
I can tell I am getting serious about dragonflies. I bought a book: the Kindle edition of Dennis Paulson’s Dragonflies and Damselflies of the East, from Princeton Press. I run it on my Xoom Android Tablet, in full color, and it is a great resource. Such a lot to learn.
This is a Golden-winged Skimmer from Washington Oaks Gardens State Park south of Marineland FL. It is a stunning dragonfly any time of day, but when the early Florida morning sun wakes the orange on the body and, especially, on the wings, it is, I think, knock-your-eye-out beautiful.



Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 3) and 4) are at 1680mm equivalent field of view (840mm optical plus 2x digital tel-extender) and 2) is at 1240mm (1.5x digital tel-extender). 1) f5.8 @ 1/400th @ ISO 200. 2) f5.8 @ 1/200th @ ISO 100. 3) f5.8 @ 1/125th @ ISO 800. f5.8 @ 1/500th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.

As befits its name, there is no more colorful bird at the St. Augustine Alligator Farm rookery during breeding season than the Tricolored Heron. Naturally a colorful bird, breeding adds the bright turquoise lores (with color extending well out on the beak), and extra vibrancy to the plumes. The clear red eye, which looks to me to be made of liquid ruby, is even more vividly set off by the turquoise surround.

The Tricolored are also the most oblivious of the birds at the rookery to human presence. They nest closest to the boardwalk, often within arm’s reach, and they will hop up on the pilings with people 3 or 4 feet on either side, and sit there, generally moving off on their own before they are flushed.


Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 445mm equivalent field of view, f5 @ 1/160th @ ISO 500. 2) 325mm equivalent, f5 @ 1/200th @ ISO 200. 3) and 4) 230mm equivalent, f5 @ 1/200th @ ISO 200.
Processed in Lightroom for intensity, clarity, and sharpness.

The Great Egrets are the most likely birds to contest prime nest sites at the St. Augustine Alligator Farm rookery with the Wood Storks. They generally loose out for the tree-top sites, but they make up the whole of the next story down. This bird did, somehow, end up with a penthouse suite and was making the most of it by displaying on the balcony. You can see the green lores, one of the features of full breeding plumage.



When I visit in late April, you already find Great Egret nests at all stages of development, from newly laid eggs, to chicks about ready to fledge.
And, of course, there is nothing quite like a Great Egret in flight…and birds are in flight somewhere almost continuously at the rookery.



Great Egret winds are a wonder, even when all the bird is doing is preening.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 655mm equivalent field of view, f5.8 @ 1/800th @ ISO 100. 2) 560mm equivalent, f5.8 @ 1/640th @ ISO 200. 3) 350mm, f5 @ 1/800th @ ISO 200. 4) 500mm, f6.3 @ 1/1250th @ ISO 200. 5) 350mm, f5 @ 1/800th @ ISO 200. 6) 370mm, f5 @ 1/1000th @ ISO 100. 7) and 8) 340mm, f5 @ 1/1000th @ ISO 160. 9) 340mm, f5 @ 1/640th @ ISO 200.
Processed in Lightroom for intensity, clarity, and sharpness.

It seems like every year there are more Cattle Egrets nesting at the St. Augustine Alligator Farm rookery, and they were particularly bright, in their breeding colors, this year.



It is tempting to think of them as “non-native birds” since they have only been breeding here in North America since the early 1950s. However, the Cattle Egret got here under its own power, naturally, crossing the Atlantic to South America in the early 1900s and becoming established there by the 1930s. It then moved out, breeding in Canada by the 1960s, and, by now, having spread over much of North and South America.
And it has spread on the other continents as well. Originally it was native (?) to the Iberian Peninsula and North Africa (that is to say, that is were it was found when we first began to pay attention). From there it spread all through Africa, crossed over the the Americas, colonized Asia (reaching Australia by the 1940s and New Zealand by the 60s). It is now working north through Europe, and east, island by island, across the Pacific Ocean.
It goes, and can survive, and thrive, where ever humans raise cattle. Simple as that. Because of its specialization, it does not normally seriously compete with native species. That helps it to become established fairly quickly…as does it ability to blend in in communal heron/egret/stork rookeries like the one at the Alligator Farm in St. Augustine. Interesting bird.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 840mm equivalent field of view, f5.8 @ 1/640th @ ISO 160. 2) 440mm equivalent, f5 @ 1/320th @ ISO 160, 3) 840mm, f5.8 @ 1/400th @ ISO 200. 4) 840mm, f5.8 @ 1/250th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.

