
Geese in flight, near the ground, can be pretty chaotic. The ordered “V” formation of their long distance flights breaks up on approach, or never forms if the flight is only from one field to the next. It takes time for Snow Geese to sort themselves out behind a leader into their classic V with one long and one short arm. Still, every once in a while, more often than you might thing, you find a single pair, like this one, in perfect draft formation.
Canon SX50HS in Sports Mode. 1200mm equivalent field of view. f6.5 @ 1/1250th @ ISO 250. Processed in Lightroom for intensity, clarity, and sharpness.

I was going through odonata withdrawal in Maine during November, so it was a pleasure to go the Rio Grande Valley in South Texas where the dragons and damsels were still flying. This was literally my first dragon of the trip. I was hoping it was a new species for me…but I photographed it last year in the Valley as well. It is a Thornbush Dasher, somewhat loosely related the to the common Blue Dasher found in New England and country wide (except for the Rocky Mountains)…but the Thornbush is restricted to Texas. I really like the bokeh on this shot!
Here is a Blue Dasher for comparison, taken only a moment later and a few steps further on.

Though they are very similar in superficial look, and share a “name”, a good back view or top view of the Thornbush shows it is not same kind of bug at all. Note the flare in the tail. Note too how the angle of the light turns the eyes in last photo a very Blue Dasher green. 🙂


Canon SX50HS. Program with auto iContrast and Shadow Fill. 1) 2) and 3) 1800mm equivalent field of view. f6.5 @ 1/1000th @ ISO 320 and 800. 4) 1200mm equivalent. f6.5 @ 1/1000th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness.

I was on my way back to the car and the last day of the vendor hours at the Rio Grande Valley Birding Festival, leaving the butterfly gardens at the National Butterfly Center in Mission Texas, when I heard a scuttling in the gravel that could only be a lizard. And there it was, a Texas Spotted Whiptail (as I afterwards confirmed). My second lizard of the trip. (The first was a Texas Blue Spiny Lizard seen from the tour boat on the Rio Grande River. And that, folks, is a lizard!). I like lizards, and the whiptails are so perky and, well, cute, there is a lot to like 🙂
Canon SX50HS. Program with auto iContrast and Shadow Fill. Just over 1000mm equivalent field of view (I had to back off on the zoom to get the full tail in). f6.5 @ 1/1000th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness.
And, since he was kind enough to scuttle around for a second view…from the other side. I am assuming the “spotted” comes from the legs!


While the 30,000 spectacular Snow Geese are, without doubt, in charge of the spectacle at the Festival of the Cranes at Bosque del Apache National Wildlife Refuge each year in November…with their mass panics that fill the air with swirling geese, and their dawn and dusk fly-outs and fly-ins against the sunrise and the sunset…it is still the Festival of Cranes.
The title dates back, in part, to the 1980s abortive attempt to reintroduce Whooping Cranes by fostering them on the flock of Sandhills that make Bosque their winter home. It was a grand experiment, at time when environmentalist needed some reason to hope. It garnered more than its fair share of attention, and inspired the first Festival of the Cranes. The experiment floundered when the Whooping Crane colts grew to breeding age, and it was evident they thought they were Sandhills. Still, there were some exciting years there as the Woopers grew up among the Bosque Sandhills. The last hybrid Wooper/Sandhill failed to return to the refuge many years ago.
And yet, it remains the Festival of the Cranes. Between 7 and 14,000 Sandhill Cranes do make an impression. They are magnificent birds. Larger than you expect, always, in every situation, surprisingly graceful, and endlessly interesting to watch as they feed and interact.

Even though fall is not breeding season, there are always some young males trying out their confrontational skills in November.


At Bosque, during the Festival of the Cranes, the Refuge management has learned to put on a good show for the tourists (FofC is the largest single contribution to the local economy each year, with some $2 million in revenue for local hotels and restaurants and the Refuge itself). They hold the fields by the viewing platforms on the back side of the tour loop dry until the Friday night of the Festival, so they are fresh flooded in the morning on Saturday. The flooded fields are full of Snow Geese, ducks, and Cranes, all feeding together right below the platforms. It is that kind of view that keeps people from all over the country coming back to Bosque in November every year.

They also maintain the viewing areas along New Mexico Route 1, just inside the Refuge, by the shallow ponds where the Cranes gather in thousands for the night. The Cranes come in early, while it is still light, and leave late in the morning, well after sunrise, so they are show of their own both before and after the spectacle of the geese.


And so it remains The Festival of the Cranes.

This is the faithful Common Paraque that roosts right beside a busy foot-trail at Estero Llano Grande World Birding Center in Weslaco TX, and is seen by hundreds of birders a year. it would be thousands of birders a year if the Paraque were easier to see. I know many birders (including me) who have gone to the spot where it roosts only to be defeated by the bird’s amazing camouflage. Even this year, according to the testimony of birders who were there only moments after I was, there were two birds there, and I only managed to see one.
This is a telephoto macro, taken from about 6 feet at the equivalent of 2400mm. I used the Canon SX50HS’ Digital Tel-converter to boost the 1200mm equivalent zoom by 2x. This is exactly the kind of image were the DTC works really well. Canon has managed to build a processing engine into the camera that preserves detail well beyond what one would expect of 2x digital zoom. In a scene without much detail…a distant bird on water for instance, with a lot of open water…the artifacts are much easier to see…but here all you see is the amazing detail of the intricate feather patterns.
It is also shot at ISO 800. Not something I would have attempted only a few years ago. The quality that Canon nurses out of the tiny sensor in the SX50HS is just short of unbelievable. And finally, of course, the image was captured hand-held. A 2400mm! That is Image Stabilization.
But, in the end, it is about the image, not the equipment or the technology. And the image speaks for itself. Eye of Paraque!
f6.5 @ 1/800th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.

