
The Great Egrets are the most likely birds to contest prime nest sites at the St. Augustine Alligator Farm rookery with the Wood Storks. They generally loose out for the tree-top sites, but they make up the whole of the next story down. This bird did, somehow, end up with a penthouse suite and was making the most of it by displaying on the balcony. You can see the green lores, one of the features of full breeding plumage.



When I visit in late April, you already find Great Egret nests at all stages of development, from newly laid eggs, to chicks about ready to fledge.
And, of course, there is nothing quite like a Great Egret in flight…and birds are in flight somewhere almost continuously at the rookery.



Great Egret winds are a wonder, even when all the bird is doing is preening.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 655mm equivalent field of view, f5.8 @ 1/800th @ ISO 100. 2) 560mm equivalent, f5.8 @ 1/640th @ ISO 200. 3) 350mm, f5 @ 1/800th @ ISO 200. 4) 500mm, f6.3 @ 1/1250th @ ISO 200. 5) 350mm, f5 @ 1/800th @ ISO 200. 6) 370mm, f5 @ 1/1000th @ ISO 100. 7) and 8) 340mm, f5 @ 1/1000th @ ISO 160. 9) 340mm, f5 @ 1/640th @ ISO 200.
Processed in Lightroom for intensity, clarity, and sharpness.

It seems like every year there are more Cattle Egrets nesting at the St. Augustine Alligator Farm rookery, and they were particularly bright, in their breeding colors, this year.



It is tempting to think of them as “non-native birds” since they have only been breeding here in North America since the early 1950s. However, the Cattle Egret got here under its own power, naturally, crossing the Atlantic to South America in the early 1900s and becoming established there by the 1930s. It then moved out, breeding in Canada by the 1960s, and, by now, having spread over much of North and South America.
And it has spread on the other continents as well. Originally it was native (?) to the Iberian Peninsula and North Africa (that is to say, that is were it was found when we first began to pay attention). From there it spread all through Africa, crossed over the the Americas, colonized Asia (reaching Australia by the 1940s and New Zealand by the 60s). It is now working north through Europe, and east, island by island, across the Pacific Ocean.
It goes, and can survive, and thrive, where ever humans raise cattle. Simple as that. Because of its specialization, it does not normally seriously compete with native species. That helps it to become established fairly quickly…as does it ability to blend in in communal heron/egret/stork rookeries like the one at the Alligator Farm in St. Augustine. Interesting bird.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 840mm equivalent field of view, f5.8 @ 1/640th @ ISO 160. 2) 440mm equivalent, f5 @ 1/320th @ ISO 160, 3) 840mm, f5.8 @ 1/400th @ ISO 200. 4) 840mm, f5.8 @ 1/250th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.

If you have been following you will realize that I have been working through my images from the St. Augustine Alligator Farm rookery, one species at a time over the past few days. But today is songbirdsaturday over on Google+ and in honor of that we will migrate to Magee Marsh in Northern Ohio for a look at the Baltimore Oriole. If the St. Augustine Alligator Farm rookery is the place to photograph nesting waders in spring, then Magee Marsh is the place to photograph warblers and other migrating passerines in spring. I went almost directly (2 days at home) from Northern Florida to Northern Ohio…from shooting from the boardwalk at STAAF to shooting from the boardwalk at Magee Marsh. There the similarity ends. The birds at the rookery are nesting. The birds at Magee Marsh are feeding on their way north. The birds at the rookery are big and still. The birds at Magee Marsh are small and active. The birds at the rookery are mostly right out in plain site. The birds at Magee Marsh are hidden deeply in foliage (especially this year when the trees leaved out early). While almost anyone would admit that shooting birds at the rookery is easy…shooting birds at Magee Marsh presents a much higher challenge.
Warblers are the star of the show…up to 30 species can be seen on any given day…but larger passerines like the Baltimore Oriole here also pass through in great numbers.



They sing loudly, so they are easy to find…not so easy to get in the frame though.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 840mm equivalent field of view, f5.8 @ 1/320th @ ISO 200. 2) 840mm, f5.8 @ 1/1000th @ ISO 100. 3) 840mm, f5.8 @ 1/1000th @ ISO 320. 4) 840mm, f5.8 @ 1/400th @ ISO 200.
Processed in Lightroom for intensity, clarity, and sharpness.