Snowy Egrets are nesting in large numbers at the St. Augustine Alligator Farm rookery in April and May each spring. At any given moment from dawn to dusk you can catch a male displaying somewhere off the boardwalk. This year, when I visited in late April, many nests already had young as well. The first shot shows a male in all his finery, from the yellow slippers (maintained all year) to the bright red lores (the area between the beak and eye: red only during breeding season). But of course it is the plumage show that captures the imagination: those fine fine back feathers lifted, in challenge to other males, and in invitation to any females. It was these feathers, of course, along with the corresponding breeding finery of Great Egrets and herons, that also attracted the notice of milliners and ladies of fashion at the turn of the century. The annual harvest of Egrets and herons came close to driving the birds to extension, and lead, thankfully, to the first real conservation movement in the US.
Snowy Egrets are attentive nesters, and at the rookery you get to observe nests in many stages of development. In the second shot a female hovers over her chicks, and in the third, the chicks attack her beak hoping for food.


Then we have another displaying male, and a more intimate portrait.


Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 630mm equivalent field of view, f5.8 @ 1/800th @ ISO 200. 2) 840mm equivalent, f5.8 @ 1/1250th @ ISO 200. 3) 560mm, f5.8 @ 1/320th @ ISO 200. 4) 540mm, f5.8 @ 1/640th @ ISO 125. 5) 840mm, f5.8 @ 1/800th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness. 3) and 5) cropped for composition.

The largest birds and most conspicuous birds at the St. Augustine Alligator Farm rookery are the Wood Storks. 30 to 40 pair nest each year, many of them in the single largest tree. It looks like Wood Stork village. I was there in late afternoon when the Florida temperatures were nearing 90 degrees and the sun was hot. This Stork is making shade for a nest full of young. I saw this pose at several nests, and is evidently one the Stork can hold for an extended time. The shot also shows off the green iridescence in the black feathers of the wings…something that is sometimes hard to see.

The second shot is of a Stork airing its wings in the tree top, coming or going. There is constant movement as the birds come and go from feeding, and the Storks don’t ever seem to finish nest building. Males are still bringing in green branches when there are already young in the nest.


The young are just as ungainly and ugly as the adults…but where the adults are saved by the sheer majesty of those huge wings, the chicks have to rely on the residual cuteness of the young of any species for their appeal.

To be fair, the adults have a kind of majesty even without the spread wings.

Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 700mm equivalent field of view, f6.3 @ 1/1250th @ ISO 200. 2) 600mm equivalent, f5.8 @ 1/1250th @ ISO 100. 3) 840mm equivalent, f5.8 @ 1/800th @ ISO 100. 4) 670mm, f5.8 @ 1/1000th @ ISO 200. 5) 400mm, f5 @ 1/1250th @ ISO 100. 6) 430mm, f5 @ 1/1000th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness.

The St. Augustine Alligator Farm rookery during breeding season is an amazing place to photograph birds. Everywhere you look there is something happening that is worth your attention and a few frames. It is easy to come back with multiple 1000s of exposures from a day there. And you have to keep reminding yourself: despite being inside a zoo, these are not zoo animals. They are wild birds, communal nesters by nature, who have gathered on their own to create this amazing multi-species rookery. The Alligator Farm has just been intelligent enough to provide access for the wondering public and photographers of all levels. In fact, the Alligator Farm rookery is fairly unique in that even folks with Point and Shoot party cameras…even phone cameras…can bring back satisfying shots of the birds. The longer lens of a super-zoom or DSLR outfit makes truly intimate portraits possible.
And among the birds who nest there, the Little Blue Heron stands out for me. It is not the most numerous or even the most showy…that would have to be the Great Egrets…but it is certainly a striking bird, an arresting bird, in is breeding finery. The plumage, with is subtle blue-greys and purples, its wide range of feather structure, from hair like plumes to sturdy wing feathers, is interesting in any light. And the bird, like all herons, poses. Add the deep turquoise around the eye that is only there during breeding and you can understand why I have so many images.




Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 1) 700mm equivalent field of view. f5.8 @ 1/400th @ ISO 200. 2) 580mm. f5.8 @ 1/320th @ ISO 200. 3) 340mm. f5 @ 1/160th @ ISO 200. 4) 840mm. f5.8 @ 1/200th @ ISO 200. 5) 570mm. f5.8 @ 1/400th @ ISO 160.
Processed in Lightroom for intensity, clarity, and sharpness.

