Posts in Category: yard
Almost Goldfinch!
Another visitor to our back deck thicket feeders. I would prefer to catch them in the branches around the feeders, but this young gentleman just has so much finchenality that I will forgive him his choice of perch. Besides, a bird’s gotta eat, especially a bird coming into what might well be it’s first adult breeding plumage. I think that, in part, because this bird has been “sparing” with the other adult males that come to the feeder. The molt on this bird makes for an interesting bedraggled look. Almost a Goldfinch. 🙂
Canon SX50HS. Program with iContrast and Auto Shadow Control. -1/3EV exposure compensation. 1200mm equivalent field of view. f6.5 @ 1/100th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
Oh me of little faith: Crocus
Just on Friday, four days ago, three days before this image I took yesterday, I posted a shot of our pitiful crocus shoots poking up above the cold ground, and made some kind of disparaging remark about how late the spring has been in Maine. Oh me of little faith. I completely forgot how fast crocus are! Those tiny little shoots, three days later, are full flowered and beautiful (and already home, as you see in the image, to what appears to be a honey bee). Not that the crocus completely redeem the spring. While they bring spring more or less on schedule, they are no match for the March 23 blooming of the crocus last year!
Canon SX50HS. Telephoto macro. 1200mm equivalent field of view from about 5 feet. f6.5 @ 1/160th @ ISO 320. Processed in Lightroom for intensity, clarity, sharpness, and color balance.
Blue Jay in the Pine
I am leaving Las Vegas this morning…at the airport already waiting the first long leg of my flights to Orlando and the Space Coast Birding Festival in Titusville. I am looking forward to birds and landscapes instead of the the artificial environment of Vegas.
This is a Blue Jay from the backyard to celebrate!
Canon SX50HS in Program with iContrast and Auto Shadow Fill. 1800mm equivalent (1/5x Digital Tel-converter). f6.5 @ 1/320th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
Downy on Suet
We have both Downy and Hairy Woodpeckers in Southern Maine, and occasionally they will be in the yard at the same time. When they are I am always tempted to call the Downy, the Dainty Woodpecker. I am not sure if it is the smallest North American Woodpecker, but it must be close. And more than small…it is indeed dainty…compact and elegant in both appearance and habits. Great bird!
Canon SX50HS. Program with iContrast and Auto Shadow Fill. –1/3 EV exposure compensation. f6.5 @ 1/160th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
Jay on Suet
It was cloudy and dark most of the day yesterday despite the Weather Channel’s promise of partial sun, but the birds are becoming more active at my new feeding station. Yesterday we had a lot of Blue Jays in the neighborhood. I watched them forage not only our feeders but all the yards I can see from the house…whether or not they have feeders out. We are also getting Titmice everyday, and a few Chickadees and Juncos. I put up a thistle feeder yesterday…hoping for some of the rumored winter finches. We shall see.
Blue Jays are always handsome…and they are prettier in a photograph than in real life. In real life it is hard to get by their constant fuss and bother to see the beauty. And it really requires a close view…binoculars or camera…to being out the subtle shades and the fine feather detail that make them more than a big noisy blue bird.
Canon SX50HS at 1800mm equivalent field of view. Bad light. f6.5 @ 1/320th @ ISO 800. Program with –1/3 EV exposure compensation. Processed in Lightroom for intensity, clarity, and sharpness.
Happy New Year! Dawn 2013
I planned on posting a dawn shot, out the back door, over the back yards, to celebrate the first sunrise of 2013, but I had given up on the sunrise and started another post. It looked to me like the sun had snuck up behind a cloud bank and I was going to have to post something else. Mid-post I happened to look up and, low and behold, there was the sunrise I had hoped for! Oh me of little faith.
So, I was writing about how my artistic intent for this year is to 1) be there, 2) be aware so I can see any possible image, 3) be ready (skills honed and gear mastered). And then to frame, capture, and share what I see. That’s it. That will be my photographic goal for 2013 as it has been for many years now. I am looking forward to it!
So, the dawn. Still in my bathrobe, I cracked the sliding glass door that opens on the back deck (it is cold out there) and framed shots as the colors came up in the clouds. Open door. Shoot. Close door. Wait. Open door, etc. When the sunrise had reached what I judged to be its peak, I shot two last frames to form a panorama. The panorama above. (click on it to open it full width in the lightbox)
Fine. Then I get the images into Lightroom and open them out into PhotoShop Elements. I just installed PE 11 last week. Where did they put the PhotoMerge tools?? It took me 10 minuets of searching the help files to find the new placement. Then when I got the images into PhotoMerge’s Panorama tool, I realized that (once again!) I had tipped the camera up to frame the sunrise, and forgot that the distorted perspective would wreck havoc with any panorama attempt. There was just no way these two images were going together smoothly. Rats! Not doing so well my statement of artistic intent so far.
