Looking back north along the Pacific shore of Point Loma from the area above the Tide Pools at Cabrillo National Monument in San Diego California under a layered sky. A little scenery for Saturday! I always enjoy this area, and try to get out here at least once on each yearly trip to San Diego.
Canon SX20IS at 28mm equivalent field of view, f5 @ 1/1250th @ ISO 125, Landscape mode.
Processed for intensity and clarity in Lightroom. Slight distortion adjustment for the horizon.
A few random flowers for Friday from San Diego. Here from a “restoration project” along the San Diego River Channel (the mile of birds). I could not resist the mass of color and foliage…a low angle and a bit of cloud washed sky in the background make for an interesting shot bottom to top. IMHO.
Canon SX20IS at 28mm equivalent field of view, f4 @ 1/800th @ ISO 80, Landscape Mode.
Processed in Lightroom for intensity and clarity.
I posted several pics of this Anna’s in bad light last Friday, but I wanted to revisit it today in order to show off the video. One of the joys of digiscoping with today’s modern digital compacts is that you can shoot HD video with a flip of the switch. And, without further ado, here it is…the Anna’s Hummingbird video from Cabrillo National Monument, San Diego CA. Canon SD4000IS behind the 15-56 Vario Eyepiece on the ZEISS DiaScope 65FL
While in San Diego for the San Diego Birding Festival, I spent a morning at Cabrillo National Monument testing a new digiscoping adapter on my ZEISS DiaScope. While there, the soaring Pelicans above the Tide Pools area tempted me to practice my flight shots. Flight is the final frontier of digiscoping…the greatest challenge. Granted, Pelicans are kind of cheating…they soar on outstretched wings in relatively predictable patterns, moving at a reasonable speed, and they are big! I did say this was a practice exercise. For practice to be effective, you have to have some acceptable percentage of success. Sharp-shinned Hawks are not practice birds. Goldfinches are not practice birds. Pelicans are practice birds.
I set up where there was a steady stream of passing Pelicans, coming by in groups of 10-15, curling up over a high point of land on the cliff and sailing out over a little bay. I prefocused on a convenient sign on the cliff edge at about frame filling distance for a Pelican. I could pick the birds up a thousand yards down the coast as they began to rise, and track them into my focus zone. With the zoom on the scope at full wide and the camera zoom set to just eliminate vignetting, the auto focus on the camera was effective for about 3 or 4 seconds as the birds passed. In that time they went from 6 or 7 birds in the frame, as in the second and third shots, to a single bird filling the full width, as in the first shot. Of course I was using the the 4 frames per second continuous shot mode on the little Canon SD4000IS, so each of these shots is culled from a burst of several shots taken as I panned with the birds. I could just barely follow them long enough for a single burst before they were too close and then past me. I had to be thankful that the steam was steady. I never had to wait more than a few moments for the next group to appear over my headland. They were still going by when I decided I had enough on my SD card to sort through when I got back to the hotel.
Depending on the height of the birds they were framed against the blue of the sea or the somewhat gray sky. You can actually see the transition in shot #3.
All shots with the Canon SD4000IS behind the 15-56x Vario Eyepiece on the ZEISS DiaScope 65FL. Somewhere in the 1200mm equivalent field of view range. Kids and Pets mode. Shots 1) and 5) at ISO 160 @ 1/2000th second, the rest at ISO 125 @ 1/1600th sec.
Processed for clarity and sharpness in Lighroom.
Back in Maine after a week in San Diego, I thought I would celebrate with a little snow and ice. We did get some melting while I was away, but this is the Mousam River just before I left…frozen and snow covered. We still have feet of “white ice” in the backyard…highly reflective and highly resistant to melting. So it goes. We could easily get another foot of fresh snow before spring is ready to lay claim to the landscape for good.
Canon SX20IS at 28mm equivalent field of view, f4 @ 1/640th @ ISO 80. Snow Mode.
Processed for intensity and clarity in Lightoom (see the processing page.)
From the tide pools area at Cabrillo National Monument, looking up. You can see the whale observation platform peeking up on the right and the lighthouse near the center. The Pelicans were a bonus.
Canon SX20IS at 28mm equivalent field of view, f4 @ 1/640th @ ISO 80. Landscape program.
Processed for intensity and clarity in Lightroom.
Happy Sunday! I have taken this shot many times over the last 8 years on my annual visit to San Diego. I spend most of each day at the Mission Bay Marina Village Conference Center talking optics with prospective ZEISS owners and one of the highlights of the day (no pun intended) is sunset over the marina. This year I have a new tool to apply, since I have begun to actively experiment with HDR. The hard part of a sunset shot is holding any kind of realistic detail in the foreground while capturing the subtle shades and brilliant hues of dominant sky. HDR helps.
Canon SX20IS at about 60mm equivalent field of view, three bracketed exposures centered on –2/3 EV, assembled and tone-mapped in Photomatix pro, processed for intensity and clarity in Lightroom.
And here we take the closer view, which is even more of challenge for the sensor.
And, since it is Sunday: we love sunsets…sunsets and dawns when the sky takes fire move the most self-centered of us to an appreciation, to an apprehension, of the beauty of nature. But there is something deeper there…sunsets stir something in our souls…we feel them, as much as see them…we are moved. There is a longing in the time between times (as the Celts would say), a yearning, an opening to something other and beyond ourselves. I am not a believer in magic, but I can believe more fully in miracles at sunset. The sunset has to witnessed either with silence or with song…with contemplation or with praise…with supplication and with hope. It is in the truest sense, a holy time. Is it any wonder the camera sensor struggles to capture it…
Only in San Diego…at least in the continental US. Mission Bay is a complex of dredge islands developed into upscale resorts and housing, and lots of park area (Sea World is there). This is along a newish looking bit of wide paved path between South Shores boat ramp and the picnic shelter. I’m not sure how old the plantings are but they certainly are lush, and colorful, in March!
Canon SX20IS at 28mm equivalent field of view, f4 @ ISO 80, 1) 1/320th and 2) 1/500. Landscape program.
Processed for intensity and clarity in Lightroom.
Cabrillo National Monument. The light had gone and the wind was well up by the time I found this Anna’s Hummingbird perched up nicely between the lighthouse and the observation deck at the edge of the bluff so these are not great images, but with exposure compensation cranked up to plus 2 EV and some work in Lightroom, the gorget really pops.
I have some video too which I will add when I am on a faster internet connection.
Canon SD4000IS behind the 15-45x Vario eyepiece on the ZEISS DiaScope 65FL spotting scope for the equivalent field of view of about a 3000mm lens, 1/640th down to 1/200th @ ISO 125, f8.5 effective. Programmed auto.
Processed for intensity, clarity and sharpness in Lightroom. Added exposure and fill light.
A four exposure Panorama assembled in PhotoShop Elements 9, taken from above the tide pools at Cabrillo National Monument in San Diego CA. For the full effect, click the image and view at as large a size as your monitor will allow. As with any pano of the sea, the horizon is correct, but you will notice some breaks in the sea itself. Moving waves do not line up shot to shot. I have never figured out a way to avoid that.
Canon SX20IS at 40mm equivalent field of view, 4 exposures, f4.0 @ 1/1000th @ ISO 80. Hand held.
Processed in Lightroom for intensity and clarity.
[Edit: following an excellent suggestion from a commenter, I went back and used the clone tool in PhotoShop Elements to eliminate the discontinuity in the ocean. This is the edited image: not perfect, but much better (imho).