Washington Oaks Gardens has an extensive formal water garden, and, inside a wrought iron fence with trellis gates, a great collection of carefully tended roses. Since I am often there early for the birds, I often catch the dew on the rose in all its glory.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. This is a digital tel-extender macro…with the lens at 24mm and macro where I can focus to 0 cm, and 1.5x digital tel-extender engaged for an equivalent focal length of 36mm and larger image scale. This is a use of the digital tel-extender feature I an sure Canon did not foresee, but results, I think, are convincing. f4.5 @ 1/1250th @ ISO 125.
Processed in Lightroom for intensity, clarity, and sharpness.




I went to Washington Oaks Gardens State Park, south of Marineland Florida, looking for Great Horned Owl Chicks, but I had a lot of fun with a pair of Osprey hunting over the river. With flight shots, at least for me, it is always a balance between sufficient reach (long focal length) to catch a significantly sized bird in the frame, and a wide enough field of view (short focal length) to get and keep the bird in the frame at all. The Canon SX40HS I use does not focus as fast as a DSLR in this application either, so I have to keep the bird in the frame longer to get focus lock. Sigh.
Still, with cooperative birds and patience (and by shooting a lot of frames) you can get satisfying results. These were all shot at about 680mm equivalent field of view. The two Osprey were actively hunting well out over the river, nearly to the other side, at least 500 yards off and that high in the sky. At that focal length, backed off from the full 840mm optical reach of the zoom, I could get them in the frame and lock focus, but I had to crop the resulting images from 12mp down to about 5mp to get the birds to fill a significant amount of the frame, and to show detail. As it happens, the Canon images have enough resolution to support the crop. I was pretty happy with these. Certainly a DSLR with an image stabilized 600mm lens would have done better…but I do not carry a DSLR rig by choice, and hand-holding a 600mm lens for flight shots is not easy for anyone. My tiny (comparatively) SX40HS does me well.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. 684mm equivalent field of view. 1) f5.8 @ 1/1000 @ ISO160. 2) and 3) f5.8 @ 1/1000th @ ISO 125. 4) f5.8 @ 1/800th @ ISO 100.
Processed in Lightroom for intensity, clarity, and sharpness. Cropped for image scale.

Though I am at The Biggest Week in American Birding along the Erie shore in Ohio this morning, I still have a lot images from Godwit Days in Northern California, and the Florida Birding and Photo Fest in St. Augustine to share. This is another from my one visit to the St. Augustine Alligator Farm rookery. Such a great place for bird photography!
In May there are many nests of several species and young in almost any stage of development from egg to fledgling. There is nothing quite so ungainly–elegant–beautiful–ugly as the chick of the Great Egret. And I do not mean that they are sometimes ungainly and sometimes elegant, etc. I mean that they are all those things simultaneously in a mix that most people just call “cute”. Yet, cute, in my opinion does not apply. I am driven to resort to compound and conflicted adjectives to capture even a hint of the nature of the creature. The image does it better.
Canon SX40HS. Program with iContrast and –1/3EV exposure compensation. About 300mm equivalent field of view. f5 @ 1/300th @ ISO 200. Processed in Lightroom for intensity, clarity, and sharpness.
And for the Sunday thought: part of the appeal of Great Egret chicks, or any nestlings, certainly has to be that they touch our paternalistic instincts. They look so alive and so helpless that we are moved. We want them to grow and become…and in some vague sense we are willing to give ourselves to make that happen if necessary. Not that we think this through. It is called “the paternal instinct”. Some would say it is hard wired into our brains, as unavoidable as the knee jerk that doctor elicits with his little hammer.
I suspect there is a spiritual dimension to it as well though. I suspect it is more than brain chemistry and electrical patterns running a prerecorded routine. You could push the experience to say that on some level we are aware of our unity with all that lives. On some level we are aware of our responsibility for all that lives. Cute kittens, puppies, and, yes, Egret chicks break through our isolation as a species and as ourselves to call to a more basic calling. We are called to care. We are, I have to believe, made to care.
In the bustle and the busyness of business and relationships we sometimes forget. We sometimes think we are made to succeed. Or we are made to compete. Or we are made to acquire. Egret chicks on the nest at the St. Augustine Alligator Farm rookery are a gentle reminder that, indeed, we are made to care.