But then, in preparing the other images for my gallery I tried adjusting perspective in Lightroom. Ah ha! What if I adjusted perspective on the two panorama pics before exporting them to PE? No sooner thought than done, and, hey presto, PE’s PhotoMerge Panorama tool was able to do the rest!
So, here it is. Happy New Year. Dawn 2013. And I will have to amend my statement of artistic intent to include whatever learning is needed to accomplish it. But that is okay. I like to learn.
Canon SX50HS in Hand-held Night Scene Mode. 2 images stitched in PE’s PhotoMerge tool. f3.4 @ 1/400th @ ISO 800. Processed in Lightroom for intensity, clarity, and sharpness.
Happy New Year to you all. And may you all fulfill your own artistic intent this year and every year.
Christmas Macro Magic
Merry Christmas Eve!
I went looking for a macro this morning. It is MacroMonday over on Google+, and, as I mentioned yesterday, I need a break from posting images from the Rio Grande trip to Texas and New Mexico. Something new. The living room was dark, with only the little white seed lights of the Christmas tree glowing (along with the screen of my wife’s laptop :). I was attracted to the way the light caught in the hair of this little nutcracker ornament. I was attracted by the way the figure was suspended in the shadows and shapes of the pine needles with only the Christmas Tree lights on.
And here is where the magic comes in. This is a handheld, ambient light, macro taken in “handheld night scene mode” at 24mm equivalent field of view with the Canon SX50HS. And the “ambient light” came from the few white seed lights that were close enough. The exif data reads f3.2 @ 1/15th @ ISO 1600 but that is not the whole story. To make this happen, the camera took three shots in rapid sequence and then stacked them to produce an exposure with has much of the noise processed out, and which has been stabilized by using the position data in the three images to process out motion blur. I did use a monopod under the camera to help steady it a bit, but still, this is nothing short of magical! I have linked the image to the lightbox view at WideEyedInWonder on SmugMug so with a couple of clicks you can view this image as large as you like. (Size controls are at the top of the page.)
The third of Clarke’s Three Laws (Arthur C. Clarke, the famous SiFi writer) is “Any sufficiently advanced technology is indistinguishable from magic.” It certainly seems as though our cameras today are getting to the point where the technology is that sufficiently advanced. This shot could have been made even in the days of film…but it would have taken a lot of work, and a very skilled artist. Today’s P&S cameras put this kind of shot within the reach of anyone with enough imagination to see it…enough sense to read the manual…and just enough courage to press the shutter button. That is magical!
Processed in Lightroom for intensity, clarity, and sharpness using my hyper-real preset.
Turtlehead in the Rain
I have a new camera. I replaced my Canon SX40HS with a newly released SX50HS…longer zoom (50x, 24mm to 1200mm equivalent, faster focus, etc). It came on Wednesday and it has rained non-stop ever since. Still I had to brave the drips to take at least a few shots around the yard. This is a shot at 1200mm from about 8 feet away. ISO 800. Not bad at all.
I like the total wet look, the depth of the color, and the extreme bokah.
f6.5 @ 1/100th. Program with iContrast and – 1 /3EV exposure compensation. Processed in Lightroom for intensity, clarity, and sharpness.
Back Deck Geraniums
Sunday morning, when I went to the kitchen for tea, the sun was coming in over the deck rail at just the right angle to reflect back from the windows of the sliding doors and strongly illuminate the large pots of Geraniums my wife had placed on the deck. It was portrait quality lighting, with the mix of direct sun and reflected sun, and the Geraniums glowed with life. I could not resist. And when I got the camera and got out there, I found that the plants were still beaded with drops from the overnight rain. Could not have been better if I had created the whole thing in the studio (if I had a studio :).
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 24mm macro mode, plus 1.5x digital tel-converter for scale and working distance. f4 @ 1/500th @ ISO 100. Processed in Lightroom for intensity, clarity, and sharpness.
Penstimon? From the Yard, Kennebunk ME
So I woke up, at home, after 4 days in Virginia, and realized I did not have a pic for FloralFriday over on Google+. Out to the yard to see what is in bloom. This, I am pretty sure, is one of the apparently infinite Penstimons. It has been growing in our yard since we got there 17 years ago. My wife found one plant in the center of a unkempt garden plot out front, which was two the next year, and she started transplanting it around the yard. By now we have several stands of it.
For this shot I backed away from the plant about 10 feet and shot at 1240mm equivalent field of view. That is 150mm real focal length (plus 1.5x digital tel-extender) on the Canon SX40HS, and it gives a very nice bokeh, isolating the purples and the tight little green pearls of the flower spike against the mottled green of the out-of-focus flower patch behind.
Camera as above. Program with –1EV exposure compensation. f5.8 @ 1/200th @ ISO 500. Processed in Lightroom for intensity, clarity, and sharpness…and auto color temperature to offset the early open shade.