Snowy Egrets are nesting in large numbers at the St. Augustine Alligator Farm rookery in April and May each spring. At any given moment from dawn to dusk you can catch a male displaying somewhere off the boardwalk. This year, when I visited in late April, many nests already had young as well. The first shot shows a male in all his finery, from the yellow slippers (maintained all year) to the bright red lores (the area between the beak and eye: red only during breeding season). But of course it is the plumage show that captures the imagination: those fine fine back feathers lifted, in challenge to other males, and in invitation to any females. It was these feathers, of course, along with the corresponding breeding finery of Great Egrets and herons, that also attracted the notice of milliners and ladies of fashion at the turn of the century. The annual harvest of Egrets and herons came close to driving the birds to extension, and lead, thankfully, to the first real conservation movement in the US.
Snowy Egrets are attentive nesters, and at the rookery you get to observe nests in many stages of development. In the second shot a female hovers over her chicks, and in the third, the chicks attack her beak hoping for food.


Then we have another displaying male, and a more intimate portrait.


Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 630mm equivalent field of view, f5.8 @ 1/800th @ ISO 200. 2) 840mm equivalent, f5.8 @ 1/1250th @ ISO 200. 3) 560mm, f5.8 @ 1/320th @ ISO 200. 4) 540mm, f5.8 @ 1/640th @ ISO 125. 5) 840mm, f5.8 @ 1/800th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness. 3) and 5) cropped for composition.

The largest birds and most conspicuous birds at the St. Augustine Alligator Farm rookery are the Wood Storks. 30 to 40 pair nest each year, many of them in the single largest tree. It looks like Wood Stork village. I was there in late afternoon when the Florida temperatures were nearing 90 degrees and the sun was hot. This Stork is making shade for a nest full of young. I saw this pose at several nests, and is evidently one the Stork can hold for an extended time. The shot also shows off the green iridescence in the black feathers of the wings…something that is sometimes hard to see.

The second shot is of a Stork airing its wings in the tree top, coming or going. There is constant movement as the birds come and go from feeding, and the Storks don’t ever seem to finish nest building. Males are still bringing in green branches when there are already young in the nest.


The young are just as ungainly and ugly as the adults…but where the adults are saved by the sheer majesty of those huge wings, the chicks have to rely on the residual cuteness of the young of any species for their appeal.

To be fair, the adults have a kind of majesty even without the spread wings.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 700mm equivalent field of view, f6.3 @ 1/1250th @ ISO 200. 2) 600mm equivalent, f5.8 @ 1/1250th @ ISO 100. 3) 840mm equivalent, f5.8 @ 1/800th @ ISO 100. 4) 670mm, f5.8 @ 1/1000th @ ISO 200. 5) 400mm, f5 @ 1/1250th @ ISO 100. 6) 430mm, f5 @ 1/1000th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.

The St. Augustine Alligator Farm rookery during breeding season is an amazing place to photograph birds. Everywhere you look there is something happening that is worth your attention and a few frames. It is easy to come back with multiple 1000s of exposures from a day there. And you have to keep reminding yourself: despite being inside a zoo, these are not zoo animals. They are wild birds, communal nesters by nature, who have gathered on their own to create this amazing multi-species rookery. The Alligator Farm has just been intelligent enough to provide access for the wondering public and photographers of all levels. In fact, the Alligator Farm rookery is fairly unique in that even folks with Point and Shoot party cameras…even phone cameras…can bring back satisfying shots of the birds. The longer lens of a super-zoom or DSLR outfit makes truly intimate portraits possible.
And among the birds who nest there, the Little Blue Heron stands out for me. It is not the most numerous or even the most showy…that would have to be the Great Egrets…but it is certainly a striking bird, an arresting bird, in is breeding finery. The plumage, with is subtle blue-greys and purples, its wide range of feather structure, from hair like plumes to sturdy wing feathers, is interesting in any light. And the bird, like all herons, poses. Add the deep turquoise around the eye that is only there during breeding and you can understand why I have so many images.




Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 700mm equivalent field of view. f5.8 @ 1/400th @ ISO 200. 2) 580mm. f5.8 @ 1/320th @ ISO 200. 3) 340mm. f5 @ 1/160th @ ISO 200. 4) 840mm. f5.8 @ 1/200th @ ISO 200. 5) 570mm. f5.8 @ 1/400th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.

