Monthly Archives: May 2012

5/21/2012: Jack-go-to-bed-by-noon, all gone by.

Jack-go-to-bed-by-noon is a rather strange common name of Meadow Salisfy. It is also known as Yellow Goat’s Beard, which is just about as strange. It this the tall yellow flower of path and road-side and weedy meadows here in New England, looking like an industrial grade dandelion, with fewer and heavier petals. The Purple species (Western Salisfy) is common elsewhere. The root is edible, and it is actually grown as a vegetable by some . When it goes to seed, it forms a seed head like a giant dandelion…again the industrial grade version of a dandelion ball.

While out on my Saturday photo-prowl this weekend, the Salisfy seed heads were everywhere along the Kennebunk Bridal Path. I found one in the sun, and tried several macro approaches. Because the Canon SX40HS will focus to 0cm at the wide end of the zoom, a very close approach is indeed possible. However 24mm even at 0cm does not give a very large image scale, so the macro effect is diminished. I have found though, that using the digital tel-converter function with macro works very well. Digital tel-converter on the Canon is NOT the same as digital zoom on most cameras. Additional image processing is applied to avoid the artifacts generally associated digital zoom. This shot is at 2x digital tel-converter for a 48mm macro effect. One advantage of this combination is that you keep the depth of field of the short zoom setting (4.3mm before conversion to 35mm equivalence) while getting the image scale of a 48mm lens. Best of both worlds for macro.

And, of course, I would not attempt this kind of thing if I had to lay on my stomach to do it. I use the flip out LCD of the Canon and can take shots like this by bending from the waist. I would never willing buy another camera that does not have an articulated LCD!

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  f4 @ 1/400th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness. 

5/20/2012: Season of the Slippers. Happy Sunday!

It is Lady Slipper season once more. Every May the Lady Slippers in our local woods bloom. They are predictable. I know where they grow and, within a week or so, when they bloom. I begin looking for them on Mother’s Day, though they often don’t bloom until the last week in May. I was expecting them early this year, as most everything has been, due to our mild winter and early warm weather, but they are right on schedule. The first of them are only just now open at Rachel Carson National Wildlife Refuge Headquarters, on the sunny bank facing the river where they often bloom first. There are others, in less favored spots, that don’t look likely to bloom for a week or more yet. That means those in the woods by our home, two miles inland from Rachel Carson, where the spring is always a bit delayed, will probably not be blooming until well into June.

I photograph them every spring, often the same plants, spring after spring. I can’t help myself. It would not be May without a few shots of these stunning, brief, flowers.

The images change subtly year to year. Some years, for some unknown reason, the flowers will all be on the pale side, some years a much deeper pink. Some years, for equally mysterious reasons, I only get to see them on cloudy days.

And, of course, my equipment changes, year to year. The sensor technology in the small super-zoom Point and Shoot cameras that I choose to use has developed rapidly over the past few years, and the particular camera I have in hand in May certainly influences my Lady Slipper shots. Last year’s shots, for instance, were a bit flat (lacking in subtle variations in the pink hues) and not quite the right pink at that…and my disappointment was a factor in my decision to retire that Nikon camera early when a (possibly) more promising Canon model came out. The Canon has lived up to its promise. This year’s shots use an unconventional combination of features of my Canon SX40HS (one almost certainly not foreseen by the maker)…and are, I think, among the best Lady Slipper shots I have ever captured.

And then too, my processing software continues to evolve. We are on Lightroom 4 now…it was Lightroom 3.5 last May. In Lr4, the “clarity” (local contrast) function has been refined and improved. That contributes, along with the better sensor, and the unconventional camera settings, to the kind of “hyper-real” look of these shots. Improved technology and software allow me to capture what I like best about the Lady Slipper…which is the way sunlight interacts with the bladder, and with the fine hairs that cover the whole plant. I like this year’s shots, taken in early morning light, a lot.

