Posts in Category: p&s 4 wildlife

Gannets in the Dawn: Happy Sunday!

Most days in the fall, with binoculars or a spotting scope, you can see Northern Gannets off the beach in Cape May, New Jersey. They are generally fishing the waters well beyond naked-eye view. You might catch a glimmer of white from the winds as they turn, a shimmer on the horizon, but it is mostly faith that brings the binoculars or the scope up to scan the distance for these magnificent birds. And faith is generally rewarded. They are out there most days.

The Northern Gannet is a big bird. It is a yard long, with five to six foot wings, and weighs six and a half pounds. That is very heavy for a bird. They nest in the North Atlantic, almost 70% on rocky islands off the UK. I have seen at least one pair nesting as far south as Machias Island, off Rockland Maine, but that was very unusual. Generally they only enter US waters in late fall, through the winter, and into early spring. They spread down the US coast and around the Caribbean and just into Mexican waters. And as I say, they generally fish well out to sea, diving from a hundred feet in the air, completely submerging with a splash that could easily be mistaken for a whale spouting, coming back to the surface and taking flight with any prey.

Saturday morning, the coming storm (Hurricane Sandy is scheduled to make landfall right over Cape May on Tuesday morning) had driven the Gannets in, and there were hundreds of them…more likely thousands of them…visible just off-shore just after dawn. I watched them from the top of the dune behind the The Meadows (The Nature Conservancy’s Cape May Migratory Bird Sanctuary) and then walked out to a hundred yards from the tide line for even closer views. I had never seen so many Gannets so close. There were two local birders out there on the beach and they had never seen so many Gannets so close either.

The first image is a group of Gannets fishing what as apparently a fairly concentrated school of fish just off the beach and between me and the sunrise (well buried in clouds). (The line of birds low in the frame are Scoters.) The light was a challenge. It was after dawn but the heavy clouds kept it pretty dim. I switched to Sports mode for some flight shots, but again these images are pushing the boundaries of what is possible. They look pretty good at this size, but you would not be impressed if you viewed them 1 to 1 on a large monitor. They look more like clever drawings than photographs at that size…and, in essence, they are just that. The camera’s software used the data collected by the sensor to draw an image of the bird using tiny little dots of color…and in this light, there was barely enough data. Still, considering the conditions, and the difficulty of flight shots in the first place, I am pretty happy with the results.

 

And for the Sunday Thought: this new camera has features that are constantly tempting me to attempt the impossible. Really the light Saturday morning was just too dim for flight shots, to dim and flat for photography of any kind. A conventional DSLR and long lens (half the 1200mm focal length of the zoom on the Canon SX50HS) would have had extreme difficulty finding focus on these moving birds in the dawn murk. Yet, in Sports Mode, the SX50HS locked on, and, despite my lack of practice with flying birds, I was able to frame and follow the birds as I shot bursts of 10 frames. Sports Mode automatically pushes the ISO to 800 and above to give faster shutter speeds, and switches in 5 frames per second burst mode with focus between frames.

Considering what the camera had to deal with, I have no right to quibble with the results. These images would not have been possible at all without the advanced features of this little Point & Shoot Super-zoom. So when I blow them up very large and look very close, and see the less than perfect rendering, I try to remember not to compare them to what I had hoped to see…but to compare them to no image at all! By that standard, they are pretty good indeed.

Shifting to a spiritual view, I am thinking that we need to be tempted to attempt the spiritually impossible more often…you know, things like unconditional love, absolute generosity, self-less giving and self-less living, and even intimacy with the pure light of creation. The best we might manage is enough to make a rough sketch of the reality of those experiences, but then, we should remember to judge those sketches, rough and imperfect as they must be when we blow them up large and look close, by the standard of how they compare to no sketch at all. A very rough rendering in action of unconditional love would transform most of us…and any attempt at self-less giving and self-less living has to be more satisfying than the alternative. And just the tiniest glimpse of the pure light of creation, filtered through the imperfect medium of our lives and haltingly shared with others, is so much better than the darkness of unbelief!

We have to be thankful for any image of Gannets against the dawn.

Carolina Wren at Cape May

Gotta love Carolina Wrens! Or at least I do. This one was singing just around the corner from the Cooper’s Hawk from yesterday’s post, beside the boardwalk behind the Hawk Watch at Lighthouse State Park. It popped up on this branch that sticks out over the boardwalk and posed. I got off maybe a dozen shots before it went back into the bush. Still really bad light, but, hey, gotta love Carolina Wrens!

Canon SX50HS. Program with auto iContrast and Shadow Fill.  2500mm equivalent field of view. f6.5 @ 1/160th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness. 

And one more, pulled back to 1200mm equivalent.

Coop at Cape May!

