
The helpful folks at Project Noah’s Maine Moths Mission identified my moth as the Power Moth (Eufidonia notataria). Project Noah is an internet based network of nature observers who submit “spottings” of wildlife of all kinds, including photos and location information, from bugs to bears. When you post a spotting, it is simple to check the “help with this identification” button. Under Project Noah there are hundreds (maybe thousands) of “missions”…targeted requests for spottings of a particular kind for a particular region. The Maine Moths Mission is one of them, and it seemed an obvious place to look for an id of a moth I had never seen before. I had the id within an hour of posting. (Project Noah has mobile apps for both iPhone and Android as well as the website… search for “Project Noah” in your app store.)
I could find little information on the moth itself, beyond its name and place in the scientific order. I still have no idea how it lives or why it lives. But it is, to my eye, a beautiful creature, from the lacy pattern on the wings to the fringe at the wing edges. The fact that it is on Meadowsweet, one of my favorite trail-side flowers of this season, is a distinct bonus, and, in the case of this image, adds to the beauty of the composition.
Samsung Smart Camera WB250F in Smart Auto…macro mode. 24mm equivalent field of view. f3.2 @ 1/500th @ ISO 100. Cropped for composition and scale and processed on the Samsung Galaxy S4 smartphone in PicSay Pro. Auto Enhanced by Google+.
And for the Sunday Thought. The Samsung WB250F was a pure indulgence. I love my Canon SX50HS and I could just as well have taken this image with the Canon. I did not need another camera. But I am certainly having fun with it! As a piece of photographic technology it is amazing…from its Smart Auto modes, to its excellent “no tripod required” in-camera HDR and dedicated Macro and Panorama modes. Fun. As a piece of connected technology it is even more amazing. With the touch of a few controls I can wirelessly transfer the images to my Galaxy S4 for processing and sharing (or I can do limited processing right in-camera, and upload them directly to Facebook or Google+ Photos, or email them to myself). I can share a fully processed image in a matter of moments after it is taken. From wherever I have phone service. Amazing. And so much fun!
Project Noah I just discovered yesterday while researching my Powder Moth. What an idea! A national network of dedicated nature observers and photographers feeding sighting data on all kinds of life into a central data-base where they…and the whole scientific community…can have easy and instant access. And the concept of Missions, to focus the collections, is brilliant. We are on a mission to record all the Moths of Maine. Yes. I can identify with that! And think of the possibilities. With the mobile app, you can upload an image of whatever you see and enjoy quick (if not instant) help from hundreds of enthusiasts and many experts. The day of “I don’t know” is fading fast. What I don’t know is now out there in cloud, just waiting for me to access it. My mind no longer ends at my own senses and my own experience and memory. I can almost instantly tap into the knowledge of thousands of other keen observers, stretching back a generation or more.
Of course, at times, I will only find the limits of what we, as a species of observers, know, or have shared. What does the Powder Moth eat…well, whoever knows that…if anyone does…has not made that available in the cloud just yet. 🙂 (Or not that I can find.)
And what does this all have to do with the spirit? It is the Sunday thought after all. The technology of the connected cloud is giving us a taste, right in the world of time and space, of what we experience in the spirit, behind the world of time and space. It is the core experience of the mystical in all religions…and the root of faith. We are all one. All one mind. All one experience. All one love of life and eagerness to learn and to share. And yet we are totally individual. One eye (I) in the eye (I) of all.
We are the namers of creation. We are the numberers. We are the mind that sees and shares. And we are each one and one in all. And even a technology assisted taste of that is a good thing! Happy Sunday!

The Meadowsweet is in bloom along the Kennebunk Bridle Path (and along the edge of meadows everywhere in Southern Maine). It’s tall cones of flowers make it unmissable…but up close the flowers themselves are wonderfully delicate, frilly, and and almost, dare I say, demure. Add a Ladybug to complete the Victorian scene. 🙂
Samsung Smart Camera WB250F in Macro Mode. 31mm equivalent field of view. f3.4 @ 1/500th @ ISO 100. Cropped slightly for image scale and composition. Processed on the Samsung Galaxy S4 smartphone in PicSay Pro.

The theme is green on MacroMonday, and I happened to photograph this green eyed monster on green leaves yesterday at one of my local dragonfly ponds. It is a teneral dragonfly…one that has only just emerged from its last larval form, and this is not how it will look in a few days. I think it is one of three very similar smallish red Meadowhawks that we have here…White-faced, Cherry-faced, or Ruby. Impossible to tell at this stage. Whatever it is, there were a lot of them at the pond yesterday.
Canon SX50HS. My usual modifications to Program. 1800mm equivalent field of view. f6.5 @ 1/800th @ ISO 800. Processed in Lightroom.