I went out to the Flight Deck at Bosque Del Apache National Wildlife Refuge, just at sunset, to catch the geese and cranes coming in. Though it was already crowed (as it was every night during the Festival of the Cranes), I found a likely place to park beyond the platform where there is a break in the trees that shows an expanse of the pond.

I had only been there long enough to get out of the car when I looked up and saw a skein of white birds with black wing-tips coming from the north. “Ah,” I thought, “just in time.”

I think I was on my second burst of shots before it hit me. They were not geese. When compared to Snow Geese, American White Pelicans have a superficially similar pattern of white and black…white body…black in the wings, and when the flocks are flying high you have to look twice. The shape is all wrong of course, with that heavy bill pushed out in front. But still, add the fact that the Geese are expected at the flight deck at sunset, and the Pelicans are not…and you can understand my mis-identification.

It was a flock (not a skein after all…as a “skein” is literally “ducks or geese in flight”) of about 50-75 birds. After a long slow glide in, they settled on the pond and began to feed.

The woman next to me said, “What are those? Those aren’t geese!” No, just Pelicans borrowing some of the Snow Geese Sunset at the Flight Deck. Pelican Sunset.
Canon SX50HS. Flight shots in Sports Mode. The others in Program. Processed in Lightroom for intensity, clarity, and sharpness.
And for the Sunday thought: I wonder how often we see what expect to see when it comes to matters of the spirit? Are we conditioned by the place and the time and our expectations to see what we came to see? Do we miss the spiritual Pelicans in the sunset because we are looking for Snow Geese? I think of Abraham climbing the mountain with his son for sacrifice and his faith trailing behind him the dust…only to have God change the rules, pull the faith forward, and provide his own sacrifice. I think of the Pharisees confident expectations of a messiah to free them from Rome, and how again, God changed the rules and sent them a savior sacrifice to save them from themselves…to save us from ourselves. I wonder, sometimes, how conditioned I am to see God through that story, and if I am mis-identifying the spiritual when I see it…then I remember that God is able to change the rules…is bigger than the story we tell about him and delights to prove it. I might think Snow Goose, but God will be faithful to reveal himself in the Pelicans if that is what is there!
It is, after all, the Pelicans that make a Pelican Sunset.

Another bird from stop at Grebe Marsh at Estero Llano Grande State Park World Birding Center in Weslaco TX on the final day of my Rio Grande Valley Birding Festival trip. The Great Kiskadee is a striking bird at any time, but much easier to expose on a cloudy day. With any sun at all, the mask goes jet black and you lose the eye, and the white above and below burns out. This level of illumination is just right 🙂
I really like the alert pose.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1800mm equivalent field of view. f6.5 @ 1/800th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.

There are very few places as good as Bosque del Apache to photograph birds in flight. There is rarely a time of day anywhere in the refuge were there are not Snow Geese and Sandhill Cranes in the air. If you stop anywhere on the tour loupe where the birds are on the ground, and just stand and wait you will be treated to excellent, and often intimate, views of the birds coming in and going out.
This Sandhill Crane was on its way in. I picked it up a ways out and followed it in. The camera was in Sports Mode so it locked focus on the bird and followed. I got off a burst of 10 shots just as the Crane passed close overhead. At 1200mm of equivalent reach, I could reach right out and practically touch the bird…but it was not easy keeping any portion of the big bird in the frame. I found two keepers in the sequence.
Canon SX50HS in Sports Mode. 1200mm equivalent field of view. f6.5 @ 1/1000th @ ISO 400. Processed in Lightroom for intensity, clarity, and sharpness.

On my last day in the Rio Grande Valley of South Texas, despite slightly dodgy weather, I drove out to Estero Llano Grande State Park World Birding Center for one last bit of birding and photography, Texas style. I sat on a bench at Grebe Marsh and watched this pair feed around each other for 30 minutes. The White Ibis and the Tricolored Heron conscientiously ignored each other. They shared one small corner of the pond, and were actually feeding in each other’s wake (looking for what was stirred up as the other bird passed), but neither was admitting the other’s existence. It looked odd, but it is, of course, common behavior when mixed species feed together.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 465mm equivalent field of view. f5.6 @ 1/1000th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness.

This is not the kind of wildlife Bosque del Apache was set aside to protect…not by a long shot…but it is wildlife that has certainly found a home there. This is, literally, a Little Brown Bat…which happens to be an apt description and its common name. Two of them had found a day-roost right over the main entrance door of the Visitor’s Center at the Refuge, under the overhanging roof, where, on Festival of the Cranes weekend, six or seven thousand people walked right under them. I must have done so myself several times before someone pointed them out.
The light was dim up under the roof and the bats were just far enough to require full zoom on the camera. This is a good testimony to the quality of the image stabilization…hand held at 1200mm equivalent and1/60th of a second. That should not be possible.
Canon SX50HS. Program with auto iContrast and Shadow Fill. 1200mm equivalent field of view. f6.5 @ 1/60th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.