Of course I had to look it up when I got back to the car. I had my Xoom Tablet with me with my Audubon Guides installed, and I found it fairly easily. Red-spotted Purple!
Back at the hotel, after processing the images, I was checking my identification and I kept finding images of the Red-spotted Purple in groups with the White Admiral. Finally I found a site that explained that the Red-spotted Purple and the White Admiral are two radically distinct forms of the same species. The species range is from the artic south across much of North America, with isolated populations in the mountains of the southwest deserts and even into Mexico, but the two forms are divided north/south along a line that follows the US/Canada boarder and splits New England. I live north of the line, where the White Admiral is the common form. New Jersey is, clearly, south of the line where the Red-spotted Purple predominates.
And just to confuse matters, there is a Black Admiral butterfly common over this whole range that is not part of the complex. White Admiral (Maine) and Black Admiral (Ohio) shown below.

Such a lot to learn! And such beautiful creatures.
And for the Sunday thought. I told this whole long story because it is a good example of what delights me most about birding and bugging and photography and life in general. If the Songbird trail had done as it was billed, I would have hiked on back to the car and never seen the “black” butterfly again. But it did not, and I did not, and I did! Even after turning around, the likelihood of seeing the butterfly a second time…and of its settling so I could photograph it…was marginal at best. Vanishingly small in the cosmic perspective. And yet I did, and it did, and I did.
I don’t believe in chance or coincidence. And I don’t believe in determinism, either mechanistic or divine…not even if you dress it up and call it fate. But I do believe in what might be called, for lack of a better word, cooperation. I believe in an intelligence in the universe that is expressed throughout what we call nature. I believe that intelligence is personal. We have, by grace, a relationship. I believe that intelligence is loving, and wants me to be both good and happy. And, finally, I believe that to be good and happy, all I need to do is cooperate. I need to do what that intelligent, loving person is doing…do my bit of what is, in a cosmic sense, happening. I don’t have to. There is no compulsion. But when I do, I feel good (and this is case where that is grammatically correct), and I am happy.
So, following my feelings that the trail was too long and too vague, I turned around. The Red-spotted Purple was waiting. That is cooperation, not coincidence in my universe! All I can say is thank you.
And get a load of the white racing strips on the head parts!


Yesterday, being the first day of spring, on my lunch break I went out into our yard to look for signs of spring. We live in the tidal zone along a river about 2 miles inland from the sea, and our spring is delayed up to two weeks from those who live even a mile further inland. Our crocus are just pushing up the first green sprigs…just up the street they are in full bloom. We get payback in the fall, when, baring an early snowstorm, our warm days linger a bit longer, with 5 degree warmer temperatures than our inland neighbors.
I took shots of the crocus and the buds of the maple flowers, still little hard red balls on the branch tips, and was surprised by a butterfly flitting round the yard. It would fly a short hop and then sit with the sun on its spread wings, evidently building up energy for the next hop. I chased it down for a pic.
It is a Question Mark, and despite how common they are in New England, only my third conscious sighting. When I got the image on the computer screen for processing, I saw pretty clearly how worn the critter was. This is not a spring butterfly…so I looked up the Question Mark’s life cycle. In addition to the fact that the Question Mark feeds mostly on rotting fruits and vegetables, and carrion, in preference to flowers, which is interesting enough in itself, I found that there is a summer flight, and a winter flight (which actually flies in the fall). The winter flight over-winters in hibernation in sheltered nooks and crannies (an assumption since no one sees them), and emerges in the spring to lay the eggs that will become the summer flight. This winter flight specimen was evidently tempted out of its nook by the first day of spring.
Canon SX40HS at 1680mm equivalent (840mm optical plus 2x digital tel-extender). f5.8 @ 1/640th @ ISO 100. Program with iContrast and –1/3EV exposure compensation.
Processed in Lightroom for intensity, clarity, and sharpness.