Knapweed is generally tall enough when if flowers so you don’t get this view. For some reason there are some low growing Knapweeds along one of the Quest Ponds. And this one comes with a buggy bonus. Some kind of bee I think.
This is another shot from the Samsung WB250…macro mode…transferred to my Galaxy S4 for processing in PicSay Pro, and upload to Google+ photos. Like the Galaxy S4 camera, the Samsung WB250 records minimal exif data in any of the Smart Modes…so I can’t share exposure information. It must be a Samsung thing 🙂

The Calico Pennant is among the most attractive dragonflies we have in Maine. It is not very big, but the combination of wing patterns and the brightly marked body make it sure to catch your eye when it is around. I have only seen two in Maine so far, and both of them in almost exactly the same spot at one of my dragonfly ponds…though last year’s Calico was not until August, and this one was in June. I particularly like the bokeh in this shot! It is simply a beautiful image…going well beyond an image of a bug!
Canon SX50HS with my usual modifications to Program. 1800mm equivalent field of view. f6.5 @ 1/1000th @ ISO 640. Processed in Lightroom.

After days of rain, on Saturday afternoon we had a burst of sunshine…and promising enough skies so I got the scooter out and did a round of all the local dragonfly and damselfly ponds. It was bug city! And, from the amount of mating activity I saw, the odonata tribe was making up for lost time. I took lots of pics, but I can’t resist posting this one…it just makes me smile. 🙂
It is a Swamp Spreadwing…one of the larger damselflies. They were out in numbers at one of the ponds that feed Back Creek along Route 9 in Kennebunk.
Canon SX50HS. My usual modifications to Program. 1800mm equivalent (1200 optical plus 1.5x digital tel-extender). f6.5 @ 1/400th @ ISO 800. Processed in Lightroom.

It has been a long (snowy) winter and a late spring in southern Maine, but the Odonata are finally returning in numbers and variety to our ponds and streams. A few really (unseasonably) warm days last week warmed the waters to the point that dragon and dameselflies are emerging daily now.
This is an extreme tel-macro shot (2400mm) of an immature male Common Whiteface (Plathemis lydia) from the sunny parking area at Old Falls on the Mousam River.
Canon SX50HS. Program with iContrast and Auto Shadow Control. f6.5 @ 1/1000th @ ISO 400. Processed in Lightroom for intensity, clarity, sharpness, and some noise reduction.

From still snow bound southern Maine, I reach back to my week in San Diego for a touch of spring brightness. Catalina Current, a native flowering shrub from the Visitor’s Center Loop Trail at Mission Trails Park. The busy ant is just a bonus.
Canon SX50HS in macro at 24mm plus 1.5x digital tel-converter. Program with iContrast and Auto Shadow Correct. –1/3EV exposure compensation. f4.5 @ 1/1000th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness.

I shared a backside view of this Western Tiger Swallowtail from the Bird and Butterfly Garden in the Tijuana River Open Reserve a while ago, but today we can enjoy the full frontal view. And isn’t that weird, because, technically speaking, this is the “back’ of the butterfly. It is what is more commonly seen in the field, what is almost always photographed, and what is displayed in collections…so I suppose it is natural that we think of it as the frontal view.
Western Tiger Swallowtails are super common in southern California so no one else at the San Diego Birding Festival got very excited about my pictures, but for an eastern boy it was quite a treat, and fully justified my efforts in locating the Bird and Butterfly Garden, and the good people of San Diego’s efforts in building it. Of course, it was the only butterfly I found there.
Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3EV exposure compensation. 1800mm equivalent field of view from about 5 feet. f6.5 @ 1/1000th @ ISO 250. Processed in Lightroom for intensity, clarity, and sharpness.
I am back in Maine after a week in San Diego. I am actually in the car on my way to Montreal where my daughter Kelia has a piano audition today. 🙂 The image, however is definitely California. Western Tiger Swallowtail. As I mentioned a few days ago, on this trip to the San Diego Birding Festival, I spent time in the Tijuana Valley for the first time. This shot is from the Bird and Butterfly Garden at the Tijuana River Open Space Preserve. It is actually the only butterfly I saw there, but it was certainly worth the visit. I suspect in summer the Garden is full of interesting species.
Canon SX50HS in Program mode with iContrast and Auto Shadow Fill. – 1/3EV exposure compensation. 1800mm equivalent field of view. Processed in Lightroom for intensity, clarity and sharpness.