The weather could have better when I got to Cape May yesterday. By the time I got out onto the boardwalk behind the Hawk Watch at Lighthouse State Park, at 4PM, it was pretty dark. There were a fair number of birds, mostly Yellow-rumped Warblers, but they were skitterish…never staying in one place for more than a few seconds. Challenging photographic conditions and I am still learning the new camera.

And then, of course, being Cape May, this Cooper’s Hawk flew up into the tree right above my head, and sat there while I took way too many shots. It even let me sidle along the boardwalk for a clearer shot through the branches. Very nice! It was dark. The bird was against the grey sky. Not the best conditions, but it does not matter how bad the light or the angle, when a Coop lands that close and sits, you take pictures!

I got to try all the various focal lengths available, from 2400mm (2x digital tel-converter function, as above) back down to the 1200mm optical zoom.

Canon SX50HS. Program with auto iContrast and Shadow Fill. 2400mm, 1200mm, 1800mm, and 2400mm. f6.5 @ 1/160th – 1/400th @ ISO 125-400. Processed in Lightroom for intensity, clarity, and sharpness. All shots required some purple fringe removal.

Chipper on (or in) the rocks.

On our way to the car while at Laudholm Farm on Sunday, this little Chipmunk skittered across the path and into the rock pile by the visitor sign. It sat there just long enough for me to get off a few shots at 1200 and 1800mm equivalents on the Canon SX50HS. The angle here is not quite right, but I took a chance even getting to this position, and when I moved for a better angle, the critter skittered again and was gone.

This is the 1800mm equivalent field of view version…1200mm optical plus 1.5x digital tel-converter function. Even if the nose is buried in the juniper, I like the little “hand” and that eye.

Canon SX50HS. Program with auto iContrast and Shadow Fill and 1/3EV exposure compensation. f6.5 @ 1/400th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness. 

The Phoebe and the Bokeh

I am still learning the virtues (and limitations) of my new Canon SX50HS. It is not that much different than the SX40HS it is replacing, but there are some added features that are worth exploring. Like framing lock. There is a button on the left side of the lens near the body which, when pressed, turns on optimized image stabilization while you are framing the image. At extreme telephoto, where even the steadiest hand can have difficulty holding the camera still enough for effective framing, it is a really a helpful feature.

Last week I went out to look for some cooperative birds to try it on. As it happens all I found were a few Eastern Phoebes along the Kennebunk Bridle path, and, wouldn’t you know it, they were between me and the low fall sun.

Still, I really like the way the bird is framed here, against the sunlit marsh grasses, and what the longer focal length is doing to the grasses behind.

Canon SX50HS. Program with iContrast and –1/3EV exposure compensation.  1800mm equivalent field of view (1200mm optical plus 1.5x digital tel-converter function). f6.5 @ 1/200th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness. 

Squirrel Economy

Sunday was a drizzly, darkish fall day, but that seemed to be perfect acorn harvesting weather, as far as our backyard squirrels were concerned. Three or four of them spent the afternoon finding acorns and burying them. The finding was not hard. We have the heaviest crop of acorns I can ever remember.  Backing out of the drive way all you hear is the crunch and pop of acorns under the tires. We have drifts of them in front yard. But to the squirrels it seemed to be business as usual. Locate an acorn, run out into the middle of they yard well away from the trees, sniff the acorn well, and bury with a few swipes of the front paws. Over and over.

This is, in may ways, a quintessential fall shot. It was taken from the back door, inside, sheltered from the drizzle, at 1800mm equivalent field of view (1200mm optical plus 1.5x digital tel-converter). Canon SX50HS. Program with iContrast and –1/3EV exposure compensation.  f6.5 @ 1/160th @ ISO 320. Processed in Lightroom for intensity, clarity, and sharpness. 

And, just for fun, here is what aught to be the quintessential shot of a fall squirrel.

Busy Bee: Seattle Washington

The small demonstration garden at the Center for Urban Horticulture in Seattle, the first week in October, was definitely in Northwest Autumn mode. There were actually a surprising number of flowers still in bloom. I am sure the layout of the sunny courtyard with its stone flagging and walls help create a kind of micro climate that prolongs the blooming season. And the bees were certainly taking advantage…busy putting up the last of the season’s pollen to be made into honey for the winter hive.

This telephoto macro was taken at 1800mm equivalent from about 5 feet…that is the full optical zoom of the new Canon SX50HS plus the 1.5x digital tel-converter function. The optical image stabilization of the SX50HS allows for this kind of hand-held extreme telephoto macro.

Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. f6.5 @ 1/160th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness.

Little Blue Butterfly. Happy Sunday!

I am just back from a week in Virginia at our corporate offices. We moved recently, to an upscale business park west of Richmond, and our building is right next to the last in an extensive system of landscape and drainage ponds that run the length of the park. There is a surprising amount of wildlife around those ponds…from Canada Geese, by way of Belted Kingfisher, to Dragon and Butterflies. I always try to spend a lunch hour or two, or some time right after work, around the ponds on every office visit.