I can not honestly say that I am a better photographer this year than last. While I am always learning, and finding new ways and new tools, new tricks, to produce better images, the visual engine that is behind my eye, maybe buried as deep as my heart and soul, and maybe even a physical manifestation of my spirit, which is by nature and by grace, twice over, one with the wonderful creative spirit that all in all…that changes much more slowly. In may ways it is still the same engine that made the world wonderful when I was a child. It is more refined now, more reflective, with a higher measure of respect, and a deeper knowledge of just how blessed I am each day, and have been all these years…but it is still, essentially, the eye that saw my very first Lady Slipper so many years ago. It is the same eye that found my first camera so useful, so much fun, such a great way of putting a bit of frame around what I saw and saying “look at that!” I don’t know why I have able to keep the wonder alive. I know I am no more deserving than the next. I truly hope that that there are none who have not, in some secret center of themselves, been able to hold the wonder all life long. I hope to never lose it. And to that end, I use it. Every day. Every spring. Every season of the slipper.

And I will continue as long as I am able…out in the world with my little frame…and here, and elsewhere, everywhere, saying “look at that!” I owe it to my creator. And I it is a debt I pay with joy. (Oh, how true that is in every sense you can make of the statement!)

It is the season of the slippers once again. Look at that! Feel the wonder. Feel the joy. Know you are blessed. Give thanks.

 

5/19/2012: Magnolia Warbler, Magee Marsh OH

I think the Magnolia Warbler is one of the most beautiful of spring warblers. There were many of them along the east end of the boardwalk at Magee Marsh when I was there…though they tend to stay well into the bush even when singing…as here.

Even the females are bright and bold, though somewhat subdued compared to the males.

We do get Magnolias here in Maine. I intend to go out looking for them after breakfast today. They pass through Kennebunk rapidly, and you have to be in the right place to see them. This is early, but worth a try.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  1) and 2) 840mm equivalent field of view. f5.8 @ 1/200th @ ISO 125. Cropped to about 6mp. 3) 840mm. f5.8 @ 1/200th @ ISO 100. 4) same as 1) and 2) except no crop.

Processed in Lightroom for intensity, clarity, and sharpness. 

5/18/2012: Dew on the Rose, Washington Oaks Gardens, FL

Washington Oaks Gardens has an extensive formal water garden, and, inside a wrought iron fence with trellis gates, a great collection of carefully tended roses. Since I am often there early for the birds, I often catch the dew on the rose in all its glory.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  This is a digital tel-extender macro…with the lens at 24mm and macro where I can focus to 0 cm, and 1.5x digital tel-extender engaged for an equivalent focal length of 36mm and larger image scale. This is a use of the digital tel-extender feature I an sure Canon did not foresee, but results, I think, are convincing.  f4.5 @ 1/1250th @ ISO 125.

Processed in Lightroom for intensity, clarity, and sharpness.

5/17/2012: Osprey in Flight, Washington Oaks Gardens, FL

I went to Washington Oaks Gardens State Park, south of Marineland Florida, looking for Great Horned Owl Chicks, but I had a  lot of fun with a pair of Osprey hunting over the river. With flight shots, at least for me, it is always a balance between sufficient reach (long focal length) to catch a significantly sized bird in the frame, and a wide enough field of view (short focal length) to get and keep the bird in the frame at all. The Canon SX40HS I use does not focus as fast as a DSLR in this application either, so I have to keep the bird in the frame longer to get focus lock. Sigh.

Still, with cooperative birds and patience (and by shooting a lot of frames) you can get satisfying results. These were all shot at about 680mm equivalent field of view. The two Osprey were actively hunting well out over the river, nearly to the other side, at least 500 yards off and that high in the sky. At that focal length, backed off from the full 840mm optical reach of the zoom, I could get them in the frame and lock focus, but I had to crop the resulting images from 12mp down to about 5mp to get the birds to fill a significant amount of the frame, and to show detail. As it happens, the Canon images have enough resolution to support the crop. I was pretty happy with these. Certainly a DSLR with an image stabilized 600mm lens would have done better…but I do not carry a DSLR rig by choice, and hand-holding a 600mm lens for flight shots is not easy for anyone. My tiny (comparatively) SX40HS does me well.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  684mm equivalent field of view. 1) f5.8 @ 1/1000 @ ISO160. 2) and 3) f5.8 @ 1/1000th @ ISO 125. 4) f5.8 @ 1/800th @ ISO 100.

Processed in Lightroom for intensity, clarity, and sharpness.  Cropped for image scale.