I came back from Godwit Days in Arcata California with enough Marsh Wren shots to last me a long time…or at least until I find another group of cooperative wrens. 🙂 So, without too many apologies, yet another (the 4th) helping of Arcata Marsh Wren. I find it impossible not to appreciate the singing wrens. They are so alive, so right up there in your face vivid and intense, both in person and in pictures. What is not to like?
This is another shot from a rainy day…under heavy overcast…but the flat light is just right for the subject, allowing the full range of subtle browns without dampening the yellow around the beak too much…and keeping the eye liquid. The “V” bokeh pattern adds to the effectiveness of the shot. I wish could say I had planned that…but at least I was apt enough to appreciate it when I found it in post-processing.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1680mm equivalent field of view (840mm optical plus 2x digital tel-extender function). f5.8 @ 1/200th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness.
I think the Magnolia Warbler is one of the most beautiful of spring warblers. There were many of them along the east end of the boardwalk at Magee Marsh when I was there…though they tend to stay well into the bush even when singing…as here.

Even the females are bright and bold, though somewhat subdued compared to the males.


We do get Magnolias here in Maine. I intend to go out looking for them after breakfast today. They pass through Kennebunk rapidly, and you have to be in the right place to see them. This is early, but worth a try.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) and 2) 840mm equivalent field of view. f5.8 @ 1/200th @ ISO 125. Cropped to about 6mp. 3) 840mm. f5.8 @ 1/200th @ ISO 100. 4) same as 1) and 2) except no crop.
Processed in Lightroom for intensity, clarity, and sharpness.




I went to Washington Oaks Gardens State Park, south of Marineland Florida, looking for Great Horned Owl Chicks, but I had a lot of fun with a pair of Osprey hunting over the river. With flight shots, at least for me, it is always a balance between sufficient reach (long focal length) to catch a significantly sized bird in the frame, and a wide enough field of view (short focal length) to get and keep the bird in the frame at all. The Canon SX40HS I use does not focus as fast as a DSLR in this application either, so I have to keep the bird in the frame longer to get focus lock. Sigh.
Still, with cooperative birds and patience (and by shooting a lot of frames) you can get satisfying results. These were all shot at about 680mm equivalent field of view. The two Osprey were actively hunting well out over the river, nearly to the other side, at least 500 yards off and that high in the sky. At that focal length, backed off from the full 840mm optical reach of the zoom, I could get them in the frame and lock focus, but I had to crop the resulting images from 12mp down to about 5mp to get the birds to fill a significant amount of the frame, and to show detail. As it happens, the Canon images have enough resolution to support the crop. I was pretty happy with these. Certainly a DSLR with an image stabilized 600mm lens would have done better…but I do not carry a DSLR rig by choice, and hand-holding a 600mm lens for flight shots is not easy for anyone. My tiny (comparatively) SX40HS does me well.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 684mm equivalent field of view. 1) f5.8 @ 1/1000 @ ISO160. 2) and 3) f5.8 @ 1/1000th @ ISO 125. 4) f5.8 @ 1/800th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness. Cropped for image scale.

The seaside rabbits of Cape May New Jersey are famous, at least in my mind, for their nonchalance around humans. At Lighthouse State Park, long the trails behind the Hawk Watch, and below the dunes at The Meadows (Cape May Migratory Bird Sanctuary), the rabbits go about their business pretty much without regard for human traffic. If you get too close, say inside 6 feet, they just kind of hop our of sight…no rush…but they don’t want to be stepped on. I have never seen one run.
That makes bunny photography very easy in Cape May. This was late in the day, getting on towards supper time, and on trail behind the Hawk Watch at Lighthouse State Park.

As you see, my rabbit friend was aware of me, but not overly concerned. Just keeping an eye on me out of the corner of his eye. I like the rich detail in the fur in these shots. It makes me what to reach out and touch it, and gives the illusion that I might.

The final shot is my closest approach. After that shot he ambled into the deeper grass.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 3) and 4) 840mm equivalent field of view. f5.8 @ 1/200th @ ISO 160 and 200. 2) 526mm equivalent. ff.8 @ 1/160th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.