This is an Eastern Blue butterfly, and it is really tiny…less than a half inch wing tip to wing tip, so looking at it on the lcd of my 14 inch laptop it is about 2x life size. The little tails make the identification easy as the other Blues common to VA do not have them.

I like how the butterfly floats above the out of focus busy background and how the powdery blue stands out against the light tans of the fallen reeds.

The image was taken from about 5 feet, at about 1800mm equivalent field of view (1200mm optical zoom plus 1.5x digital tel-converter function). Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. f6.5 @ 1/640th @ ISO 160. Processed in Lightroom for intensity, clarity, and sharpness. 

And for the Sunday Thought: I always find a week in the corporate office twice as tiring as week working from my office at home (more tiring even than a week of back to back birding festivals where I am out early and in late, and spend hours at day talking to birders 🙂 I don’t work any harder in the corporate office than I do at home, and I certainly don’t get any more done (generally not as much), but it takes more out of me. And it is not that I get less rest, living in a hotel. My evening routine processing images if I have any, then watching a few Hulu or Amazon Prime shows is the same, and I get to bed at the same time. ?? Though I talk to my wife less, we do talk at least twice a day, and often longer at a stretch than when talk at home some days.

Partially I think it is the lack of natural light. At home I work in front of a window and can look up and out anytime. In the office I am buried in the back of a maze of hall ways, with no view to the outside.

Then too, at home I can walk to the kitchen and make a cup of tea when ever I want to. We have a kitchen, and when I remember to bring it, tea at the office too…but it is not the same. At the office I have to go out to eat for lunch…find a restaurant, and generally since I am eating with colleagues, talk a good deal of business over our enchiladas or pizza. At home I eat at my desk, and spend most of an hour outside about 3 days a week. Even if I don’t get outside, I read or watch something from Amazon and do not think about business at all for an hour.

Of course, the only connection to this picture is that it was taken on a day at the office when I ate alone and got back in time to spend a half hour outside.

The truth is, the weariness I feel after a week in the office, is not a physical weariness at all. It is a soul weariness. The soul (our inner self and the self we present to the world) is, or should be, the physical, temporal manifestation of the spirit, in all times and in all places. It should be the spirit at work in the world. The energy and life of the spirit fill the soul like rising waters fill a spring, like sunlight through a window fills a room with light, like the air I breath fills my body with oxygen, like electricity turns a lump of plastic or metal and silicon and copper (my laptop or my Kindle Fire) into a universe of music and images and ideas…into whatever I want or need from the world around me.

When I am in the office my soul is so focused (necessarily) on getting the job done and making the business work for all my colleagues, that the flow of life from the spirit is pinched, constricted. It is not that I stop breathing the life of the spirit, it is that my breathing becomes shallow, and sometimes it is too long between breaths. It is like I am trying to run my laptop on batteries without ever plugging in long enough to fully recharge, or like the electricity that the wall plugs supply simply does not have the amps to get the job done.

I don’t know that there is any cure for it. I suppose I would get used to it if I worked in the office full time. Or then again, I might just get used to being that tired all the time.

I know that when I have to spend a week in the office, it is the little blue butterflies at lunch time that help to get me through it.

Handsome is as handsome does!

The crows are back in New England, after a few years of heavy decline due to West Nile Virus. They are around the yard most days. This fellow, however is in Seattle, on my first evening there, when I made a short visit to a park near the hotel. Crows were working the lawns and the tide-line with equal vigor…looking, in crow fashion, for whatever they could get.

They are really a handsome bird…not flashy or colorful…and certainly not cute the way some warblers and sparrows are…but solidly handsome. This is at the full 1200mm optical reach of my new Canon SX50HS, and is actually the very first bird shot I took with it. Low light in the shade of the trees (and the darkness of the subject) pushed the ISO to 800. I am actually quite pleased with the results. The jury is still very much out on the camera as a whole. The SX40HS is a hard act to follow. But so far so good!

As above. f6.5 @ 1/100th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness. 

Blue-eyed Darner: Seattle WA

There were a lot of these Blue-eyed Darners in the Urban Bay Natural Area in Seattle. They were in the air along the edge of Lake Washington, and even more present weaving among the cattails in the lagoon on the other side of “the fill” (as the locals apparently call the reclaimed dump area). I came really close to getting a shot of one in the air…but eventually this specimen settled for a series of photos. It was well worn with tattered wings, but still beautiful with its turquoise eyes and pattern of abdomen spots. This dragonfly really does look like something crafted in a Southwestern Jewelry shop.

Canon SX50HS. Program with iContrast and –1/3EV exposure compensation. 1) 2400mm equivalent field of view (1200mm optical zoom plus 2x digital tel-converter function). f6.5 @ 1/200th @ ISO 100. 2) 1200mm equivalent. f6.5 @ 1/320 @ ISO 125. Processed in Lightroom for intensity, clarity, and sharpness.