5/16/2012: Shy Seaside Rabbit. Cape May NJ

The seaside rabbits of Cape May New Jersey are famous, at least in my mind, for their nonchalance around humans. At Lighthouse State Park, long the trails behind the Hawk Watch, and below the dunes at The Meadows (Cape May Migratory Bird Sanctuary), the rabbits go about their business pretty much without regard for human traffic. If you get too close, say inside 6 feet, they just kind of hop our of sight…no rush…but they don’t want to be stepped on. I have never seen one run.

That makes bunny photography very easy in Cape May. This was late in the day, getting on towards supper time, and on trail behind the Hawk Watch at Lighthouse State Park.

As you see, my rabbit friend was aware of me, but not overly concerned. Just keeping an eye on me out of the corner of his eye. I like the rich detail in the fur in these shots. It makes me what to reach out and touch it, and gives the illusion that I might.

The final shot is my closest approach. After that shot he ambled into the deeper grass.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  1) 3) and 4) 840mm equivalent field of view. f5.8 @ 1/200th @ ISO 160 and 200. 2) 526mm equivalent. ff.8 @ 1/160th @ ISO 160.

Processed in Lightroom for intensity, clarity, and sharpness.

5/15/2012: Just a little tree. Humboldt Redwoods State Park

After nearly a month on the road, I am home from my travels for a while. If you have been following you know I have been in Northern California for the Godwit Days in Arcata, in Northern Florida for the Florida Birding and Photo Fest in St. Augustine, in Northern Ohio for The Biggest Week in American Birding in and around Oak Harbor (Magee Marsh, Ottawa NWR, Black Swamp Bird Observatory, etc.), and, this past weekend, in Southern New Jersey for the World Series of Birding in Cape May and the environs. While I have posted from each of these places, over the next few days (weeks?) I will be playing some catch up on images from my travels.

This, in honor of Tree Tuesday on Google+, is from Humboldt Redwoods State Park in California. I always, time allowing, take the scenic route on my drive from San Francisco to Arcata, along the Avenue of the Giants, through the redwood groves. This is a double trunk tree, and that is my Tilly Endurable hat sitting on a gall for scale.

I am awed and amazed on every visit to the redwoods. Inspired. Uplifted. Delighted. Stilled in some part of me that needs stilling.

And, for contrast, we can take a vertical view.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  1) 33mm equivalent field of view, f3.2 @ 1/30th @ ISO 400. 2) 140mm equivalent, f3.2 @ 1/30th @ ISO 800. 3) 24mm equivalent, f4 @ 1/50th @ ISO 200. 4) 24mm equivalent, f2.7 @ 1?100th @ ISO 200.

Processed in Lightroom for intensity, clarity, and sharpness.

5/14/2012: Black Swallowtail, the Beanery, Cape May

Let us continue yesterday’s theme (of beautiful butterflies) one day more. I found this stunning Black Swallowtail while birding the Beanery in Cape May. On the way in it eluded me, flitting from clover to clover ever deeper into the field of tall grass where I was not following for fear of the voracious Cape May ticks. But on the way out, it lit just far enough from the mowed path so that I could reach it with my Canon at the long end of the zoom plus 2x digital tel-extender. Nice!

The Black Swallowtail is not an uncommon butterfly, occurring over most of North America, but this is only maybe the second I have seen, and my first photographs.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  Both at 1344mm equivalent field of view (using the 2x digital tel-extender). 1) f5.8 @ 1/500th @ ISO 200. 2) f5.8 @ 1/200th @ ISO 125.

Processed in Lightroom for intensity, clarity, and sharpness.

5/13/2012: Red-spotted Purple. Happy Sunday!

Yesterday, while the real teams were racking up species for the World Series of Birding competition all over the state of New Jersey, I did an unofficial and informal photographic Big Day in Cape May. The World Series Teams (and we are talking hundreds of teams in this 29th run of the event) count all the bird species they can see or reliably hear between midnight and midnight on a Saturday each May. They collect pledges from friends and family (and the public at large) for each species they count, and the money goes to good conservation causes. The winners of the various divisions get bragging rights and a trophy. And everyone has a lot of fun.

I, on the other hand, spent the day trying to photograph as many bird species as I could. There used to be a photographic division, but it has lapsed. I too had a lot of fun. I only photographed 30 species or so, but I was not, honestly, trying as hard as I might, I did not get out until 8am and came back to process at 5, and I set myself a location limit of a “reasonable drive” from my hotel. Still, I had a lot of fun.

One of the places I visited was the Cape May National Wildlife Refuge. This is a kind of unknown refuge, made up a scattering of isolated parcels in South Jersey. They have built a headquarters on one of the parcels and a few trails on few more. I hiked the Songbird trail near the headquarters off Route 47 north of Rio Grande and south of Goshen.

As I was hiking, I came on what looked like a jet black butterfly. It was staying high in the trees and was constantly in motion so it was hard to see. I really hoped it would light so I could get a look at it, but it disappeared deeper into the tree line between my trail and the fields beyond. I hiked on.

The Songbird tail was billed as .6 mile loop, and it looked pretty straight forward on the map. It crossed the road by the headquarters and entered a stand of forest that belongs to the Nature Conservancy. In there it got kind of sketchy, with blue blazes on the trees and not much else. After hiking what seemed like a very long way without any sign that it was returning to my car, I turned around and headed back. I figured I could check the tree where the butterfly was on my way.

And it was there! I saw it in flight first again, but it settled on a branch just at eyelevel and I was able to study and photograph it to my heart’s content. It was new to me. Not really black, as you see from the photograph, but dark blue/purple with an electric blue trailing edge and red/orange spots on the fringe of the wings. It was a big butterfly…not quite Monarch size, but close. Spectacular!

Of course I had to look it up when I got back to the car. I had my Xoom Tablet with me with my Audubon Guides installed, and I found it fairly easily. Red-spotted Purple!

Back at the hotel, after processing the images, I was checking my identification and I kept finding images of the Red-spotted Purple in groups with the White Admiral. Finally I found a site that explained that the Red-spotted Purple and the White Admiral are two radically distinct forms of the same species. The species range is from the artic south across much of North America, with isolated populations in the mountains of the southwest deserts and even into Mexico, but the two forms are divided north/south along a line that follows the US/Canada boarder and splits New England. I live north of the line, where the White Admiral is the common form. New Jersey is, clearly, south of the line where the Red-spotted Purple predominates.

And just to confuse matters, there is a Black Admiral butterfly common over this whole range that is not part of the complex. White Admiral (Maine) and Black Admiral (Ohio) shown below.

 

Such a lot to learn! And such beautiful creatures.

And for the Sunday thought. I told this whole long story because it is a good example of what delights me most about birding and bugging and photography and life in general. If the Songbird trail had done as it was billed, I would have hiked on back to the car and never seen the “black” butterfly again. But it did not, and I did not, and I did! Even after turning around, the likelihood of seeing the butterfly a second time…and of its settling so I could photograph it…was marginal at best. Vanishingly small in the cosmic perspective. And yet I did, and it did, and I did.

I don’t believe in chance or coincidence. And I don’t believe in determinism, either mechanistic or divine…not even if you dress it up and call it fate. But I do believe in what might be called, for lack of a better word, cooperation. I believe in an intelligence in the universe that is expressed throughout what we call nature. I believe that intelligence is personal. We have, by grace, a relationship. I believe that intelligence is loving, and wants me to be both good and happy. And, finally, I believe that to be good and happy, all I need to do is cooperate. I need to do what that intelligent, loving person is doing…do my bit of what is, in a cosmic sense, happening. I don’t have to. There is no compulsion. But when I do, I feel good (and this is case where that is grammatically correct), and I am happy.

So, following my feelings that the trail was too long and too vague, I turned around. The Red-spotted Purple was waiting. That is cooperation, not coincidence in my universe! All I can say is thank you.

And get a load of the white racing strips on the head parts!

5/12/2012: Song. Yellow Warbler, Magee Marsh

Birds in full song always look so totally engaged! They put all they have into belting out the sound. This is a Yellow Warbler from Magee Marsh in Ohio during The Biggest Week in American Birding. Yellows sing from any perch, but in the morning they like to get up high in the early sun.

This is a more typical view from later in the day.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation.  1) 1240mm equivalent field of view. f5.8 @ 1/1000th @ ISO 160.  2) 1680mm equivalent field of view. f5.8 @ 1/320th @ ISO 100.

Processed in Lightroom for intensity, clarity, and sharpness.